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	(6228,1,'2013-06-18 02:55:00','2013-06-18 01:55:00','<p>Tenchi Muyo! kind of has this trope. In the OVA, ordinary alien Juraians live about the same length of time as humans, but members of the Galaxy Police who have undergone \"body enhancement\" live about three times as long, and members of the royal family who have bonded to Jurai trees can live for maybe 20,000 years. Other characters like Ryoko, Washu, and Kagato can live for thousands of years for other reasons. \r\n</p>\r\n<p>Replica Bags (Do you have a headache yet?) Or to avoid the headache and ensuing paradox, Future Bob could go back and save Alice in such a way that Past Bob still thought that she died then drop her off in the present kind of the present, anyway. The future. Past.  Replica Bags\r\n</p>\r\n<p>It\'s sad,isn\'t it Kevin. I still like your fish which look like a bass to me. Folks get their self confidence knocked out of them by parents, teachers, siblings, friends and even strangers. 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	(6287,2,'2018-01-16 11:16:25','2018-01-16 10:16:25','','Bozza automatica','','inherit','closed','closed','','6286-revision','','','2018-01-16 11:16:25','2018-01-16 10:16:25','',6286,'http://www.teatroclubudine.it/6287-6286-revision/',0,'revision','',0),
	(6288,1,'2014-03-18 10:11:00','2014-03-18 09:11:00','<p>The Furious Famicom Faggot: A parody of The Angry Video Game Nerd and Caustic Critics in general. Breakfast Duck: At first a parody of breakfast mascots. Breakfast Duck, along with his troubled son and cute niece try <a href=\"https://www.almondsoda.com\" rel=\"friend met co-worker neighbor\">Fake Designer Bags</a> to remain a family while going through hilarious tragedies. My God, What Have I Done?: During Chunk\'s \"confession\" to The Fratellis he says the worst thing he ever did was mixed up a bunch of fake puke, took it to a movie theater, went to the balcony and poured it on the people below and everyone in the audience started getting sick and throwing up all over each other. He had never felt so bad in his entire life. I like the dark. Pretty much the Villain Protagonist of the series. But as the installments set in the mid 60s reveal, she eventually undergoes severe Sanity Slippage and becomes a Not So Harmless Villain. The Baroness: Rand becomes one (Rosa Klebb variant) in Katanga. \r\n</p>\r\n<p>Hermes Replica Bags I Want My Beloved to Be Happy: Before he confesses his love, this is Phillip\'s sentiment, as he doesn\'t believe Maggie will ever love him back. He resolves to be a friend, a guardian, a brother, or whatever else she will allow him to be. But it turns out she returns his feelings. Doomed Hometown: The Kill Order opens with Mark living peacefully in a small Appalachian village with the other survivors of the Flare. No guess that it\'s going to meet a grisly end, if only so Mark can go outside his comfort zone. Double Standard: In Universe. Josef K. (Anthony Perkins, two years removed from his Star Making Role in Psycho) is a white collar worker in some nameless, vaguely European location. He awakes one day to find two ominous police officers at least they might be police officers, though they never show ID his room.  Hermes Replica Bags\r\n</p>\r\n<p>Replica Valentino Handbags Kara reveals her existence as Supergirl by rescuing a plane in regular street clothes. (Fortunately she gets her actual uniform later in the episode, but some can\'t help but think this is going to come back on her at some point). Immediately tells/shows Winn that she is Supergirl when she sees him at work the next day. They grow back, of course, but it\'s still worrying. Screw Yourself: Gestalt again. Getsalt does have a reason for it though, as a baby whose parents are both part of Getsalt will itself also be part of Getsalt, making Getsalt potentially immortal. Agent Scully: Richard Sloat goes through elaborate lengths to explain away the increasingly supernatural events that Jack brings into his life, ultimately concluding that the blatant magic he encounters is hallucinations caused by dementia. This is broken when he sees an absurdly simple Territories clock (a giant hourglass), and realized that he was incapable of imagining something that simple if he were to imagine a primitive clock, it would be full of giant gears and extremely complex that he accepts what happened. This extended, for his entire life up to that point, to an extreme disdain for all forms of fiction (he was a voracious reader, but exclusively in non fiction), and an ambition to become a research chemist Replica Valentino Handbags.\r\n</p>','My God, What Have I Done?: During Chunk\'s \"confession\" to The','','publish','open','open','','my-god-what-have-i-done-during-chunks-confession-to-the','','','2018-01-30 22:32:11','2018-01-30 21:32:11','',0,'http://www.teatroclubudine.it/?p=6288',0,'post','',0),
	(6289,2,'2018-01-30 22:32:09','2018-01-30 21:32:09','','Bozza automatica','','inherit','closed','closed','','6288-revision','','','2018-01-30 22:32:09','2018-01-30 21:32:09','',6288,'http://www.teatroclubudine.it/6289-6288-revision/',0,'revision','',0),
	(6291,2,'2018-02-04 14:13:54','2018-02-04 13:13:54','<p style=\"text-align: justify;\">A Udine, nella “Cantina” di via Manin 18 messa a disposizione del Teatro Club dalla Società Filologica Friulana, martedì 23 gennaio 2018 ha preso il via il primo dei 14 incontri, a numero chiuso e a cadenza settimanale, di un atelier teatrale pensato per i ragazzi del Palio aspiranti drammaturghi. Si tratta del progetto “ABC della scrittura teatrale. Dall’idea alla scena”, un  laboratorio di scrittura per la scena  ideato e condotto dai drammaturghi di MateâriuM Alessandro Di Pauli, Dario Palio D’Antoni e Stefania Ursella.\r\nDue le sessioni che ne articolano il viaggio, il cui scopo è condurre i ragazzi partecipanti  alla realizzazione di “corti” teatrali da proporre poi all’interno dell’edizione 2018 del Palio Teatrale Studentesco.\r\nNella prima, consistente in otto appuntamenti, il corso mira a introdurre ai segreti tecnici della drammaturgia  e così propone un approccio teorico e pratico ai vari argomenti che saranno trattati, tra i quali scrivere per azioni, costruire un personaggio, calibrare i tempi della narrazione, giocare tra  testo e sottotesto, indagare forme del discorso … Temi che saranno verificati nella scrittura di alcuni nomi forti della drammaturgia occidentale, da Pinter a Koltés, Rostand, O’Neill, Miller e Wilder.\r\nNella seconda parte, scandita in quattro appuntamenti, saranno gli stessi partecipanti al corso a mettere a frutto le nozioni acquisite e, sotto la guida di team di tutor,  a cimentarsi nella scrittura drammaturgica. I corti teatrali che verranno realizzati saranno delle azioni sceniche aventi la lunghezza massima di 10 pagine ciascuna.\r\nAl termine del percorso ci sarà un ulteriore appuntamento dedicato alla revisione e alla rifinitura dei testi prodotti, anche in vista della loro lettura pubblica.\r\nVa segnalato che il corso ha riscosso un notevole riscontro tra i ragazzi partecipanti che si sono attestati alla quota massima di quattordici iscritti e che provengono dai Licei udinesi Bertoni, Stellini e Copernico.</p>\r\n<p style=\"text-align: center;\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/inizio-lab.-23-gennaio-2018.jpg\"><img class=\"size-large wp-image-6294\" title=\"inizio laboratorio ABC 23 gennaio 2018\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/inizio-lab.-23-gennaio-2018-1024x576.jpg\" alt=\"\" width=\"980\" height=\"551\" /></a></p>\r\n&nbsp;\r\n\r\n<strong>Docenti</strong><strong>\r\n</strong>Alessandro Di Pauli, co-fondatore di MateâriuM, già docente di altre edizioni del <em>Tutoring drammaturgico\r\n</em>Dario Paolo D\'Antoni, drammaturgo e poeta, già docente di altre edizioni del <em>Tutoring drammaturgico\r\n</em>Stefania Ursella, drammaturga, già docente dei corsi \"Scrivere...\" per MateâriuM\r\n\r\n<strong>Contatti\r\n</strong>info@matearium.it│info@teatroclubudine.it\r\nwww.matearium.it  │www.teatroclubudine.it\r\n\r\n&nbsp;','\"ABC della scrittura teatrale\". Per il Palio 2018 con i MateâriuM','','publish','closed','closed','','abc-della-scrittura-teatrale-per-il-palio-2018-con-i-matearium','','','2018-02-04 14:16:44','2018-02-04 13:16:44','',0,'http://www.teatroclubudine.it/?p=6291',0,'post','',0),
	(6367,2,'2018-02-11 14:39:36','2018-02-11 13:39:36','<p align=\"center\"><strong>Progetto “Casa del popolo”</strong></p>\r\n<p align=\"center\"><strong></strong><strong><span style=\"text-decoration: underline;\">SPETTACOLO\r\n</span></strong>per Akrópolis IN\r\n<strong>domenica 18 febbraio 2018 ore 21.00\r\n</strong>Auditorium Zanon │piazzale Cavedalis, Udine</p>\r\n<p align=\"center\">ITC Teatro dell’Argine\r\nin collaborazione con Teatro delle Temperie\r\n<strong><span style=\"color: #ff0000;\">CASA DEL POPOLO</span>\r\n</strong>di <strong>Nicola Bonazzi\r\n</strong>da un’idea di Andrea Lupo<strong>\r\n</strong>con <strong>Micaela Casalboni, Giovanni Dispenza, Andrea Lupo\r\n</strong>scene di Carmela Delle Curti<strong>\r\n</strong>aiuto regia Mattia De Luca<strong>\r\n</strong>regia <strong>Andrea Paolucci</strong></p>\r\n<p align=\"center\"><strong> </strong><strong><span style=\"text-decoration: underline;\">INCONTRO\r\n</span></strong>per Akrópolis OFF\r\n<strong>sabato 17 febbraio 2018 ore 18\r\n</strong>Cantina │ via Manin 18, Udine</p>\r\n<p align=\"center\"><strong> </strong><strong><span style=\"color: #ff0000;\">Le Case del Popolo in Friuli Venezia Giulia</span>\r\n</strong>intervengono <strong>Francesco Micelli, Gigi Bettoli, Claudio Lorenzini\r\n</strong>moderano Angela Felice e Valter Colle</p>\r\n<p align=\"center\"><strong> </strong></p>\r\n<p style=\"text-align: justify;\">Tra dolcezza della memoria, rispetto della storia e disincanto del presente si muove lo spettacolo <strong>CASA DEL POPOLO</strong>, in anteprima per il Triveneto all’<strong>Auditorium</strong> <strong>Zanon domenica 18 febbraio, alle ore 21, </strong>per la rassegna “Akrópolis IN” del Teatro Club.\r\nInsieme al Teatro delle Temperie, il lavoro è realizzato dalla vitalissima Compagnia del Teatro dell’Argine di San Lazzaro di Sàvena (Bologna), un collettivo attivo anche sul fronte della formazione teatrale di cui spesso il Teatro Club ha ospitato le produzioni, specie per la serie “Cincali” di Mario Perrotta.\r\n<strong>Sabato 17 febbraio alle ore 18.00</strong>, la rappresentazione sarà preceduta da un incontro nella “Cantina” di via Manin 18 , dove <strong>Francesco Micelli, Gigi Bettoli, Claudio Lorenzini</strong>  e altri ospiti, moderati da <strong>Angela Felice </strong>e <strong>Valter Colle</strong>, racconteranno le tradizioni delle Case del Popolo vive anche in Friuli Venezia Giulia, dalla Carnia alla Bassa, per un confronto con le analoghe esperienze di altre parti d’Italia, lungo la storia del Novecento e ancora oggi.</p>\r\n<p style=\"text-align: justify;\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/casa-del-popolo.jpg\"><img class=\"aligncenter size-medium wp-image-6370\" title=\"casa del popolo\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/casa-del-popolo-300x199.jpg\" alt=\"\" width=\"300\" height=\"199\" /></a></p>\r\n<p style=\"text-align: justify;\">Nel nuovo lavoro dell’Argine, fresco di debutto, su testo del drammaturgo <strong>Nicola Bonazzi</strong>, tre attori (<strong>Micaela Casalboni, Giovanni Dispenza </strong>e<strong> Andrea Lupo</strong>, diretti da <strong>Andrea Paolucci</strong>) ripercorrono cento anni di vita delle “mitiche” Case del Popolo romagnole, dagli esordi del volontariato mutualistico alla resistenza politica  sotto il fascismo, dallo slancio rinnovato sullo sfondo della Repubblica democratica fino allo snaturamento dei nostri tempi. Erano i luoghi di un popolo ottimista, che credeva in sé e si impegnava in attività improduttive, tipo costruire “case” dove ritrovarsi tutti insieme a fare cose ricreative, per esempio ballare o giocare a carte. Luoghi inclusivi dove in parte, magari come residuo di un mondo in via di estinzione, si aggira ancora oggi, almeno in Romagna, un’umanità dedita al liscio, al burraco, ai quartini di vino e alle liti furibonde per una giocata di briscola finita male. Vive in luoghi dove ci sono tavolini, banconi da bar, campi di bocce e tavole calde che sfornano enormi piatti di tagliatelle. Sverna e villeggia lì, giorno dopo giorno,  mentre un altro popolo, più moderno ed efficiente, marcia con sicurezza nei corridoi di nuovi luoghi ricreativi, chiamati ipermercati.\r\nMa è ai primi che si dedicano gli attori del Teatro dell’Argine, rubando loro voci, storie, dialoghi, atmosfere, umanità: per capire senza partigianeria ideologica se il popolo (ammesso che esista) ha ancora una casa dove poter abitare. Il punto d’arrivo è uno spettacolo di teatro d’attore e di nostalgia “canaglia”, che –assicurano gli artisti - “ha il ritmo forsennato del rock d’antan e insieme il passo cadenzato di melodramma e di melassa del liscio da balera”.</p>\r\n<p style=\"text-align: justify;\">Info, Teatro Club Udine, via Marco Volpe 13, Udine\r\nt 0432  507953\r\ninfo@teatroclubudine.it\r\nwww.teatroclubudine.it</p>\r\n&nbsp;\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Akrópolis IN/OFF: Progetto \"Casa del Popolo\" con il Teatro dell\'Argine','','publish','closed','closed','','6367','','','2018-02-11 14:45:28','2018-02-11 13:45:28','',0,'http://www.teatroclubudine.it/?p=6367',0,'post','',0),
	(6293,2,'2018-02-04 14:05:05','2018-02-04 13:05:05','','labor ABC 2','','inherit','closed','closed','','labor-abc-2','','','2018-02-04 14:05:05','2018-02-04 13:05:05','',6291,'http://www.teatroclubudine.it/wp-content/uploads/2018/02/labor-ABC-2.jpg',0,'attachment','image/jpeg',0),
	(6294,2,'2018-02-04 14:10:03','2018-02-04 13:10:03','','inizio laboratorio ABC 23 gennaio 2018','Inizio laboratorio ABC 23 gennaio 2018','inherit','closed','closed','','inizio-lab-23-gennaio-2018','','','2018-02-04 14:10:03','2018-02-04 13:10:03','',6291,'http://www.teatroclubudine.it/wp-content/uploads/2018/02/inizio-lab.-23-gennaio-2018.jpg',0,'attachment','image/jpeg',0),
	(6295,2,'2018-02-04 14:13:44','2018-02-04 13:13:44','<p style=\"text-align: justify;\">A Udine, nella “Cantina” di via Manin 18 messa a disposizione del Teatro Club dalla Società Filologica Friulana, martedì 23 gennaio 2018 ha preso il via il primo dei 14 incontri, a numero chiuso e a cadenza settimanale, di un atelier teatrale pensato per i ragazzi del Palio aspiranti drammaturghi. Si tratta del progetto “ABC della scrittura teatrale. Dall’idea alla scena”, un  laboratorio di scrittura per la scena  ideato e condotto dai drammaturghi di MateâriuM Alessandro Di Pauli, Dario Palio D’Antoni e Stefania Ursella.\nDue le sessioni che ne articolano il viaggio, il cui scopo è condurre i ragazzi partecipanti  alla realizzazione di “corti” teatrali da proporre poi all’interno dell’edizione 2018 del Palio Teatrale Studentesco.\nNella prima, consistente in otto appuntamenti, il corso mira a introdurre ai segreti tecnici della drammaturgia  e così propone un approccio teorico e pratico ai vari argomenti che saranno trattati, tra i quali scrivere per azioni, costruire un personaggio, calibrare i tempi della narrazione, giocare tra  testo e sottotesto, indagare forme del discorso … Temi che saranno verificati nella scrittura di alcuni nomi forti della drammaturgia occidentale, da Pinter a Koltés, Rostand, O’Neill, Miller e Wilder.\nNella seconda parte, scandita in quattro appuntamenti, saranno gli stessi partecipanti al corso a mettere a frutto le nozioni acquisite e, sotto la guida di team di tutor,  a cimentarsi nella scrittura drammaturgica. I corti teatrali che verranno realizzati saranno delle azioni sceniche aventi la lunghezza massima di 10 pagine ciascuna.\nAl termine del percorso ci sarà un ulteriore appuntamento dedicato alla revisione e alla rifinitura dei testi prodotti, anche in vista della loro lettura pubblica.\nVa segnalato che il corso ha riscosso un notevole riscontro tra i ragazzi partecipanti che si sono attestati alla quota massima di quattordici iscritti e che provengono dai Licei udinesi Bertoni, Stellini e Copernico.</p>\n<p style=\"text-align: center;\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/inizio-lab.-23-gennaio-2018.jpg\"><img class=\"size-large wp-image-6294\" title=\"inizio laboratorio ABC 23 gennaio 2018\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/inizio-lab.-23-gennaio-2018-1024x576.jpg\" alt=\"\" width=\"980\" height=\"551\" /></a></p>\n&nbsp;\n\n<strong>Docenti</strong><strong>\n</strong>Alessandro Di Pauli, co-fondatore di MateâriuM, già docente di altre edizioni del <em>Tutoring drammaturgico\n</em>Dario Paolo D\'Antoni, drammaturgo e poeta, già docente di altre edizioni del <em>Tutoring drammaturgico\n</em>Stefania Ursella, drammaturga, già docente dei corsi \"Scrivere...\" per MateâriuM\n\n<strong>Contatti\n</strong>info@matearium.it│info@teatroclubudine.it\nwww.matearium.it  │www.teatroclubudine.it\n\n&nbsp;','\"ABC della scrittura teatrale\". Per il Palio 2018 con i MateâriuM','','inherit','closed','closed','','6291-revision','','','2018-02-04 14:13:44','2018-02-04 13:13:44','',6291,'http://www.teatroclubudine.it/6295-6291-revision/',0,'revision','',0),
	(6296,2,'2018-02-04 14:14:57','2018-02-04 13:14:57','<p style=\"text-align: justify;\">A Udine, nella “Cantina” di via Manin 18 messa a disposizione del Teatro Club dalla Società Filologica Friulana, martedì 23 gennaio 2018 ha preso il via il primo dei 14 incontri, a numero chiuso e a cadenza settimanale, di un atelier teatrale pensato per i ragazzi del Palio aspiranti drammaturghi. Si tratta del progetto “ABC della scrittura teatrale. Dall’idea alla scena”, un  laboratorio di scrittura per la scena  ideato e condotto dai drammaturghi di MateâriuM Alessandro Di Pauli, Dario Palio D’Antoni e Stefania Ursella.\nDue le sessioni che ne articolano il viaggio, il cui scopo è condurre i ragazzi partecipanti  alla realizzazione di “corti” teatrali da proporre poi all’interno dell’edizione 2018 del Palio Teatrale Studentesco.\nNella prima, consistente in otto appuntamenti, il corso mira a introdurre ai segreti tecnici della drammaturgia  e così propone un approccio teorico e pratico ai vari argomenti che saranno trattati, tra i quali scrivere per azioni, costruire un personaggio, calibrare i tempi della narrazione, giocare tra  testo e sottotesto, indagare forme del discorso … Temi che saranno verificati nella scrittura di alcuni nomi forti della drammaturgia occidentale, da Pinter a Koltés, Rostand, O’Neill, Miller e Wilder.\nNella seconda parte, scandita in quattro appuntamenti, saranno gli stessi partecipanti al corso a mettere a frutto le nozioni acquisite e, sotto la guida di team di tutor,  a cimentarsi nella scrittura drammaturgica. I corti teatrali che verranno realizzati saranno delle azioni sceniche aventi la lunghezza massima di 10 pagine ciascuna.\nAl termine del percorso ci sarà un ulteriore appuntamento dedicato alla revisione e alla rifinitura dei testi prodotti, anche in vista della loro lettura pubblica.\nVa segnalato che il corso ha riscosso un notevole riscontro tra i ragazzi partecipanti che si sono attestati alla quota massima di quattordici iscritti e che provengono dai Licei udinesi Bertoni, Stellini e Copernico.</p>\n<p style=\"text-align: center;\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/inizio-lab.-23-gennaio-2018.jpg\"><img class=\"size-large wp-image-6294\" title=\"inizio laboratorio ABC 23 gennaio 2018\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/inizio-lab.-23-gennaio-2018-1024x576.jpg\" alt=\"\" width=\"980\" height=\"551\" /></a></p>\n&nbsp;\n\n<strong>Docenti</strong><strong>\n</strong>Alessandro Di Pauli, co-fondatore di MateâriuM, già docente di altre edizioni del <em>Tutoring drammaturgico\n</em>Dario Paolo D\'Antoni, drammaturgo e poeta, già docente di altre edizioni del <em>Tutoring drammaturgico\n</em>Stefania Ursella, drammaturga, già docente dei corsi \"Scrivere...\" per MateâriuM\n\n<strong>Contatti\n</strong>info@matearium.it│info@teatroclubudine.it\nwww.matearium.it  │www.teatroclubudine.it\n\n&nbsp;','\"ABC della scrittura teatrale\". Per il Palio 2018 con i MateâriuM','','inherit','closed','closed','','6291-autosave','','','2018-02-04 14:14:57','2018-02-04 13:14:57','',6291,'http://www.teatroclubudine.it/6296-6291-autosave/',0,'revision','',0),
	(6297,2,'2018-02-04 14:13:54','2018-02-04 13:13:54','<p style=\"text-align: justify;\">A Udine, nella “Cantina” di via Manin 18 messa a disposizione del Teatro Club dalla Società Filologica Friulana, martedì 23 gennaio 2018 ha preso il via il primo dei 14 incontri, a numero chiuso e a cadenza settimanale, di un atelier teatrale pensato per i ragazzi del Palio aspiranti drammaturghi. Si tratta del progetto “ABC della scrittura teatrale. Dall’idea alla scena”, un  laboratorio di scrittura per la scena  ideato e condotto dai drammaturghi di MateâriuM Alessandro Di Pauli, Dario Palio D’Antoni e Stefania Ursella.\r\nDue le sessioni che ne articolano il viaggio, il cui scopo è condurre i ragazzi partecipanti  alla realizzazione di “corti” teatrali da proporre poi all’interno dell’edizione 2018 del Palio Teatrale Studentesco.\r\nNella prima, consistente in otto appuntamenti, il corso mira a introdurre ai segreti tecnici della drammaturgia  e così propone un approccio teorico e pratico ai vari argomenti che saranno trattati, tra i quali scrivere per azioni, costruire un personaggio, calibrare i tempi della narrazione, giocare tra  testo e sottotesto, indagare forme del discorso … Temi che saranno verificati nella scrittura di alcuni nomi forti della drammaturgia occidentale, da Pinter a Koltés, Rostand, O’Neill, Miller e Wilder.\r\nNella seconda parte, scandita in quattro appuntamenti, saranno gli stessi partecipanti al corso a mettere a frutto le nozioni acquisite e, sotto la guida di team di tutor,  a cimentarsi nella scrittura drammaturgica. I corti teatrali che verranno realizzati saranno delle azioni sceniche aventi la lunghezza massima di 10 pagine ciascuna.\r\nAl termine del percorso ci sarà un ulteriore appuntamento dedicato alla revisione e alla rifinitura dei testi prodotti, anche in vista della loro lettura pubblica.\r\nVa segnalato che il corso ha riscosso un notevole riscontro tra i ragazzi partecipanti che si sono attestati alla quota massima di quattordici iscritti e che provengono dai Licei udinesi Bertoni, Stellini e Copernico.</p>\r\n<p style=\"text-align: center;\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/inizio-lab.-23-gennaio-2018.jpg\"><img class=\"size-large wp-image-6294\" title=\"inizio laboratorio ABC 23 gennaio 2018\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/inizio-lab.-23-gennaio-2018-1024x576.jpg\" alt=\"\" width=\"980\" height=\"551\" /></a></p>\r\n&nbsp;\r\n\r\n<strong>Docenti</strong><strong>\r\n</strong>Alessandro Di Pauli, co-fondatore di MateâriuM, già docente di altre edizioni del <em>Tutoring drammaturgico\r\n</em>Dario Paolo D\'Antoni, drammaturgo e poeta, già docente di altre edizioni del <em>Tutoring drammaturgico\r\n</em>Stefania Ursella, drammaturga, già docente dei corsi \"Scrivere...\" per MateâriuM\r\n\r\n<strong>Contatti\r\n</strong>info@matearium.it│info@teatroclubudine.it\r\nwww.matearium.it  │www.teatroclubudine.it\r\n\r\n&nbsp;','\"ABC della scrittura teatrale\". Per il Palio 2018 con i MateâriuM','','inherit','closed','closed','','6291-revision-2','','','2018-02-04 14:13:54','2018-02-04 13:13:54','',6291,'http://www.teatroclubudine.it/6297-6291-revision-2/',0,'revision','',0),
	(6373,2,'2018-02-11 14:45:26','2018-02-11 13:45:26','<p align=\"center\"><strong>Progetto “Casa del popolo”</strong></p>\n<p align=\"center\"><strong></strong><strong><span style=\"text-decoration: underline;\">SPETTACOLO\n</span></strong>per Akrópolis IN\n<strong>domenica 18 febbraio 2018 ore 21.00\n</strong>Auditorium Zanon │piazzale Cavedalis, Udine</p>\n<p align=\"center\">ITC Teatro dell’Argine\nin collaborazione con Teatro delle Temperie\n<strong><span style=\"color: #ff0000;\">CASA DEL POPOLO</span>\n</strong>di <strong>Nicola Bonazzi\n</strong>da un’idea di Andrea Lupo<strong>\n</strong>con <strong>Micaela Casalboni, Giovanni Dispenza, Andrea Lupo\n</strong>scene di Carmela Delle Curti<strong>\n</strong>aiuto regia Mattia De Luca<strong>\n</strong>regia <strong>Andrea Paolucci</strong></p>\n<p align=\"center\"><strong> </strong><strong><span style=\"text-decoration: underline;\">INCONTRO\n</span></strong>per Akrópolis OFF\n<strong>sabato 17 febbraio 2018 ore 18\n</strong>Cantina │ via Manin 18, Udine</p>\n<p align=\"center\"><strong> </strong><strong><span style=\"color: #ff0000;\">Le Case del Popolo in Friuli Venezia Giulia</span>\n</strong>intervengono <strong>Francesco Micelli, Gigi Bettoli, Claudio Lorenzini\n</strong>moderano Angela Felice e Valter Colle</p>\n<p align=\"center\"><strong> </strong></p>\n<p style=\"text-align: justify;\">Tra dolcezza della memoria, rispetto della storia e disincanto del presente si muove lo spettacolo <strong>CASA DEL POPOLO</strong>, in anteprima per il Triveneto all’<strong>Auditorium</strong> <strong>Zanon domenica 18 febbraio, alle ore 21, </strong>per la rassegna “Akrópolis IN” del Teatro Club.\nInsieme al Teatro delle Temperie, il lavoro è realizzato dalla vitalissima Compagnia del Teatro dell’Argine di San Lazzaro di Sàvena (Bologna), un collettivo attivo anche sul fronte della formazione teatrale di cui spesso il Teatro Club ha ospitato le produzioni, specie per la serie “Cincali” di Mario Perrotta.\n<strong>Sabato 17 febbraio alle ore 18.00</strong>, la rappresentazione sarà preceduta da un incontro nella “Cantina” di via Manin 18 , dove <strong>Francesco Micelli, Gigi Bettoli, Claudio Lorenzini</strong>  e altri ospiti, moderati da <strong>Angela Felice </strong>e <strong>Valter Colle</strong>, racconteranno le tradizioni delle Case del Popolo vive anche in Friuli Venezia Giulia, dalla Carnia alla Bassa, per un confronto con le analoghe esperienze di altre parti d’Italia, lungo la storia del Novecento e ancora oggi.</p>\n<p style=\"text-align: justify;\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/casa-del-popolo.jpg\"><img class=\"aligncenter size-medium wp-image-6370\" title=\"casa del popolo\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/casa-del-popolo-300x199.jpg\" alt=\"\" width=\"300\" height=\"199\" /></a></p>\n<p style=\"text-align: justify;\">Nel nuovo lavoro dell’Argine, fresco di debutto, su testo del drammaturgo <strong>Nicola Bonazzi</strong>, tre attori (<strong>Micaela Casalboni, Giovanni Dispenza </strong>e<strong> Andrea Lupo</strong>, diretti da <strong>Andrea Paolucci</strong>) ripercorrono cento anni di vita delle “mitiche” Case del Popolo romagnole, dagli esordi del volontariato mutualistico alla resistenza politica  sotto il fascismo, dallo slancio rinnovato sullo sfondo della Repubblica democratica fino allo snaturamento dei nostri tempi. Erano i luoghi di un popolo ottimista, che credeva in sé e si impegnava in attività improduttive, tipo costruire “case” dove ritrovarsi tutti insieme a fare cose ricreative, per esempio ballare o giocare a carte. Luoghi inclusivi dove in parte, magari come residuo di un mondo in via di estinzione, si aggira ancora oggi, almeno in Romagna, un’umanità dedita al liscio, al burraco, ai quartini di vino e alle liti furibonde per una giocata di briscola finita male. Vive in luoghi dove ci sono tavolini, banconi da bar, campi di bocce e tavole calde che sfornano enormi piatti di tagliatelle. Sverna e villeggia lì, giorno dopo giorno,  mentre un altro popolo, più moderno ed efficiente, marcia con sicurezza nei corridoi di nuovi luoghi ricreativi, chiamati ipermercati.\nMa è ai primi che si dedicano gli attori del Teatro dell’Argine, rubando loro voci, storie, dialoghi, atmosfere, umanità: per capire senza partigianeria ideologica se il popolo (ammesso che esista) ha ancora una casa dove poter abitare. Il punto d’arrivo è uno spettacolo di teatro d’attore e di nostalgia “canaglia”, che –assicurano gli artisti - “ha il ritmo forsennato del rock d’antan e insieme il passo cadenzato di melodramma e di melassa del liscio da balera”.</p>\n<p style=\"text-align: justify;\">Info, Teatro Club Udine, via Marco Volpe 13, Udine\nt 0432  507953\ninfo@teatroclubudine.it\nwww.teatroclubudine.it</p>\n&nbsp;\n\n<strong> </strong>\n\n<strong> </strong>\n\n<strong> </strong>\n\n&nbsp;\n\n&nbsp;','Akrópolis IN/OFF: Progetto \"Casa del Popolo\" con il Teatro dell\'Argine','','inherit','closed','closed','','6367-autosave','','','2018-02-11 14:45:26','2018-02-11 13:45:26','',6367,'http://www.teatroclubudine.it/6373-6367-autosave/',0,'revision','',0),
	(6380,2,'2018-02-21 12:30:47','2018-02-21 11:30:47','<p style=\"text-align: center;\"><strong>Il Teatro Club Udine</strong>\r\ncon il sostegno di\r\nRegione autonoma FVG, Assessorato alla Cultura del Comune di Udine\r\nFondazione Friuli, Ert FVG\r\nin collaborazione con Società Filologica Friulana\r\npresenta</p>\r\n<p style=\"text-align: center;\">per il progetto AKROPOLIS OFF:  POESIA IN CANTINA\r\nSecondo appuntamento 2018\r\n<span style=\"color: #ff6600;\"><strong>In tandem: due poeti in dialogo</strong></span>\r\ncon <strong>Antonella Sbuelz </strong>e <strong>Maurizio Mattiuzza</strong>\r\nmodera<strong> Erika Adami</strong></p>\r\n<p style=\"text-align: center;\"><strong>giovedì 22 febbraio 2018, ore 21</strong>\r\nSpazio “Cantina”\r\nvia Manin 18 │Udine</p>\r\n<p style=\"text-align: justify;\">Dopo l’en plein sulla Beat Generation a Udine, proseguono i percorsi sulla poesia ideati per Akropolis OFF dal gruppo di lavoro coordinato dal Teatro Club in collaborazione con la Società Filologica Friulana per animare lo spazio “Cantina” di via Manin 18 a Udine. Il prossimo appuntamento, in programma <strong>giovedì 22 febbraio alle ore 21</strong>, si apre alle voci della lirica friulana e fa spazio a due esponenti  di spicco della new wave in versi di casa nostra, entrambi pluripremiati anche fuori del Friuli: <strong>Antonella Sbuelz</strong> e <strong>Maurizio Mattiuzza.\r\n</strong>A loro, moderati da <strong>Erika Adami</strong>,  il compito di dialogare “in tandem” sugli orizzonti di senso non solo del proprio lavoro, ma anche della ispirazione della  lirica del nostro tempo e sulle ragioni del far poesia  oggi.</p>\r\n<p style=\"text-align: justify;\"><strong>Antonella Sbuelz,</strong> insegnante, collabora a riviste culturali e con la Sezione di Italianistica dell\'Università di Losanna. Ha pubblicato poesia, saggistica e narrativa, tra cui la silloge <em>L\'abaco magenta</em> (Anterem, 1988), la raccolta di racconti<em> Amori minimi</em> (Mobydick, 1997), i romanzi <em>Il nome nudo</em> (Mobydick, 2001), <em>Il movimento del volo</em> (Frassinelli, 2007; Premio Biblioteche di Roma, Premio Predazzo, Premio Caterina Percoto; Premi Selezione Rhegium Julii e Domenico Rea), <em>Greta Vidal</em> (Frassinelli, 2009; Premio Selezione Ultima Frontiera-Carlo Cassola 2010), <em>La fragilità del  leone</em> (Forum, 2017). Per la sua produzione poetica e narrativa le sono stati assegnati numerosi riconoscimenti. Con la raccolta<em><strong> Transitoria</strong></em> pubblicata da Raffaelli Editore ha vinto nel 2010 il primo premio nella sezione Poesia della IX edizione di InediTO - Premio Colline di Torino,  mentre nel 2014 e nel 2017  ha vinto il Premio Internazionale di Letteratura Alda Merini e, ancora nel 2017, il Premio <em>Caput Gauri di Ferrara.</em></p>\r\n<p style=\"text-align: justify;\"><em></em><strong>Maurizio Mattiuzza,</strong> vincitore con <em>La donna del chiosco sul Po</em> (La Vita Felice, 2015) della sezione Poesia InediTO – Premio Colline di Torino 2014, voce attiva del movimento culturale friulano contemporaneo già dalla seconda metà degli anni ’80, ha pubblicato le raccolte di poesia <em>La cjase su l’ôr</em> (1997) e <em>L’inutile necessitâ(t)</em> (KV, 2004)  con note critiche di Luciano Morandini e postfazione del cantautore Claudio Lolli, nonché il volume <em>Gli alberi di argan</em>(La Vita Felice, 2011). Da diversi anni lavora come <em>spoken poet </em>e paroliere accanto a Lino Straulino, con il quale ha realizzato l’album <em>Tiere nere </em>e diverse altre canzoni. Ha inoltre pubblicato la raccolta di racconti <em>il derby della luna</em>. Assieme al cantautore Renzo Stefanutti ha inoltre scritto una delle canzoni finaliste di «Suona la Poesia» 2010, la sezione musica d’autore del Festival di Poesia di Genova. È uno degli autori selezionati al Premio «Alda Merini» 2013,è stato inserito nella terzina finalista del Premio nazionale «Mario Soldati» ed è il vincitore del Premio nazionale «Laurentum» 2009 per poesia inedita in lingua italiana, oltre che del Premio «Città di Ceggia». Conta traduzioni in inglese, sloveno, greco e altre lingue europee con partecipazioni a numerosi festival internazionali di letteratura. Scrive in lingua italiana, friulana e nel dialetto della Valsugana.</p>\r\nInfo\r\nTeatro Club Udine, via Marco Volpe 13, Udine\r\nt 0432 507953\r\n<a href=\"mailto:info@teatroclubudine.it\">info@teatroclubudine.it</a>, <a href=\"http://www.teatroclubudine.it\">www.teatroclubudine.it</a>','AKROPOLIS OFF: \"Poesia in tandem\" con i poeti Sbuelz e Mattiuzza','','publish','closed','closed','','poesia-in-tandem','','','2018-02-22 09:54:26','2018-02-22 08:54:26','',0,'http://www.teatroclubudine.it/?p=6380',0,'post','',0),
	(6300,2,'2018-02-05 12:45:40','2018-02-05 11:45:40','<p style=\"text-align: justify;\" align=\"center\">Laboratori di poesia e recitazione ed incontri gratuiti con attori e compagnie, per la nuova stagione di Akropolis di teatro Club Udine. Ecco le date del</p>\r\n<strong>                                                                                                                                               Progetto “Akrópolis Off │ La Cantina”\r\n</strong><strong>                                                                                                                                                            febbraio › marzo 2018</strong>\r\n\r\n<strong>febbraio </strong>\r\n<span style=\"text-decoration: underline;\">giovedì 8, h. 21\r\n</span><strong>POESIA IN CANTINA 1</strong>\r\nLa Beat Generation a Udine con proiezione video\r\nconduzione Valter Colle\r\n\r\n<span style=\"text-decoration: underline;\">mercoledì 7, h. 18.00</span>   <strong><span style=\"text-decoration: line-through;\">\r\n</span></strong><strong>FUORI SCENA IN CANTINA 1</strong>\r\nIncontro  con i giovani attori post-Nico Pepe (spettacolo TC  <em>La fabbrica della felicità</em> al San Giorgio il 10)\r\nospiti Stefano Moratto (per A. Huxley) / conduzione Massimo Somaglino\r\n\r\n<span style=\"text-decoration: underline;\">sabato 17, h. 18.00</span>\r\n<strong>FUORI SCENA IN CANTINA 2</strong>\r\nIncontro  (spettacolo TC  <em>Casa del popolo</em> allo Zanon il 18)\r\nospite Francesco Micelli (le case del popolo in Friuli)\r\n\r\n<span style=\"text-decoration: underline;\">giovedì 22, h. 21.00\r\n</span><strong>POESIA IN CANTINA 2</strong><strong>\r\n</strong>In tandem: Maurizio Mattiuzza e Antonella Sbuelz\r\n\r\n&nbsp;\r\n\r\n<strong>marzo</strong>\r\n<span style=\"text-decoration: underline;\">giovedì 8 marzo, h. 18.00 </span>\r\n<strong>POESIA IN CANTINA 3</strong>\r\nPoetesse del Friuli (Buiese, Cantarutti, Paroni Bertoia, Jacolutti, Vallerugo, De Monte, Sbuelz)\r\nReading con le ragazze del Palio / a cura di Daniela Zorzini e Angela Felice\r\n\r\n<span style=\"text-decoration: underline;\">sabato 10 marzo, h. 18.00</span>\r\n<strong>FUORI SCENA IN CANTINA 3</strong>\r\nPregiudizio e giustizia:  <em>Storia della Colonna infame</em> (spettacolo TC al San Giorgio l’11 sera, con 12 matinée scolastica)\r\nospite Gianni Ortis /conduzione  Gianni  Cianchi\r\n\r\n<span style=\"text-decoration: underline;\">giovedì 15, h. 18.30\r\n</span><strong>RADIOBLÓ  OSSERVATORIO 1\r\n</strong>Udine: l’identità di una città\r\nconduce Paolo Medeossi\r\n\r\n<span style=\"text-decoration: underline;\">giovedì 22, h. 21.00</span>\r\n<strong>POESIA IN CANTINA 4\r\n</strong>Reading con Stefano Moratto','Progetto “Akrópolis Off │ La Cantina” febbraio › marzo 2018','','publish','closed','closed','','progetto-akropolis-off-%e2%94%82-la-cantina-febbraio-marzo-2018','','','2018-02-05 10:02:51','2018-02-05 09:02:51','',0,'http://www.teatroclubudine.it/?p=6300',0,'post','',0),
	(6302,2,'2018-02-05 09:54:12','2018-02-05 08:54:12','','Palazzo Manin','','inherit','closed','closed','','palazzo-manin','','','2018-02-05 09:54:12','2018-02-05 08:54:12','',6300,'http://www.teatroclubudine.it/wp-content/uploads/2018/02/Palazzo-Manin.jpg',0,'attachment','image/jpeg',0),
	(6303,2,'2018-02-05 09:54:53','2018-02-05 08:54:53','<p style=\"text-align: justify;\" align=\"center\">Laboratori di poesia e recitazione ed incontri gratuiti con attori e compagnie, per la nuova stagione di Akropolis di teatro Club Udine. Ecco le date</p>\n<p align=\"center\"></p>\n<p align=\"center\"></p>\n<p align=\"center\"><strong>Calendario Cjanive 2018\ngennaio-marzo</strong></p>\n<p align=\"center\"></p>\n<strong>febbraio </strong>\n<span style=\"text-decoration: underline;\">giovedì 8, h. 21\n</span><strong>POESIA IN CANTINA 1</strong>\nLa Beat Generation a Udine con proiezione video\nconduzione Valter Colle\n\n<span style=\"text-decoration: underline;\">mercoledì 7, h. 18.00</span>   <strong><span style=\"text-decoration: line-through;\">\n</span></strong><strong>FUORI SCENA IN CANTINA 1</strong>\nIncontro  con i giovani attori post-Nico Pepe (spettacolo TC  <em>La fabbrica della felicità</em> al San Giorgio il 10)\nospiti Stefano Moratto (per A. Huxley) / conduzione Massimo Somaglino\n\n<span style=\"text-decoration: underline;\">sabato 17, h. 18.00</span>\n<strong>FUORI SCENA IN CANTINA 2</strong>\nIncontro  (spettacolo TC  <em>Casa del popolo</em> allo Zanon il 18)\nospite Francesco Micelli (le case del popolo in Friuli)\n\n<span style=\"text-decoration: underline;\">giovedì 22, h. 21.00\n</span><strong>POESIA IN CANTINA 2</strong><strong>\n</strong>In tandem: Maurizio Mattiuzza e Antonella Sbuelz\n\n&nbsp;\n\n<strong>marzo</strong>\n<span style=\"text-decoration: underline;\">giovedì 8 marzo, h. 18.00 </span>\n<strong>POESIA IN CANTINA 3</strong>\nPoetesse del Friuli (Buiese, Cantarutti, Paroni Bertoia, Jacolutti, Vallerugo, De Monte, Sbuelz)\nReading con le ragazze del Palio / a cura di Daniela Zorzini e Angela Felice\n\n<span style=\"text-decoration: underline;\">sabato 10 marzo, h. 18.00</span>\n<strong>FUORI SCENA IN CANTINA 3</strong>\nPregiudizio e giustizia:  <em>Storia della Colonna infame</em> (spettacolo TC al San Giorgio l’11 sera, con 12 matinée scolastica)\nospite Gianni Ortis /conduzione  Gianni  Cianchi\n\n<span style=\"text-decoration: underline;\">giovedì 15, h. 18.30\n</span><strong>RADIOBLÓ  OSSERVATORIO 1\n</strong>Udine: l’identità di una città\nconduce Paolo Medeossi\n\n<span style=\"text-decoration: underline;\">giovedì 22, h. 21.00</span>\n<strong>POESIA IN CANTINA 4\n</strong>Reading con Stefano Moratto','I prossimi incontri gratuiti in cantina','','inherit','closed','closed','','6300-revision','','','2018-02-05 09:54:53','2018-02-05 08:54:53','',6300,'http://www.teatroclubudine.it/6303-6300-revision/',0,'revision','',0),
	(6304,2,'2018-02-05 12:45:26','2018-02-05 11:45:26','<p align=\"center\"><strong>Il Teatro Club Udine</strong></p>\r\n<p align=\"center\">con il sostegno di\r\n<strong>Regione autonoma FVG, Assessorato alla Cultura del Comune di Udine\r\nFondazione Friuli, Ert FVG </strong></p>\r\n<p align=\"center\">in collaborazione con\r\n<strong>Società Filologica Friulana</strong></p>\r\n<p align=\"center\">e con\r\n<strong>Bottega errante per la Notte dei Lettori 2018\r\nArteventi,  Civica Accademia d’Arte Drammatica “Nico Pepe”, Il Laboratorio\r\nLibreria Friuli,  Liceo classico “J. Stellini”, Mateârium/Associazione Servi di scena\r\nTaukay, vicino/lontano</strong></p>\r\n<p align=\"center\"><strong>Rassegna teatrale “Akrópolis In │Palio Factory”\r\n</strong><strong>10 febbraio  › 29 marzo 2018 </strong></p>\r\n<p align=\"center\"><strong>Progetto “Akrópolis Off │ La Cantina”\r\n</strong><strong>febbraio › marzo 2018</strong></p>\r\n<p align=\"center\">presso i teatri\r\n<strong>Teatro San Giorgio, Auditorium Zanon, Teatro Palamostre</strong></p>\r\n<p align=\"center\">e presso\r\n<strong>spazio “Cantina” │ via Manin 18, Udine</strong></p>\r\n<p align=\"center\"><strong> </strong></p>\r\nSono cinque le proposte teatrali che, tra febbraio e marzo, articolano nella prima parte del 2018 il percorso  <strong>“Akrópolis In”</strong> del  <strong>Teatro Club</strong>, storica realtà culturale e teatrale di Udine  che, per questo nuovo progetto, è confortata dal sostegno di <strong>Regione Fvg, Comune di Udine-Assessorato alla Cultura </strong>e <strong>Fondazione Friuli</strong>, oltre che dalla collaborazione concreta con un ricco mosaico di associazioni e strutture del territorio:  <strong>Arteventi, Bottega errante per la Notte dei Lettori 2018, Civica Accademia d’Arte Drammatica “Nico Pepe”,  Ert Fvg, Il Laboratorio, Libreria Friuli,  Liceo classico “J. Stellini”, Mateârium, Taukay, vicino/lontano. </strong>\r\n\r\n«<em>Un grazie speciale va alla fondamentale <strong>Società Filologica Friulana</strong></em> – dichiara il presidente <strong>Gianni Cianchi</strong>-  <em>Grazie alla sensibilità del suo presidente, Federico Vicario, e alla disponibilità della direzione e degli uffici, questa benemerita casa della cultura friulana ha voluta infatti concedere lo spazio della “cantina” di via Manin 18 alle iniziative che, insieme al Teatro Club, un gruppo di lavoro rappresentativo delle varie anime intellettuali e artistiche della città  (Valter Colle, Fabiana Dallavalle, Angela Felice, Massimo Somaglino, Vittorio Vella e il sottoscritto) ha iniziato ad attuare in via sperimentale già nell’autunno 2017, nella prospettiva della messa a regime sistematica nel 2018. Entro un calendario ormai definitivo,  pensato come occasione artistica, vetrina per i giovani, laboratorio flessibile di discussione aperta</em>, <em>rientreranno anche gli incontri che, di volta in volta, rifletteranno sugli spunti tematici offerti dalle proposte della rassegna</em>».\r\n\r\n«<em>L’impostazione che abbiamo scelto – </em>precisa il direttore <strong>Angela Felice</strong>, che insieme a <strong>Massimo Somaglino </strong>firma le scelte del cartellone-  <em>fa riferimento a un concetto di teatro come</em>  <em>occasione</em> <em>non di</em> <em> mero consumo di spettacolo, ma di riflessione e di partecipazione attiva, non esaurita dalla sola fruizione. Questo obiettivo intercetta peraltro la vocazione tradizionale del Teatro Club, che nella sua storia pluridecennale ha sempre mirato ai criteri guida dell’attenzione al fatto artistico che fosse anche esercizio  di pensiero critico, del rispetto del pubblico, dell’apertura e  valorizzazione dei giovani, che peraltro da quarantasette anni trovano la loro casa di accoglienza nella splendida avventura del Palio Teatrale Studentesco, fiore all’occhiello del lavoro del Teatro Club. Ed è anche con lo sguardo rivolto ai giovani, artisti e spettatori, che è stato cucito il cartellone delle cinque proposte, tutte in anteprima regionale, una delle quali, “Il memorioso”, sarà offerto a ingresso gratuito proprio negli spazi di una scuola cittadina».</em>\r\n\r\nÈ dunque con dei bravissimi giovani attori che il programma inizia al <strong>Teatro San Giorgio</strong> <strong>sabato 10 febbraio, alle ore 21</strong>. Si tratta dello spettacolo <strong>LA FABBRICA DELLA FELICITÀ</strong>, fresco di debutto a Lugano e a Milano, su idea della compagnia CONNETTIVo24GRAMMI, un neo-nato collettivo per  molti versi <em>made in Friuli</em>, se cinque dei sei componenti (<strong>Giuseppe Attanasio, Irene Canali, Miriam Costamagna, Daniele Palmeri, Marta Salandi,</strong> insieme a <strong>Nicola Andretta</strong>) sono usciti pochi anni fa dalla fucina pedagogica della “Nico Pepe” di Udine. Al centro del lavoro, liberamente ispirato alla distopia del  romanzo <em>Il mondo nuovo</em> di Aldous Huxley, è la rappresentazione di una società futuribile in cui siano bandite le sofferenze, sia rimossa anche la paura della morte e siano possibili tutte le libertà grazie al supporto di una pillola portentosa, prodotta industrialmente come una droga o uno psicofarmaco del controdolore artificiale.\r\nUna prospettiva che si presta ad aprire un capitolo di riflessione sull’intreccio tra scienza, capitale e controllo del potere: tema di cui sarà la stessa compagnia, insieme allo scrittore <strong>Stefano Moratto</strong>, a illustrare l’attualità <span style=\"text-decoration: underline;\">nell’incontro in programma in “cantina” il 7 febbraio alle ore 18.</span>\r\n\r\nTra dolcezza della memoria, rispetto della storia e disincanto del presente si muove invece il lavoro <strong>CASA DEL POPOLO</strong>, in scena all’<strong>Auditorium</strong> <strong>Zanon domenica 18 febbraio, alle ore 21</strong>. Insieme al Teatro delle Temperie, ne è artefice la Compagnia del Teatro dell’Argine di San Lazzaro di Sàvena (Bologna), di cui anche in passato il Teatro Club ha ospitato le produzioni, specie per la serie “Cincali” di Mario Perrotta. Nel nuovo lavoro, fresco di debutto, tre attori (<strong>Micaela Casalboni, Giovanni Dispenza </strong>e<strong> Andrea Lupo</strong>, diretti da <strong>Andrea Paolucci</strong>) ripercorrono cento anni di vita delle “mitiche” case del popolo romagnole, dagli esordi del volontariato mutualistico alla resistenza politica  sotto il fascismo, dallo slancio rinnovato sullo sfondo della Repubblica democratica fino allo snaturamento dei nostri tempi, in cui la parola “popolo” pare destinata a dare a la stura solo ai più spericolati “ismi”.\r\nAnche in questo caso, la rappresentazione sarà preceduta da <span style=\"text-decoration: underline;\">un incontro in “cantina” il 17 febbraio alle ore 18</span>, nel quale Francesco Micelli e altri ospiti, coordinati da Valter Colle, racconteranno le gloriose tradizioni delle case del popolo attive anche in Friuli, dalla Carnia alla Bassa.\r\n\r\nOccasione alta di riflessione sarà fornita dal terzo appuntamento che, a ingresso gratuito e fino e esaurimento dei 140 posti disponibili, sarà proposto <strong>venerdì 9 marzo alle 18</strong> nell’<strong>Aula Magna del Liceo classico “J. Stellini” di Udine</strong>, anche grazie alla collaborazione con la Dirigenza dell’Istituto. Si tratta dell’assolo <strong>IL MEMORIOSO, </strong>prodotto da Gariwo-Comitato Foresta dei Giusti, in cui il bravissimo attore udinese <strong>Massimiliano Speziani</strong>, in gioventù forgiato dal Palio, affronterà un viaggio della memoria  intorno agli uomini cosiddetti Giusti, che anche in condizioni di pericolo per la loro stessa vita scelgono di stare dalla parte del Bene. Giusti come quelli che in Israele sono ricordati da un albero per ognuno nel Giardino a loro dedicato  e che, in questo spettacolo ispirato ai libri di Gabriele Nissim, sono ricercati con maniacale meticolosità da Moshe Bejski, uno dei nomi della celebre lista di Schindler, per anni presidente della Commissione dei Giusti presso il Memoriale  Yad Vashem a Gerusalemme.\r\nDoveroso rendere omaggio alla storia di questi uomini dalla adamantina umanità, come peraltro avverrà in futuro ogni anno con l’istituzione di una specifica Giornata dei Giusti la quale, per una fortunata coincidenza, sarà ufficializzata al Quirinale  il 6 marzo 2018 proprio a ridosso della rappresentazione udinese.\r\n\r\nAl <strong>Teatro San Giorgio</strong>, <strong>domenica 11 marzo alle ore 21</strong> (<strong>lunedì 12 alle 11 in matinèe per le scuole)</strong>, si addentra nella storia anche lo spettacolo <strong>STORIA DELLA COLONNA INFAME</strong>, adattato dalle pagine di Alessandro Manzoni dall’attore-autore <strong>Silvio Castiglioni</strong>, già direttore del festival di Sant’Arcangelo e nome di spicco della scena italiana di ricerca. La nota vicenda tragica di giustizia sommaria, avvenuta nel 1630  sulla spinta del pregiudizio e della caccia alle streghe, è al centro del lavoro, in cui si immagina che un anziano Professore bibliofilo, accudito da una Donna misteriosa, rievochi le ombre di quel passato tenebroso, sempre potenzialmente replicabile. È un’occasione per riflettere anche sui meccanismi dell’individuazione di un capro espiatorio, in cui le società umane trovano spesso un facile espediente per sgravare la coscienza dalle proprie responsabilità.\r\nQuesti temi saranno oggetto di analisi, sempre nello spazio della “cantina”, in un <span style=\"text-decoration: underline;\">incontro</span> animato da Gianni Ortis e Gianni Cianchi <span style=\"text-decoration: underline;\">in programma sabato 10 marzo alle 18</span>.\r\n\r\nLa rassegna trova il suo punto di arrivo al <strong>Teatro Palamostre giovedì 29 marzo alle 21.00</strong> con uno spettacolo che di nuovo, come per la proposta iniziale del cartellone, vede protagonisti alcuni artisti di ultima generazione. È il caso della bravissima <strong>Aida Talliente</strong> che, con <strong>Andrea Trapani</strong>, anima la rappresentazione <strong>IO NON HO MANI CHE MI ACCAREZZINO IL VISO</strong>, con titolo ripreso dai versi di David Maria Turoldo. Lo spettacolo, prodotto da Biancofango su progetto drammaturgico di <strong>Francesca Macrì</strong> e Andrea Trapani in collaborazione con la stessa Talliente, è reduce dal debutto all’Elfo di Milano e da altre importante piazze italiane, che ne hanno applaudito il forte impatto, anche scenico. Il tutto ruota intorno allo scambio tra due personaggi che si confrontano e si scontrano sul motivo della fragilità e sui libri che, in modo diverso per entrambi, sono esemplari di quella condizione. Per lei è <em>Santa Giovanna dei Macelli</em> di Brecht, per lui è <em>Woyzeck</em> di Büchner: due capolavori della drammaturgia europea che chiamano in causa anche il valore dei libri, degli scrittori e dei lettori.\r\nEd è per questo che la proposta è accompagnata anche dalla collaborazione e dal sostegno di Bottega Errante che, nello specifico <span style=\"text-decoration: underline;\">incontro  pre-spettacolo con la compagnia</span> ospitato il <span style=\"text-decoration: underline;\">28 marzo alle 18 alla Libreria Friuli</span>, annuncerà l’anteprima della Notte dei Lettori 2018.\r\n\r\nTante forze si sono raccolte dunque intorno al progetto “Akrópolis In” del Teatro Club, che peraltro è il perno anche di tante altre iniziative condivise, specie sul fronte del coinvolgimento giovanile.\r\n\r\n-In febbraio è proseguito il progetto <span style=\"text-decoration: underline;\">“Ragazzi in pace. La Grande guerra in Friuli dopo Caporetto”</span> che, anche in partnership con i percorsi Alternanza Scuola-Lavoro del Liceo scientifico  “N. Copernico”  del Liceo classico “J. Stellini” e con il coinvolgimento di vari Istituti superiori di Udine e della provincia, è articolato in un ciclo di lezioni propedeutiche curate da alcuni esperti nella prospettiva di un momento convegnistico finale, in programma a fine aprile e con la diretta gestione dei ragazzi partecipanti.\r\n\r\n-In febbraio presso i Licei uniti di Codroipo partirà  anche un <span style=\"text-decoration: underline;\">Laboratorio di fotografia “La Grande guerra nel codroipese”</span>, curato per giovani aspiranti fotografi dal maestro <strong>Cesare Genuzio</strong>, con il supporto di Angela Felice e <strong>Gloria Perosa</strong>, e finalizzato all’allestimento finale degli scatti realizzati dagli studenti partecipanti nel corso del lavoro.\r\n\r\n- In gennaio, presso lo spazio della “cantina” di via Manin, è iniziato anche il laboratorio di 14 incontri settimanali  <span style=\"text-decoration: underline;\">“ABC della scrittura teatrale: dal testo alla scena”</span> in cui i drammaturghi di <strong>Mateârium,  </strong>costola dell’Associazione Servi di scena di San Daniele del Friuli,<strong> </strong>(<strong>Alessandro Di Pauli, </strong><strong>Dario Paolo D\'Antoni</strong><strong>, </strong><strong>Stefania Ursella</strong>) , guidano un gruppo di 14 studenti dei Lici udinesi dentro i segreti  tecnici della scrittura  per la scena, per condurli infine alla realizzazione di alcuni “corti”  teatrali da proporre all’interno della vetrina del Palio.\r\n\r\n-In cantiere dal mese di novembre 2017, vi è infine la <span style=\"text-decoration: underline;\">nuova edizione n. 47 del Palio Teatrale Studentesco 2018</span> che, in base ai risultati raccolti nelle tante riunioni periodiche con i coordinatori dei gruppi, toccherà anche quest’anno la cifra record di 28 spettacoli, i quali, grazie al sostegno dell’Assessorato alla Cultura del Comune di Udine,  saranno spalmati al Teatro Palamostre in  14 serate tra la fine di aprile e la fine di maggio.\r\n\r\nInfo, Tetro Club Udine, via Marco Volpe 13, Udine, t 0432 507953\r\ninfo@teatroclubudine.it, www.teatroclubudine.it','Rassegna teatrale “Akrópolis In │Palio Factory” 10 febbraio  › 29 marzo 2018','','publish','closed','closed','','rassegna-teatrale-akropolis-in-%e2%94%82palio-factory-10-febbraio-29-marzo-2018','','','2018-02-05 10:06:54','2018-02-05 09:06:54','',0,'http://www.teatroclubudine.it/?p=6304',0,'post','',0),
	(6306,2,'2018-02-05 09:59:21','2018-02-05 08:59:21','','immagine new','','inherit','closed','closed','','immagine-new','','','2018-02-05 09:59:21','2018-02-05 08:59:21','',6304,'http://www.teatroclubudine.it/wp-content/uploads/2018/02/immagine-new.jpg',0,'attachment','image/jpeg',0),
	(6308,2,'2018-02-05 09:55:14','2018-02-05 08:55:14','<p style=\"text-align: justify;\" align=\"center\">Laboratori di poesia e recitazione ed incontri gratuiti con attori e compagnie, per la nuova stagione di Akropolis di teatro Club Udine. Ecco le date</p>\r\n<p align=\"center\"></p>\r\n<p align=\"center\"></p>\r\n<p align=\"center\"><strong>Calendario Cjanive 2018\r\ngennaio-marzo</strong></p>\r\n<p align=\"center\"></p>\r\n<strong>febbraio </strong>\r\n<span style=\"text-decoration: underline;\">giovedì 8, h. 21\r\n</span><strong>POESIA IN CANTINA 1</strong>\r\nLa Beat Generation a Udine con proiezione video\r\nconduzione Valter Colle\r\n\r\n<span style=\"text-decoration: underline;\">mercoledì 7, h. 18.00</span>   <strong><span style=\"text-decoration: line-through;\">\r\n</span></strong><strong>FUORI SCENA IN CANTINA 1</strong>\r\nIncontro  con i giovani attori post-Nico Pepe (spettacolo TC  <em>La fabbrica della felicità</em> al San Giorgio il 10)\r\nospiti Stefano Moratto (per A. Huxley) / conduzione Massimo Somaglino\r\n\r\n<span style=\"text-decoration: underline;\">sabato 17, h. 18.00</span>\r\n<strong>FUORI SCENA IN CANTINA 2</strong>\r\nIncontro  (spettacolo TC  <em>Casa del popolo</em> allo Zanon il 18)\r\nospite Francesco Micelli (le case del popolo in Friuli)\r\n\r\n<span style=\"text-decoration: underline;\">giovedì 22, h. 21.00\r\n</span><strong>POESIA IN CANTINA 2</strong><strong>\r\n</strong>In tandem: Maurizio Mattiuzza e Antonella Sbuelz\r\n\r\n&nbsp;\r\n\r\n<strong>marzo</strong>\r\n<span style=\"text-decoration: underline;\">giovedì 8 marzo, h. 18.00 </span>\r\n<strong>POESIA IN CANTINA 3</strong>\r\nPoetesse del Friuli (Buiese, Cantarutti, Paroni Bertoia, Jacolutti, Vallerugo, De Monte, Sbuelz)\r\nReading con le ragazze del Palio / a cura di Daniela Zorzini e Angela Felice\r\n\r\n<span style=\"text-decoration: underline;\">sabato 10 marzo, h. 18.00</span>\r\n<strong>FUORI SCENA IN CANTINA 3</strong>\r\nPregiudizio e giustizia:  <em>Storia della Colonna infame</em> (spettacolo TC al San Giorgio l’11 sera, con 12 matinée scolastica)\r\nospite Gianni Ortis /conduzione  Gianni  Cianchi\r\n\r\n<span style=\"text-decoration: underline;\">giovedì 15, h. 18.30\r\n</span><strong>RADIOBLÓ  OSSERVATORIO 1\r\n</strong>Udine: l’identità di una città\r\nconduce Paolo Medeossi\r\n\r\n<span style=\"text-decoration: underline;\">giovedì 22, h. 21.00</span>\r\n<strong>POESIA IN CANTINA 4\r\n</strong>Reading con Stefano Moratto','I prossimi incontri gratuiti in cantina','','inherit','closed','closed','','6300-revision-2','','','2018-02-05 09:55:14','2018-02-05 08:55:14','',6300,'http://www.teatroclubudine.it/6308-6300-revision-2/',0,'revision','',0),
	(6307,2,'2018-02-05 10:00:29','2018-02-05 09:00:29','<p align=\"center\"><strong>Il Teatro Club Udine</strong></p>\n<p align=\"center\">con il sostegno di\n<strong>Regione autonoma FVG, Assessorato alla Cultura del Comune di Udine\nFondazione Friuli, Ert FVG </strong></p>\n<p align=\"center\">in collaborazione con\n<strong>Società Filologica Friulana</strong></p>\n<p align=\"center\">e con\n<strong>Bottega errante per la Notte dei Lettori 2018\nArteventi,  Civica Accademia d’Arte Drammatica “Nico Pepe”, Il Laboratorio\nLibreria Friuli,  Liceo classico “J. Stellini”, Mateârium/Associazione Servi di scena\nTaukay, vicino/lontano</strong></p>\n<p align=\"center\"><strong>Rassegna teatrale “Akrópolis In │Palio Factory”\n</strong><strong>10 febbraio  › 29 marzo 2018 </strong></p>\n<p align=\"center\"><strong>Progetto “Akrópolis Off │ La Cantina”\n</strong><strong>febbraio › marzo 2018</strong></p>\n<p align=\"center\">presso i teatri\n<strong>Teatro San Giorgio, Auditorium Zanon, Teatro Palamostre</strong></p>\n<p align=\"center\">e presso\n<strong>spazio “Cantina” │ via Manin 18, Udine</strong></p>\n<p align=\"center\"><strong><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/immagine-new.jpg\"><img class=\"aligncenter size-medium wp-image-6306\" title=\"immagine new\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/immagine-new-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" /></a></strong></p>\n<p align=\"center\"><strong><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/immagine-new.jpg\">\n</a></strong></p>\n<p align=\"center\"><strong> </strong></p>\nSono cinque le proposte teatrali che, tra febbraio e marzo, articolano nella prima parte del 2018 il percorso  <strong>“Akrópolis In”</strong> del  <strong>Teatro Club</strong>, storica realtà culturale e teatrale di Udine  che, per questo nuovo progetto, è confortata dal sostegno di <strong>Regione Fvg, Comune di Udine-Assessorato alla Cultura </strong>e <strong>Fondazione Friuli</strong>, oltre che dalla collaborazione concreta con un ricco mosaico di associazioni e strutture del territorio:  <strong>Arteventi, Bottega errante per la Notte dei Lettori 2018, Civica Accademia d’Arte Drammatica “Nico Pepe”,  Ert Fvg, Il Laboratorio, Libreria Friuli,  Liceo classico “J. Stellini”, Mateârium, Taukay, vicino/lontano. </strong>\n\n«<em>Un grazie speciale va alla fondamentale <strong>Società Filologica Friulana</strong></em> – dichiara il presidente <strong>Gianni Cianchi</strong>-  <em>Grazie alla sensibilità del suo presidente, Federico Vicario, e alla disponibilità della direzione e degli uffici, questa benemerita casa della cultura friulana ha voluta infatti concedere lo spazio della “cantina” di via Manin 18 alle iniziative che, insieme al Teatro Club, un gruppo di lavoro rappresentativo delle varie anime intellettuali e artistiche della città  (Valter Colle, Fabiana Dallavalle, Angela Felice, Massimo Somaglino, Vittorio Vella e il sottoscritto) ha iniziato ad attuare in via sperimentale già nell’autunno 2017, nella prospettiva della messa a regime sistematica nel 2018. Entro un calendario ormai definitivo,  pensato come occasione artistica, vetrina per i giovani, laboratorio flessibile di discussione aperta</em>, <em>rientreranno anche gli incontri che, di volta in volta, rifletteranno sugli spunti tematici offerti dalle proposte della rassegna</em>».\n\n«<em>L’impostazione che abbiamo scelto – </em>precisa il direttore <strong>Angela Felice</strong>, che insieme a <strong>Massimo Somaglino </strong>firma le scelte del cartellone-  <em>fa riferimento a un concetto di teatro come</em>  <em>occasione</em> <em>non di</em> <em> mero consumo di spettacolo, ma di riflessione e di partecipazione attiva, non esaurita dalla sola fruizione. Questo obiettivo intercetta peraltro la vocazione tradizionale del Teatro Club, che nella sua storia pluridecennale ha sempre mirato ai criteri guida dell’attenzione al fatto artistico che fosse anche esercizio  di pensiero critico, del rispetto del pubblico, dell’apertura e  valorizzazione dei giovani, che peraltro da quarantasette anni trovano la loro casa di accoglienza nella splendida avventura del Palio Teatrale Studentesco, fiore all’occhiello del lavoro del Teatro Club. Ed è anche con lo sguardo rivolto ai giovani, artisti e spettatori, che è stato cucito il cartellone delle cinque proposte, tutte in anteprima regionale, una delle quali, “Il memorioso”, sarà offerto a ingresso gratuito proprio negli spazi di una scuola cittadina».</em>\n\nÈ dunque con dei bravissimi giovani attori che il programma inizia al <strong>Teatro San Giorgio</strong> <strong>sabato 10 febbraio, alle ore 21</strong>. Si tratta dello spettacolo <strong>LA FABBRICA DELLA FELICITÀ</strong>, fresco di debutto a Lugano e a Milano, su idea della compagnia CONNETTIVo24GRAMMI, un neo-nato collettivo per  molti versi <em>made in Friuli</em>, se cinque dei sei componenti (<strong>Giuseppe Attanasio, Irene Canali, Miriam Costamagna, Daniele Palmeri, Marta Salandi,</strong> insieme a <strong>Nicola Andretta</strong>) sono usciti pochi anni fa dalla fucina pedagogica della “Nico Pepe” di Udine. Al centro del lavoro, liberamente ispirato alla distopia del  romanzo <em>Il mondo nuovo</em> di Aldous Huxley, è la rappresentazione di una società futuribile in cui siano bandite le sofferenze, sia rimossa anche la paura della morte e siano possibili tutte le libertà grazie al supporto di una pillola portentosa, prodotta industrialmente come una droga o uno psicofarmaco del controdolore artificiale.\nUna prospettiva che si presta ad aprire un capitolo di riflessione sull’intreccio tra scienza, capitale e controllo del potere: tema di cui sarà la stessa compagnia, insieme allo scrittore <strong>Stefano Moratto</strong>, a illustrare l’attualità <span style=\"text-decoration: underline;\">nell’incontro in programma in “cantina” il 7 febbraio alle ore 18.</span>\n\nTra dolcezza della memoria, rispetto della storia e disincanto del presente si muove invece il lavoro <strong>CASA DEL POPOLO</strong>, in scena all’<strong>Auditorium</strong> <strong>Zanon domenica 18 febbraio, alle ore 21</strong>. Insieme al Teatro delle Temperie, ne è artefice la Compagnia del Teatro dell’Argine di San Lazzaro di Sàvena (Bologna), di cui anche in passato il Teatro Club ha ospitato le produzioni, specie per la serie “Cincali” di Mario Perrotta. Nel nuovo lavoro, fresco di debutto, tre attori (<strong>Micaela Casalboni, Giovanni Dispenza </strong>e<strong> Andrea Lupo</strong>, diretti da <strong>Andrea Paolucci</strong>) ripercorrono cento anni di vita delle “mitiche” case del popolo romagnole, dagli esordi del volontariato mutualistico alla resistenza politica  sotto il fascismo, dallo slancio rinnovato sullo sfondo della Repubblica democratica fino allo snaturamento dei nostri tempi, in cui la parola “popolo” pare destinata a dare a la stura solo ai più spericolati “ismi”.\nAnche in questo caso, la rappresentazione sarà preceduta da <span style=\"text-decoration: underline;\">un incontro in “cantina” il 17 febbraio alle ore 18</span>, nel quale Francesco Micelli e altri ospiti, coordinati da Valter Colle, racconteranno le gloriose tradizioni delle case del popolo attive anche in Friuli, dalla Carnia alla Bassa.\n\nOccasione alta di riflessione sarà fornita dal terzo appuntamento che, a ingresso gratuito e fino e esaurimento dei 140 posti disponibili, sarà proposto <strong>venerdì 9 marzo alle 18</strong> nell’<strong>Aula Magna del Liceo classico “J. Stellini” di Udine</strong>, anche grazie alla collaborazione con la Dirigenza dell’Istituto. Si tratta dell’assolo <strong>IL MEMORIOSO, </strong>prodotto da Gariwo-Comitato Foresta dei Giusti, in cui il bravissimo attore udinese <strong>Massimiliano Speziani</strong>, in gioventù forgiato dal Palio, affronterà un viaggio della memoria  intorno agli uomini cosiddetti Giusti, che anche in condizioni di pericolo per la loro stessa vita scelgono di stare dalla parte del Bene. Giusti come quelli che in Israele sono ricordati da un albero per ognuno nel Giardino a loro dedicato  e che, in questo spettacolo ispirato ai libri di Gabriele Nissim, sono ricercati con maniacale meticolosità da Moshe Bejski, uno dei nomi della celebre lista di Schindler, per anni presidente della Commissione dei Giusti presso il Memoriale  Yad Vashem a Gerusalemme.\nDoveroso rendere omaggio alla storia di questi uomini dalla adamantina umanità, come peraltro avverrà in futuro ogni anno con l’istituzione di una specifica Giornata dei Giusti la quale, per una fortunata coincidenza, sarà ufficializzata al Quirinale  il 6 marzo 2018 proprio a ridosso della rappresentazione udinese.\n\nAl <strong>Teatro San Giorgio</strong>, <strong>domenica 11 marzo alle ore 21</strong> (<strong>lunedì 12 alle 11 in matinèe per le scuole)</strong>, si addentra nella storia anche lo spettacolo <strong>STORIA DELLA COLONNA INFAME</strong>, adattato dalle pagine di Alessandro Manzoni dall’attore-autore <strong>Silvio Castiglioni</strong>, già direttore del festival di Sant’Arcangelo e nome di spicco della scena italiana di ricerca. La nota vicenda tragica di giustizia sommaria, avvenuta nel 1630  sulla spinta del pregiudizio e della caccia alle streghe, è al centro del lavoro, in cui si immagina che un anziano Professore bibliofilo, accudito da una Donna misteriosa, rievochi le ombre di quel passato tenebroso, sempre potenzialmente replicabile. È un’occasione per riflettere anche sui meccanismi dell’individuazione di un capro espiatorio, in cui le società umane trovano spesso un facile espediente per sgravare la coscienza dalle proprie responsabilità.\nQuesti temi saranno oggetto di analisi, sempre nello spazio della “cantina”, in un <span style=\"text-decoration: underline;\">incontro</span> animato da Gianni Ortis e Gianni Cianchi <span style=\"text-decoration: underline;\">in programma sabato 10 marzo alle 18</span>.\n\nLa rassegna trova il suo punto di arrivo al <strong>Teatro Palamostre giovedì 29 marzo alle 21.00</strong> con uno spettacolo che di nuovo, come per la proposta iniziale del cartellone, vede protagonisti alcuni artisti di ultima generazione. È il caso della bravissima <strong>Aida Talliente</strong> che, con <strong>Andrea Trapani</strong>, anima la rappresentazione <strong>IO NON HO MANI CHE MI ACCAREZZINO IL VISO</strong>, con titolo ripreso dai versi di David Maria Turoldo. Lo spettacolo, prodotto da Biancofango su progetto drammaturgico di <strong>Francesca Macrì</strong> e Andrea Trapani in collaborazione con la stessa Talliente, è reduce dal debutto all’Elfo di Milano e da altre importante piazze italiane, che ne hanno applaudito il forte impatto, anche scenico. Il tutto ruota intorno allo scambio tra due personaggi che si confrontano e si scontrano sul motivo della fragilità e sui libri che, in modo diverso per entrambi, sono esemplari di quella condizione. Per lei è <em>Santa Giovanna dei Macelli</em> di Brecht, per lui è <em>Woyzeck</em> di Büchner: due capolavori della drammaturgia europea che chiamano in causa anche il valore dei libri, degli scrittori e dei lettori.\nEd è per questo che la proposta è accompagnata anche dalla collaborazione e dal sostegno di Bottega Errante che, nello specifico <span style=\"text-decoration: underline;\">incontro  pre-spettacolo con la compagnia</span> ospitato il <span style=\"text-decoration: underline;\">28 marzo alle 18 alla Libreria Friuli</span>, annuncerà l’anteprima della Notte dei Lettori 2018.\n\nTante forze si sono raccolte dunque intorno al progetto “Akrópolis In” del Teatro Club, che peraltro è il perno anche di tante altre iniziative condivise, specie sul fronte del coinvolgimento giovanile.\n\n-In febbraio è proseguito il progetto <span style=\"text-decoration: underline;\">“Ragazzi in pace. La Grande guerra in Friuli dopo Caporetto”</span> che, anche in partnership con i percorsi Alternanza Scuola-Lavoro del Liceo scientifico  “N. Copernico”  del Liceo classico “J. Stellini” e con il coinvolgimento di vari Istituti superiori di Udine e della provincia, è articolato in un ciclo di lezioni propedeutiche curate da alcuni esperti nella prospettiva di un momento convegnistico finale, in programma a fine aprile e con la diretta gestione dei ragazzi partecipanti.\n\n-In febbraio presso i Licei uniti di Codroipo partirà  anche un <span style=\"text-decoration: underline;\">Laboratorio di fotografia “La Grande guerra nel codroipese”</span>, curato per giovani aspiranti fotografi dal maestro <strong>Cesare Genuzio</strong>, con il supporto di Angela Felice e <strong>Gloria Perosa</strong>, e finalizzato all’allestimento finale degli scatti realizzati dagli studenti partecipanti nel corso del lavoro.\n\n- In gennaio, presso lo spazio della “cantina” di via Manin, è iniziato anche il laboratorio di 14 incontri settimanali  <span style=\"text-decoration: underline;\">“ABC della scrittura teatrale: dal testo alla scena”</span> in cui i drammaturghi di <strong>Mateârium,  </strong>costola dell’Associazione Servi di scena di San Daniele del Friuli,<strong> </strong>(<strong>Alessandro Di Pauli, </strong><strong>Dario Paolo D\'Antoni</strong><strong>, </strong><strong>Stefania Ursella</strong>) , guidano un gruppo di 14 studenti dei Lici udinesi dentro i segreti  tecnici della scrittura  per la scena, per condurli infine alla realizzazione di alcuni “corti”  teatrali da proporre all’interno della vetrina del Palio.\n\n-In cantiere dal mese di novembre 2017, vi è infine la <span style=\"text-decoration: underline;\">nuova edizione n. 47 del Palio Teatrale Studentesco 2018</span> che, in base ai risultati raccolti nelle tante riunioni periodiche con i coordinatori dei gruppi, toccherà anche quest’anno la cifra record di 28 spettacoli, i quali, grazie al sostegno dell’Assessorato alla Cultura del Comune di Udine,  saranno spalmati al Teatro Palamostre in  14 serate tra la fine di aprile e la fine di maggio.\n\nInfo, Tetro Club Udine, via Marco Volpe 13, Udine, t 0432 507953\ninfo@teatroclubudine.it, www.teatroclubudine.it','Rassegna teatrale “Akrópolis In │Palio Factory” 10 febbraio  › 29 marzo 2018','','inherit','closed','closed','','6304-revision','','','2018-02-05 10:00:29','2018-02-05 09:00:29','',6304,'http://www.teatroclubudine.it/6307-6304-revision/',0,'revision','',0),
	(6309,2,'2018-02-05 10:02:11','2018-02-05 09:02:11','<p style=\"text-align: justify;\" align=\"center\">Laboratori di poesia e recitazione ed incontri gratuiti con attori e compagnie, per la nuova stagione di Akropolis di teatro Club Udine. Ecco le date del\r\n\r\n<strong>                                                                                                                                               Progetto “Akrópolis Off │ La Cantina”\r\n</strong><strong>                                                                                                                                                            febbraio › marzo 2018</strong></p>\r\n<p align=\"center\"></p>\r\n<strong>febbraio </strong>\r\n<span style=\"text-decoration: underline;\">giovedì 8, h. 21\r\n</span><strong>POESIA IN CANTINA 1</strong>\r\nLa Beat Generation a Udine con proiezione video\r\nconduzione Valter Colle\r\n\r\n<span style=\"text-decoration: underline;\">mercoledì 7, h. 18.00</span>   <strong><span style=\"text-decoration: line-through;\">\r\n</span></strong><strong>FUORI SCENA IN CANTINA 1</strong>\r\nIncontro  con i giovani attori post-Nico Pepe (spettacolo TC  <em>La fabbrica della felicità</em> al San Giorgio il 10)\r\nospiti Stefano Moratto (per A. Huxley) / conduzione Massimo Somaglino\r\n\r\n<span style=\"text-decoration: underline;\">sabato 17, h. 18.00</span>\r\n<strong>FUORI SCENA IN CANTINA 2</strong>\r\nIncontro  (spettacolo TC  <em>Casa del popolo</em> allo Zanon il 18)\r\nospite Francesco Micelli (le case del popolo in Friuli)\r\n\r\n<span style=\"text-decoration: underline;\">giovedì 22, h. 21.00\r\n</span><strong>POESIA IN CANTINA 2</strong><strong>\r\n</strong>In tandem: Maurizio Mattiuzza e Antonella Sbuelz\r\n\r\n&nbsp;\r\n\r\n<strong>marzo</strong>\r\n<span style=\"text-decoration: underline;\">giovedì 8 marzo, h. 18.00 </span>\r\n<strong>POESIA IN CANTINA 3</strong>\r\nPoetesse del Friuli (Buiese, Cantarutti, Paroni Bertoia, Jacolutti, Vallerugo, De Monte, Sbuelz)\r\nReading con le ragazze del Palio / a cura di Daniela Zorzini e Angela Felice\r\n\r\n<span style=\"text-decoration: underline;\">sabato 10 marzo, h. 18.00</span>\r\n<strong>FUORI SCENA IN CANTINA 3</strong>\r\nPregiudizio e giustizia:  <em>Storia della Colonna infame</em> (spettacolo TC al San Giorgio l’11 sera, con 12 matinée scolastica)\r\nospite Gianni Ortis /conduzione  Gianni  Cianchi\r\n\r\n<span style=\"text-decoration: underline;\">giovedì 15, h. 18.30\r\n</span><strong>RADIOBLÓ  OSSERVATORIO 1\r\n</strong>Udine: l’identità di una città\r\nconduce Paolo Medeossi\r\n\r\n<span style=\"text-decoration: underline;\">giovedì 22, h. 21.00</span>\r\n<strong>POESIA IN CANTINA 4\r\n</strong>Reading con Stefano Moratto','Progetto “Akrópolis Off │ La Cantina” febbraio › marzo 2018','','inherit','closed','closed','','6300-revision-3','','','2018-02-05 10:02:11','2018-02-05 09:02:11','',6300,'http://www.teatroclubudine.it/6309-6300-revision-3/',0,'revision','',0),
	(6310,2,'2017-11-21 16:10:48','2017-11-21 15:10:48','','Home page','','inherit','closed','closed','','82-revision-499','','','2017-11-21 16:10:48','2017-11-21 15:10:48','',82,'http://www.teatroclubudine.it/6310-82-revision-499/',0,'revision','',0),
	(6311,2,'2018-02-05 10:06:23','2018-02-05 09:06:23','<p align=\"center\"><strong>Il Teatro Club Udine</strong></p>\n<p align=\"center\">con il sostegno di\n<strong>Regione autonoma FVG, Assessorato alla Cultura del Comune di Udine\nFondazione Friuli, Ert FVG </strong></p>\n<p align=\"center\">in collaborazione con\n<strong>Società Filologica Friulana</strong></p>\n<p align=\"center\">e con\n<strong>Bottega errante per la Notte dei Lettori 2018\nArteventi,  Civica Accademia d’Arte Drammatica “Nico Pepe”, Il Laboratorio\nLibreria Friuli,  Liceo classico “J. Stellini”, Mateârium/Associazione Servi di scena\nTaukay, vicino/lontano</strong></p>\n<p align=\"center\"><strong>Rassegna teatrale “Akrópolis In │Palio Factory”\n</strong><strong>10 febbraio  › 29 marzo 2018 </strong></p>\n<p align=\"center\"><strong>Progetto “Akrópolis Off │ La Cantina”\n</strong><strong>febbraio › marzo 2018</strong></p>\n<p align=\"center\">presso i teatri\n<strong>Teatro San Giorgio, Auditorium Zanon, Teatro Palamostre</strong></p>\n<p align=\"center\">e presso\n<strong>spazio “Cantina” │ via Manin 18, Udine</strong></p>\n<p align=\"center\"><strong> </strong></p>\nSono cinque le proposte teatrali che, tra febbraio e marzo, articolano nella prima parte del 2018 il percorso  <strong>“Akrópolis In”</strong> del  <strong>Teatro Club</strong>, storica realtà culturale e teatrale di Udine  che, per questo nuovo progetto, è confortata dal sostegno di <strong>Regione Fvg, Comune di Udine-Assessorato alla Cultura </strong>e <strong>Fondazione Friuli</strong>, oltre che dalla collaborazione concreta con un ricco mosaico di associazioni e strutture del territorio:  <strong>Arteventi, Bottega errante per la Notte dei Lettori 2018, Civica Accademia d’Arte Drammatica “Nico Pepe”,  Ert Fvg, Il Laboratorio, Libreria Friuli,  Liceo classico “J. Stellini”, Mateârium, Taukay, vicino/lontano. </strong>\n\n«<em>Un grazie speciale va alla fondamentale <strong>Società Filologica Friulana</strong></em> – dichiara il presidente <strong>Gianni Cianchi</strong>-  <em>Grazie alla sensibilità del suo presidente, Federico Vicario, e alla disponibilità della direzione e degli uffici, questa benemerita casa della cultura friulana ha voluta infatti concedere lo spazio della “cantina” di via Manin 18 alle iniziative che, insieme al Teatro Club, un gruppo di lavoro rappresentativo delle varie anime intellettuali e artistiche della città  (Valter Colle, Fabiana Dallavalle, Angela Felice, Massimo Somaglino, Vittorio Vella e il sottoscritto) ha iniziato ad attuare in via sperimentale già nell’autunno 2017, nella prospettiva della messa a regime sistematica nel 2018. Entro un calendario ormai definitivo,  pensato come occasione artistica, vetrina per i giovani, laboratorio flessibile di discussione aperta</em>, <em>rientreranno anche gli incontri che, di volta in volta, rifletteranno sugli spunti tematici offerti dalle proposte della rassegna</em>».\n\n«<em>L’impostazione che abbiamo scelto – </em>precisa il direttore <strong>Angela Felice</strong>, che insieme a <strong>Massimo Somaglino </strong>firma le scelte del cartellone-  <em>fa riferimento a un concetto di teatro come</em>  <em>occasione</em> <em>non di</em> <em> mero consumo di spettacolo, ma di riflessione e di partecipazione attiva, non esaurita dalla sola fruizione. Questo obiettivo intercetta peraltro la vocazione tradizionale del Teatro Club, che nella sua storia pluridecennale ha sempre mirato ai criteri guida dell’attenzione al fatto artistico che fosse anche esercizio  di pensiero critico, del rispetto del pubblico, dell’apertura e  valorizzazione dei giovani, che peraltro da quarantasette anni trovano la loro casa di accoglienza nella splendida avventura del Palio Teatrale Studentesco, fiore all’occhiello del lavoro del Teatro Club. Ed è anche con lo sguardo rivolto ai giovani, artisti e spettatori, che è stato cucito il cartellone delle cinque proposte, tutte in anteprima regionale, una delle quali, “Il memorioso”, sarà offerto a ingresso gratuito proprio negli spazi di una scuola cittadina».</em>\n\nÈ dunque con dei bravissimi giovani attori che il programma inizia al <strong>Teatro San Giorgio</strong> <strong>sabato 10 febbraio, alle ore 21</strong>. Si tratta dello spettacolo <strong>LA FABBRICA DELLA FELICITÀ</strong>, fresco di debutto a Lugano e a Milano, su idea della compagnia CONNETTIVo24GRAMMI, un neo-nato collettivo per  molti versi <em>made in Friuli</em>, se cinque dei sei componenti (<strong>Giuseppe Attanasio, Irene Canali, Miriam Costamagna, Daniele Palmeri, Marta Salandi,</strong> insieme a <strong>Nicola Andretta</strong>) sono usciti pochi anni fa dalla fucina pedagogica della “Nico Pepe” di Udine. Al centro del lavoro, liberamente ispirato alla distopia del  romanzo <em>Il mondo nuovo</em> di Aldous Huxley, è la rappresentazione di una società futuribile in cui siano bandite le sofferenze, sia rimossa anche la paura della morte e siano possibili tutte le libertà grazie al supporto di una pillola portentosa, prodotta industrialmente come una droga o uno psicofarmaco del controdolore artificiale.\nUna prospettiva che si presta ad aprire un capitolo di riflessione sull’intreccio tra scienza, capitale e controllo del potere: tema di cui sarà la stessa compagnia, insieme allo scrittore <strong>Stefano Moratto</strong>, a illustrare l’attualità <span style=\"text-decoration: underline;\">nell’incontro in programma in “cantina” il 7 febbraio alle ore 18.</span>\n\nTra dolcezza della memoria, rispetto della storia e disincanto del presente si muove invece il lavoro <strong>CASA DEL POPOLO</strong>, in scena all’<strong>Auditorium</strong> <strong>Zanon domenica 18 febbraio, alle ore 21</strong>. Insieme al Teatro delle Temperie, ne è artefice la Compagnia del Teatro dell’Argine di San Lazzaro di Sàvena (Bologna), di cui anche in passato il Teatro Club ha ospitato le produzioni, specie per la serie “Cincali” di Mario Perrotta. Nel nuovo lavoro, fresco di debutto, tre attori (<strong>Micaela Casalboni, Giovanni Dispenza </strong>e<strong> Andrea Lupo</strong>, diretti da <strong>Andrea Paolucci</strong>) ripercorrono cento anni di vita delle “mitiche” case del popolo romagnole, dagli esordi del volontariato mutualistico alla resistenza politica  sotto il fascismo, dallo slancio rinnovato sullo sfondo della Repubblica democratica fino allo snaturamento dei nostri tempi, in cui la parola “popolo” pare destinata a dare a la stura solo ai più spericolati “ismi”.\nAnche in questo caso, la rappresentazione sarà preceduta da <span style=\"text-decoration: underline;\">un incontro in “cantina” il 17 febbraio alle ore 18</span>, nel quale Francesco Micelli e altri ospiti, coordinati da Valter Colle, racconteranno le gloriose tradizioni delle case del popolo attive anche in Friuli, dalla Carnia alla Bassa.\n\nOccasione alta di riflessione sarà fornita dal terzo appuntamento che, a ingresso gratuito e fino e esaurimento dei 140 posti disponibili, sarà proposto <strong>venerdì 9 marzo alle 18</strong> nell’<strong>Aula Magna del Liceo classico “J. Stellini” di Udine</strong>, anche grazie alla collaborazione con la Dirigenza dell’Istituto. Si tratta dell’assolo <strong>IL MEMORIOSO, </strong>prodotto da Gariwo-Comitato Foresta dei Giusti, in cui il bravissimo attore udinese <strong>Massimiliano Speziani</strong>, in gioventù forgiato dal Palio, affronterà un viaggio della memoria  intorno agli uomini cosiddetti Giusti, che anche in condizioni di pericolo per la loro stessa vita scelgono di stare dalla parte del Bene. Giusti come quelli che in Israele sono ricordati da un albero per ognuno nel Giardino a loro dedicato  e che, in questo spettacolo ispirato ai libri di Gabriele Nissim, sono ricercati con maniacale meticolosità da Moshe Bejski, uno dei nomi della celebre lista di Schindler, per anni presidente della Commissione dei Giusti presso il Memoriale  Yad Vashem a Gerusalemme.\nDoveroso rendere omaggio alla storia di questi uomini dalla adamantina umanità, come peraltro avverrà in futuro ogni anno con l’istituzione di una specifica Giornata dei Giusti la quale, per una fortunata coincidenza, sarà ufficializzata al Quirinale  il 6 marzo 2018 proprio a ridosso della rappresentazione udinese.\n\nAl <strong>Teatro San Giorgio</strong>, <strong>domenica 11 marzo alle ore 21</strong> (<strong>lunedì 12 alle 11 in matinèe per le scuole)</strong>, si addentra nella storia anche lo spettacolo <strong>STORIA DELLA COLONNA INFAME</strong>, adattato dalle pagine di Alessandro Manzoni dall’attore-autore <strong>Silvio Castiglioni</strong>, già direttore del festival di Sant’Arcangelo e nome di spicco della scena italiana di ricerca. La nota vicenda tragica di giustizia sommaria, avvenuta nel 1630  sulla spinta del pregiudizio e della caccia alle streghe, è al centro del lavoro, in cui si immagina che un anziano Professore bibliofilo, accudito da una Donna misteriosa, rievochi le ombre di quel passato tenebroso, sempre potenzialmente replicabile. È un’occasione per riflettere anche sui meccanismi dell’individuazione di un capro espiatorio, in cui le società umane trovano spesso un facile espediente per sgravare la coscienza dalle proprie responsabilità.\nQuesti temi saranno oggetto di analisi, sempre nello spazio della “cantina”, in un <span style=\"text-decoration: underline;\">incontro</span> animato da Gianni Ortis e Gianni Cianchi <span style=\"text-decoration: underline;\">in programma sabato 10 marzo alle 18</span>.\n\nLa rassegna trova il suo punto di arrivo al <strong>Teatro Palamostre giovedì 29 marzo alle 21.00</strong> con uno spettacolo che di nuovo, come per la proposta iniziale del cartellone, vede protagonisti alcuni artisti di ultima generazione. È il caso della bravissima <strong>Aida Talliente</strong> che, con <strong>Andrea Trapani</strong>, anima la rappresentazione <strong>IO NON HO MANI CHE MI ACCAREZZINO IL VISO</strong>, con titolo ripreso dai versi di David Maria Turoldo. Lo spettacolo, prodotto da Biancofango su progetto drammaturgico di <strong>Francesca Macrì</strong> e Andrea Trapani in collaborazione con la stessa Talliente, è reduce dal debutto all’Elfo di Milano e da altre importante piazze italiane, che ne hanno applaudito il forte impatto, anche scenico. Il tutto ruota intorno allo scambio tra due personaggi che si confrontano e si scontrano sul motivo della fragilità e sui libri che, in modo diverso per entrambi, sono esemplari di quella condizione. Per lei è <em>Santa Giovanna dei Macelli</em> di Brecht, per lui è <em>Woyzeck</em> di Büchner: due capolavori della drammaturgia europea che chiamano in causa anche il valore dei libri, degli scrittori e dei lettori.\nEd è per questo che la proposta è accompagnata anche dalla collaborazione e dal sostegno di Bottega Errante che, nello specifico <span style=\"text-decoration: underline;\">incontro  pre-spettacolo con la compagnia</span> ospitato il <span style=\"text-decoration: underline;\">28 marzo alle 18 alla Libreria Friuli</span>, annuncerà l’anteprima della Notte dei Lettori 2018.\n\nTante forze si sono raccolte dunque intorno al progetto “Akrópolis In” del Teatro Club, che peraltro è il perno anche di tante altre iniziative condivise, specie sul fronte del coinvolgimento giovanile.\n\n-In febbraio è proseguito il progetto <span style=\"text-decoration: underline;\">“Ragazzi in pace. La Grande guerra in Friuli dopo Caporetto”</span> che, anche in partnership con i percorsi Alternanza Scuola-Lavoro del Liceo scientifico  “N. Copernico”  del Liceo classico “J. Stellini” e con il coinvolgimento di vari Istituti superiori di Udine e della provincia, è articolato in un ciclo di lezioni propedeutiche curate da alcuni esperti nella prospettiva di un momento convegnistico finale, in programma a fine aprile e con la diretta gestione dei ragazzi partecipanti.\n\n-In febbraio presso i Licei uniti di Codroipo partirà  anche un <span style=\"text-decoration: underline;\">Laboratorio di fotografia “La Grande guerra nel codroipese”</span>, curato per giovani aspiranti fotografi dal maestro <strong>Cesare Genuzio</strong>, con il supporto di Angela Felice e <strong>Gloria Perosa</strong>, e finalizzato all’allestimento finale degli scatti realizzati dagli studenti partecipanti nel corso del lavoro.\n\n- In gennaio, presso lo spazio della “cantina” di via Manin, è iniziato anche il laboratorio di 14 incontri settimanali  <span style=\"text-decoration: underline;\">“ABC della scrittura teatrale: dal testo alla scena”</span> in cui i drammaturghi di <strong>Mateârium,  </strong>costola dell’Associazione Servi di scena di San Daniele del Friuli,<strong> </strong>(<strong>Alessandro Di Pauli, </strong><strong>Dario Paolo D\'Antoni</strong><strong>, </strong><strong>Stefania Ursella</strong>) , guidano un gruppo di 14 studenti dei Lici udinesi dentro i segreti  tecnici della scrittura  per la scena, per condurli infine alla realizzazione di alcuni “corti”  teatrali da proporre all’interno della vetrina del Palio.\n\n-In cantiere dal mese di novembre 2017, vi è infine la <span style=\"text-decoration: underline;\">nuova edizione n. 47 del Palio Teatrale Studentesco 2018</span> che, in base ai risultati raccolti nelle tante riunioni periodiche con i coordinatori dei gruppi, toccherà anche quest’anno la cifra record di 28 spettacoli, i quali, grazie al sostegno dell’Assessorato alla Cultura del Comune di Udine,  saranno spalmati al Teatro Palamostre in  14 serate tra la fine di aprile e la fine di maggio.\n\nInfo, Tetro Club Udine, via Marco Volpe 13, Udine, t 0432 507953\ninfo@teatroclubudine.it, www.teatroclubudine.it','Rassegna teatrale “Akrópolis In │Palio Factory” 10 febbraio  › 29 marzo 2018','','inherit','closed','closed','','6304-autosave','','','2018-02-05 10:06:23','2018-02-05 09:06:23','',6304,'http://www.teatroclubudine.it/6311-6304-autosave/',0,'revision','',0),
	(6312,2,'2018-02-05 10:04:17','2018-02-05 09:04:17','','Home page','','inherit','closed','closed','','82-revision-500','','','2018-02-05 10:04:17','2018-02-05 09:04:17','',82,'http://www.teatroclubudine.it/6312-82-revision-500/',0,'revision','',0),
	(6313,2,'2018-02-05 10:01:04','2018-02-05 09:01:04','<p align=\"center\"><strong>Il Teatro Club Udine</strong></p>\r\n<p align=\"center\">con il sostegno di\r\n<strong>Regione autonoma FVG, Assessorato alla Cultura del Comune di Udine\r\nFondazione Friuli, Ert FVG </strong></p>\r\n<p align=\"center\">in collaborazione con\r\n<strong>Società Filologica Friulana</strong></p>\r\n<p align=\"center\">e con\r\n<strong>Bottega errante per la Notte dei Lettori 2018\r\nArteventi,  Civica Accademia d’Arte Drammatica “Nico Pepe”, Il Laboratorio\r\nLibreria Friuli,  Liceo classico “J. Stellini”, Mateârium/Associazione Servi di scena\r\nTaukay, vicino/lontano</strong></p>\r\n<p align=\"center\"><strong>Rassegna teatrale “Akrópolis In │Palio Factory”\r\n</strong><strong>10 febbraio  › 29 marzo 2018 </strong></p>\r\n<p align=\"center\"><strong>Progetto “Akrópolis Off │ La Cantina”\r\n</strong><strong>febbraio › marzo 2018</strong></p>\r\n<p align=\"center\">presso i teatri\r\n<strong>Teatro San Giorgio, Auditorium Zanon, Teatro Palamostre</strong></p>\r\n<p align=\"center\">e presso\r\n<strong>spazio “Cantina” │ via Manin 18, Udine</strong></p>\r\n<p align=\"center\"><strong> </strong></p>\r\nSono cinque le proposte teatrali che, tra febbraio e marzo, articolano nella prima parte del 2018 il percorso  <strong>“Akrópolis In”</strong> del  <strong>Teatro Club</strong>, storica realtà culturale e teatrale di Udine  che, per questo nuovo progetto, è confortata dal sostegno di <strong>Regione Fvg, Comune di Udine-Assessorato alla Cultura </strong>e <strong>Fondazione Friuli</strong>, oltre che dalla collaborazione concreta con un ricco mosaico di associazioni e strutture del territorio:  <strong>Arteventi, Bottega errante per la Notte dei Lettori 2018, Civica Accademia d’Arte Drammatica “Nico Pepe”,  Ert Fvg, Il Laboratorio, Libreria Friuli,  Liceo classico “J. Stellini”, Mateârium, Taukay, vicino/lontano. </strong>\r\n\r\n«<em>Un grazie speciale va alla fondamentale <strong>Società Filologica Friulana</strong></em> – dichiara il presidente <strong>Gianni Cianchi</strong>-  <em>Grazie alla sensibilità del suo presidente, Federico Vicario, e alla disponibilità della direzione e degli uffici, questa benemerita casa della cultura friulana ha voluta infatti concedere lo spazio della “cantina” di via Manin 18 alle iniziative che, insieme al Teatro Club, un gruppo di lavoro rappresentativo delle varie anime intellettuali e artistiche della città  (Valter Colle, Fabiana Dallavalle, Angela Felice, Massimo Somaglino, Vittorio Vella e il sottoscritto) ha iniziato ad attuare in via sperimentale già nell’autunno 2017, nella prospettiva della messa a regime sistematica nel 2018. Entro un calendario ormai definitivo,  pensato come occasione artistica, vetrina per i giovani, laboratorio flessibile di discussione aperta</em>, <em>rientreranno anche gli incontri che, di volta in volta, rifletteranno sugli spunti tematici offerti dalle proposte della rassegna</em>».\r\n\r\n«<em>L’impostazione che abbiamo scelto – </em>precisa il direttore <strong>Angela Felice</strong>, che insieme a <strong>Massimo Somaglino </strong>firma le scelte del cartellone-  <em>fa riferimento a un concetto di teatro come</em>  <em>occasione</em> <em>non di</em> <em> mero consumo di spettacolo, ma di riflessione e di partecipazione attiva, non esaurita dalla sola fruizione. Questo obiettivo intercetta peraltro la vocazione tradizionale del Teatro Club, che nella sua storia pluridecennale ha sempre mirato ai criteri guida dell’attenzione al fatto artistico che fosse anche esercizio  di pensiero critico, del rispetto del pubblico, dell’apertura e  valorizzazione dei giovani, che peraltro da quarantasette anni trovano la loro casa di accoglienza nella splendida avventura del Palio Teatrale Studentesco, fiore all’occhiello del lavoro del Teatro Club. Ed è anche con lo sguardo rivolto ai giovani, artisti e spettatori, che è stato cucito il cartellone delle cinque proposte, tutte in anteprima regionale, una delle quali, “Il memorioso”, sarà offerto a ingresso gratuito proprio negli spazi di una scuola cittadina».</em>\r\n\r\nÈ dunque con dei bravissimi giovani attori che il programma inizia al <strong>Teatro San Giorgio</strong> <strong>sabato 10 febbraio, alle ore 21</strong>. Si tratta dello spettacolo <strong>LA FABBRICA DELLA FELICITÀ</strong>, fresco di debutto a Lugano e a Milano, su idea della compagnia CONNETTIVo24GRAMMI, un neo-nato collettivo per  molti versi <em>made in Friuli</em>, se cinque dei sei componenti (<strong>Giuseppe Attanasio, Irene Canali, Miriam Costamagna, Daniele Palmeri, Marta Salandi,</strong> insieme a <strong>Nicola Andretta</strong>) sono usciti pochi anni fa dalla fucina pedagogica della “Nico Pepe” di Udine. Al centro del lavoro, liberamente ispirato alla distopia del  romanzo <em>Il mondo nuovo</em> di Aldous Huxley, è la rappresentazione di una società futuribile in cui siano bandite le sofferenze, sia rimossa anche la paura della morte e siano possibili tutte le libertà grazie al supporto di una pillola portentosa, prodotta industrialmente come una droga o uno psicofarmaco del controdolore artificiale.\r\nUna prospettiva che si presta ad aprire un capitolo di riflessione sull’intreccio tra scienza, capitale e controllo del potere: tema di cui sarà la stessa compagnia, insieme allo scrittore <strong>Stefano Moratto</strong>, a illustrare l’attualità <span style=\"text-decoration: underline;\">nell’incontro in programma in “cantina” il 7 febbraio alle ore 18.</span>\r\n\r\nTra dolcezza della memoria, rispetto della storia e disincanto del presente si muove invece il lavoro <strong>CASA DEL POPOLO</strong>, in scena all’<strong>Auditorium</strong> <strong>Zanon domenica 18 febbraio, alle ore 21</strong>. Insieme al Teatro delle Temperie, ne è artefice la Compagnia del Teatro dell’Argine di San Lazzaro di Sàvena (Bologna), di cui anche in passato il Teatro Club ha ospitato le produzioni, specie per la serie “Cincali” di Mario Perrotta. Nel nuovo lavoro, fresco di debutto, tre attori (<strong>Micaela Casalboni, Giovanni Dispenza </strong>e<strong> Andrea Lupo</strong>, diretti da <strong>Andrea Paolucci</strong>) ripercorrono cento anni di vita delle “mitiche” case del popolo romagnole, dagli esordi del volontariato mutualistico alla resistenza politica  sotto il fascismo, dallo slancio rinnovato sullo sfondo della Repubblica democratica fino allo snaturamento dei nostri tempi, in cui la parola “popolo” pare destinata a dare a la stura solo ai più spericolati “ismi”.\r\nAnche in questo caso, la rappresentazione sarà preceduta da <span style=\"text-decoration: underline;\">un incontro in “cantina” il 17 febbraio alle ore 18</span>, nel quale Francesco Micelli e altri ospiti, coordinati da Valter Colle, racconteranno le gloriose tradizioni delle case del popolo attive anche in Friuli, dalla Carnia alla Bassa.\r\n\r\nOccasione alta di riflessione sarà fornita dal terzo appuntamento che, a ingresso gratuito e fino e esaurimento dei 140 posti disponibili, sarà proposto <strong>venerdì 9 marzo alle 18</strong> nell’<strong>Aula Magna del Liceo classico “J. Stellini” di Udine</strong>, anche grazie alla collaborazione con la Dirigenza dell’Istituto. Si tratta dell’assolo <strong>IL MEMORIOSO, </strong>prodotto da Gariwo-Comitato Foresta dei Giusti, in cui il bravissimo attore udinese <strong>Massimiliano Speziani</strong>, in gioventù forgiato dal Palio, affronterà un viaggio della memoria  intorno agli uomini cosiddetti Giusti, che anche in condizioni di pericolo per la loro stessa vita scelgono di stare dalla parte del Bene. Giusti come quelli che in Israele sono ricordati da un albero per ognuno nel Giardino a loro dedicato  e che, in questo spettacolo ispirato ai libri di Gabriele Nissim, sono ricercati con maniacale meticolosità da Moshe Bejski, uno dei nomi della celebre lista di Schindler, per anni presidente della Commissione dei Giusti presso il Memoriale  Yad Vashem a Gerusalemme.\r\nDoveroso rendere omaggio alla storia di questi uomini dalla adamantina umanità, come peraltro avverrà in futuro ogni anno con l’istituzione di una specifica Giornata dei Giusti la quale, per una fortunata coincidenza, sarà ufficializzata al Quirinale  il 6 marzo 2018 proprio a ridosso della rappresentazione udinese.\r\n\r\nAl <strong>Teatro San Giorgio</strong>, <strong>domenica 11 marzo alle ore 21</strong> (<strong>lunedì 12 alle 11 in matinèe per le scuole)</strong>, si addentra nella storia anche lo spettacolo <strong>STORIA DELLA COLONNA INFAME</strong>, adattato dalle pagine di Alessandro Manzoni dall’attore-autore <strong>Silvio Castiglioni</strong>, già direttore del festival di Sant’Arcangelo e nome di spicco della scena italiana di ricerca. La nota vicenda tragica di giustizia sommaria, avvenuta nel 1630  sulla spinta del pregiudizio e della caccia alle streghe, è al centro del lavoro, in cui si immagina che un anziano Professore bibliofilo, accudito da una Donna misteriosa, rievochi le ombre di quel passato tenebroso, sempre potenzialmente replicabile. È un’occasione per riflettere anche sui meccanismi dell’individuazione di un capro espiatorio, in cui le società umane trovano spesso un facile espediente per sgravare la coscienza dalle proprie responsabilità.\r\nQuesti temi saranno oggetto di analisi, sempre nello spazio della “cantina”, in un <span style=\"text-decoration: underline;\">incontro</span> animato da Gianni Ortis e Gianni Cianchi <span style=\"text-decoration: underline;\">in programma sabato 10 marzo alle 18</span>.\r\n\r\nLa rassegna trova il suo punto di arrivo al <strong>Teatro Palamostre giovedì 29 marzo alle 21.00</strong> con uno spettacolo che di nuovo, come per la proposta iniziale del cartellone, vede protagonisti alcuni artisti di ultima generazione. È il caso della bravissima <strong>Aida Talliente</strong> che, con <strong>Andrea Trapani</strong>, anima la rappresentazione <strong>IO NON HO MANI CHE MI ACCAREZZINO IL VISO</strong>, con titolo ripreso dai versi di David Maria Turoldo. Lo spettacolo, prodotto da Biancofango su progetto drammaturgico di <strong>Francesca Macrì</strong> e Andrea Trapani in collaborazione con la stessa Talliente, è reduce dal debutto all’Elfo di Milano e da altre importante piazze italiane, che ne hanno applaudito il forte impatto, anche scenico. Il tutto ruota intorno allo scambio tra due personaggi che si confrontano e si scontrano sul motivo della fragilità e sui libri che, in modo diverso per entrambi, sono esemplari di quella condizione. Per lei è <em>Santa Giovanna dei Macelli</em> di Brecht, per lui è <em>Woyzeck</em> di Büchner: due capolavori della drammaturgia europea che chiamano in causa anche il valore dei libri, degli scrittori e dei lettori.\r\nEd è per questo che la proposta è accompagnata anche dalla collaborazione e dal sostegno di Bottega Errante che, nello specifico <span style=\"text-decoration: underline;\">incontro  pre-spettacolo con la compagnia</span> ospitato il <span style=\"text-decoration: underline;\">28 marzo alle 18 alla Libreria Friuli</span>, annuncerà l’anteprima della Notte dei Lettori 2018.\r\n\r\nTante forze si sono raccolte dunque intorno al progetto “Akrópolis In” del Teatro Club, che peraltro è il perno anche di tante altre iniziative condivise, specie sul fronte del coinvolgimento giovanile.\r\n\r\n-In febbraio è proseguito il progetto <span style=\"text-decoration: underline;\">“Ragazzi in pace. La Grande guerra in Friuli dopo Caporetto”</span> che, anche in partnership con i percorsi Alternanza Scuola-Lavoro del Liceo scientifico  “N. Copernico”  del Liceo classico “J. Stellini” e con il coinvolgimento di vari Istituti superiori di Udine e della provincia, è articolato in un ciclo di lezioni propedeutiche curate da alcuni esperti nella prospettiva di un momento convegnistico finale, in programma a fine aprile e con la diretta gestione dei ragazzi partecipanti.\r\n\r\n-In febbraio presso i Licei uniti di Codroipo partirà  anche un <span style=\"text-decoration: underline;\">Laboratorio di fotografia “La Grande guerra nel codroipese”</span>, curato per giovani aspiranti fotografi dal maestro <strong>Cesare Genuzio</strong>, con il supporto di Angela Felice e <strong>Gloria Perosa</strong>, e finalizzato all’allestimento finale degli scatti realizzati dagli studenti partecipanti nel corso del lavoro.\r\n\r\n- In gennaio, presso lo spazio della “cantina” di via Manin, è iniziato anche il laboratorio di 14 incontri settimanali  <span style=\"text-decoration: underline;\">“ABC della scrittura teatrale: dal testo alla scena”</span> in cui i drammaturghi di <strong>Mateârium,  </strong>costola dell’Associazione Servi di scena di San Daniele del Friuli,<strong> </strong>(<strong>Alessandro Di Pauli, </strong><strong>Dario Paolo D\'Antoni</strong><strong>, </strong><strong>Stefania Ursella</strong>) , guidano un gruppo di 14 studenti dei Lici udinesi dentro i segreti  tecnici della scrittura  per la scena, per condurli infine alla realizzazione di alcuni “corti”  teatrali da proporre all’interno della vetrina del Palio.\r\n\r\n-In cantiere dal mese di novembre 2017, vi è infine la <span style=\"text-decoration: underline;\">nuova edizione n. 47 del Palio Teatrale Studentesco 2018</span> che, in base ai risultati raccolti nelle tante riunioni periodiche con i coordinatori dei gruppi, toccherà anche quest’anno la cifra record di 28 spettacoli, i quali, grazie al sostegno dell’Assessorato alla Cultura del Comune di Udine,  saranno spalmati al Teatro Palamostre in  14 serate tra la fine di aprile e la fine di maggio.\r\n\r\nInfo, Tetro Club Udine, via Marco Volpe 13, Udine, t 0432 507953\r\ninfo@teatroclubudine.it, www.teatroclubudine.it','Rassegna teatrale “Akrópolis In │Palio Factory” 10 febbraio  › 29 marzo 2018','','inherit','closed','closed','','6304-revision-2','','','2018-02-05 10:01:04','2018-02-05 09:01:04','',6304,'http://www.teatroclubudine.it/6313-6304-revision-2/',0,'revision','',0),
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	(6315,2,'2018-02-05 10:07:26','2018-02-05 09:07:26','','Home page','','inherit','closed','closed','','82-revision-502','','','2018-02-05 10:07:26','2018-02-05 09:07:26','',82,'http://www.teatroclubudine.it/6315-82-revision-502/',0,'revision','',0),
	(6316,2,'2018-02-07 11:16:36','2018-02-07 10:16:36','<p align=\"center\"><strong>Il Teatro Club Udine</strong></p>\r\n<p align=\"center\">con il sostegno di\r\n<strong>Regione autonoma FVG, Assessorato alla Cultura del Comune di Udine\r\nFondazione Friuli, Ert FVG </strong></p>\r\n<p align=\"center\">in collaborazione con <strong>Società Filologica Friulana</strong></p>\r\n<p align=\"center\">e con\r\n<strong>Bottega errante per la Notte dei Lettori 2018\r\nArteventi,  Civica Accademia d’Arte Drammatica “Nico Pepe”, Il Laboratorio\r\nLibreria Friuli,  Liceo classico “J. Stellini”, Mateârium/Associazione Servi di scena\r\nTaukay, vicino/lontano</strong></p>\r\n<p align=\"center\">presenta\r\nper il progetto POESIA IN CANTINA. Primo appuntamento 2018</p>\r\n<p align=\"center\"><strong>Quando la Beat Generation sbarcò a Udine nel 1979</strong></p>\r\n<p align=\"center\"><strong><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/27797688_1997811993820313_7310548398204465823_o2.jpg\"><img class=\"aligncenter size-medium wp-image-6325\" title=\"27797688_1997811993820313_7310548398204465823_o\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/27797688_1997811993820313_7310548398204465823_o2-300x106.jpg\" alt=\"\" width=\"300\" height=\"106\" /></a>\r\n</strong><strong> </strong><strong></strong></p>\r\n<strong>Giovedì 8 febbraio</strong>, alle <strong>ore 21</strong>, a ingresso libero e fino a esaurimento dei posti disponibili, prendono il via con la Beat Generation i <strong>giovedì di poesia</strong> pensati per “Akropolis off-La Cantina” nello spazio di <strong>via Manin 18 a Udine</strong>, messo a disposizione dalla Società Filologica Friulana per il gruppo di lavoro che, con il Teatro Club e tante altre associazioni, tra cui Il Laboratorio, organizzerà un ciclo costante di incontri settimanali nella chiave del cantiere aperto di idee e proposte culturali.\r\nNessun esordio più azzeccato che con il ricordo del mitico gruppo di poeti statunitensi che negli anni Sessanta inaugurarono uno strappo clamoroso con la tradizione del fare versi, promossero la pratica della performance, del reading e della partecipazione collettiva, fecero della poesia uno strumento di protesta, anarchia e critica graffiante all’”American Dream” e da lì influenzarono in maniera determinante larghe fasce della cultura giovanile allora in grande ebollizione.\r\nPochi sanno però che i maggiori esponenti allora viventi di quel movimento di culto sbarcarono a Udine e si proposero <strong>il 2 dicembre 1979 sul palco dello Zanon</strong>. Si chiamavano  <strong>Allen Ginsberg, Gregory Corso, Peter Orlowsly</strong>, i due fondatori del Living Theatre <strong>Julian Beck e Judith Malina</strong> e, sul palco, fece loro da tramite con il pubblico la guru e amica italiana <strong>Fernanda Pivano</strong>, traduttrice e mediatrice di tanta letteratura americana contemporanea, da Hemingway a Kerouac e ai suoi compagni Beat, “angeli” di pace come lei amava definirli.\r\nL’appuntamento di Udine con la Beat Generation fu un unicum nel panorama degli eventi dell’epoca, non solo in Italia, e non ebbe repliche, se non in parte nel molto più noto festival di poesia di Castelporziano.\r\nPer fortuna tra i partecipanti era presente un <strong>Valter Colle</strong> poco più che adolescente ma già con il destino  segnato dalla passione della videodocumentazione, che non perse l’occasione di registrare con l’inseparabile videotape quella perfomance poetica più unica che rara. Sarà lui a commentare nell’incontro il suo filmato che sarà proiettato insieme a un secondo contributo video girato a Milano 25 anni dopo in un lungo incontro-intervista con la Pivano, lucidissima nel ripensare un’esperienza leggendaria, anche a Udine.\r\nIl progetto “poesia in via Manin”  proseguirà giovedì 22 febbraio, sempre alle 21,  con il dialogo in tandem tra  due poeti del  Friuli di oggi, Antonella Sbuelz e Maurizio Mattiuzza.\r\n\r\nInfo e prenotazioni, Teatro Club Udine, via Marco Volpe 13, Udine, t 0432 507953\r\ninfo@teatroclubudine.it, www.teatroclubudine.it\r\n\r\n&nbsp;','Quando la Beat Generation sbarcò a Udine nel 1979','','publish','closed','closed','','quando-la-beat-generation-sbarco-a-udine-nel-1979','','','2018-02-07 11:30:05','2018-02-07 10:30:05','',0,'http://www.teatroclubudine.it/?p=6316',0,'post','',0),
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	(6319,2,'2018-02-07 11:16:17','2018-02-07 10:16:17','','27797688_1997811993820313_7310548398204465823_o','','inherit','closed','closed','','27797688_1997811993820313_7310548398204465823_o-2','','','2018-02-07 11:16:17','2018-02-07 10:16:17','',6316,'http://www.teatroclubudine.it/wp-content/uploads/2018/02/27797688_1997811993820313_7310548398204465823_o1.jpg',0,'attachment','image/jpeg',0),
	(6320,2,'2018-02-07 11:15:26','2018-02-07 10:15:26','<p align=\"center\"></p>\n<p align=\"center\"><strong>Il Teatro Club Udine</strong></p>\n<p align=\"center\">con il sostegno di\n<strong>Regione autonoma FVG, Assessorato alla Cultura del Comune di Udine\nFondazione Friuli, Ert FVG </strong></p>\n<p align=\"center\">in collaborazione con <strong>Società Filologica Friulana</strong></p>\n<p align=\"center\">e con\n<strong>Bottega errante per la Notte dei Lettori 2018\nArteventi,  Civica Accademia d’Arte Drammatica “Nico Pepe”, Il Laboratorio\nLibreria Friuli,  Liceo classico “J. Stellini”, Mateârium/Associazione Servi di scena\nTaukay, vicino/lontano</strong></p>\n<p align=\"center\">presenta\nper il progetto POESIA IN CANTINA. Primo appuntamento 2018</p>\n<p align=\"center\"><strong>Quando la Beat Generation sbarcò a Udine nel 1979\n</strong><strong> </strong><strong></strong></p>\n<strong>Giovedì 8 febbraio</strong>, alle <strong>ore 21</strong>, a ingresso libero e fino a esaurimento dei posti disponibili, prendono il via con la Beat Generation i <strong>giovedì di poesia</strong> pensati per “Akropolis off-La Cantina” nello spazio di <strong>via Manin 18 a Udine</strong>, messo a disposizione dalla Società Filologica Friulana per il gruppo di lavoro che, con il Teatro Club e tante altre associazioni, tra cui Il Laboratorio, organizzerà un ciclo costante di incontri settimanali nella chiave del cantiere aperto di idee e proposte culturali.\nNessun esordio più azzeccato che con il ricordo del mitico gruppo di poeti statunitensi che negli anni Sessanta inaugurarono uno strappo clamoroso con la tradizione del fare versi, promossero la pratica della performance, del reading e della partecipazione collettiva, fecero della poesia uno strumento di protesta, anarchia e critica graffiante all’”American Dream” e da lì influenzarono in maniera determinante larghe fasce della cultura giovanile allora in grande ebollizione.\nPochi sanno però che i maggiori esponenti allora viventi di quel movimento di culto sbarcarono a Udine e si proposero <strong>il 2 dicembre 1979 sul palco dello Zanon</strong>. Si chiamavano  <strong>Allen Ginsberg, Gregory Corso, Peter Orlowsly</strong>, i due fondatori del Living Theatre <strong>Julian Beck e Judith Malina</strong> e, sul palco, fece loro da tramite con il pubblico la guru e amica italiana <strong>Fernanda Pivano</strong>, traduttrice e mediatrice di tanta letteratura americana contemporanea, da Hemingway a Kerouac e ai suoi compagni Beat, “angeli” di pace come lei amava definirli.\nL’appuntamento di Udine con la Beat Generation fu un unicum nel panorama degli eventi dell’epoca, non solo in Italia, e non ebbe repliche, se non in parte nel molto più noto festival di poesia di Castelporziano.\nPer fortuna tra i partecipanti era presente un <strong>Valter Colle</strong> poco più che adolescente ma già con il destino  segnato dalla passione della videodocumentazione, che non perse l’occasione di registrare con l’inseparabile videotape quella perfomance poetica più unica che rara. Sarà lui a commentare nell’incontro il suo filmato che sarà proiettato insieme a un secondo contributo video girato a Milano 25 anni dopo in un lungo incontro-intervista con la Pivano, lucidissima nel ripensare un’esperienza leggendaria, anche a Udine.\nIl progetto “poesia in via Manin”  proseguirà giovedì 22 febbraio, sempre alle 21,  con il dialogo in tandem tra  due poeti del  Friuli di oggi, Antonella Sbuelz e Maurizio Mattiuzza.\n\nInfo e prenotazioni, Teatro Club Udine, via Marco Volpe 13, Udine, t 0432 507953\ninfo@teatroclubudine.it, www.teatroclubudine.it\n\n&nbsp;','Quando la Beat Generation sbarcò a Udine nel 1979','','inherit','closed','closed','','6316-revision','','','2018-02-07 11:15:26','2018-02-07 10:15:26','',6316,'http://www.teatroclubudine.it/6320-6316-revision/',0,'revision','',0),
	(6321,2,'2018-02-05 10:07:32','2018-02-05 09:07:32','','Home page','','inherit','closed','closed','','82-revision-503','','','2018-02-05 10:07:32','2018-02-05 09:07:32','',82,'http://www.teatroclubudine.it/6321-82-revision-503/',0,'revision','',0),
	(6322,2,'2018-02-07 11:17:20','2018-02-07 10:17:20','','Home page','','inherit','closed','closed','','82-revision-504','','','2018-02-07 11:17:20','2018-02-07 10:17:20','',82,'http://www.teatroclubudine.it/6322-82-revision-504/',0,'revision','',0),
	(6323,2,'2018-02-07 11:16:36','2018-02-07 10:16:36','<p align=\"center\"></p>\r\n<p align=\"center\"><strong>Il Teatro Club Udine</strong></p>\r\n<p align=\"center\">con il sostegno di\r\n<strong>Regione autonoma FVG, Assessorato alla Cultura del Comune di Udine\r\nFondazione Friuli, Ert FVG </strong></p>\r\n<p align=\"center\">in collaborazione con <strong>Società Filologica Friulana</strong></p>\r\n<p align=\"center\">e con\r\n<strong>Bottega errante per la Notte dei Lettori 2018\r\nArteventi,  Civica Accademia d’Arte Drammatica “Nico Pepe”, Il Laboratorio\r\nLibreria Friuli,  Liceo classico “J. Stellini”, Mateârium/Associazione Servi di scena\r\nTaukay, vicino/lontano</strong></p>\r\n<p align=\"center\">presenta\r\nper il progetto POESIA IN CANTINA. Primo appuntamento 2018</p>\r\n<p align=\"center\"><strong>Quando la Beat Generation sbarcò a Udine nel 1979</strong></p>\r\n<p align=\"center\"><strong><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/27797688_1997811993820313_7310548398204465823_o.jpg\"><img class=\"aligncenter size-large wp-image-6318\" title=\"27797688_1997811993820313_7310548398204465823_o\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/27797688_1997811993820313_7310548398204465823_o-1024x364.jpg\" alt=\"\" width=\"980\" height=\"348\" /></a>\r\n</strong><strong> </strong><strong></strong></p>\r\n<strong>Giovedì 8 febbraio</strong>, alle <strong>ore 21</strong>, a ingresso libero e fino a esaurimento dei posti disponibili, prendono il via con la Beat Generation i <strong>giovedì di poesia</strong> pensati per “Akropolis off-La Cantina” nello spazio di <strong>via Manin 18 a Udine</strong>, messo a disposizione dalla Società Filologica Friulana per il gruppo di lavoro che, con il Teatro Club e tante altre associazioni, tra cui Il Laboratorio, organizzerà un ciclo costante di incontri settimanali nella chiave del cantiere aperto di idee e proposte culturali.\r\nNessun esordio più azzeccato che con il ricordo del mitico gruppo di poeti statunitensi che negli anni Sessanta inaugurarono uno strappo clamoroso con la tradizione del fare versi, promossero la pratica della performance, del reading e della partecipazione collettiva, fecero della poesia uno strumento di protesta, anarchia e critica graffiante all’”American Dream” e da lì influenzarono in maniera determinante larghe fasce della cultura giovanile allora in grande ebollizione.\r\nPochi sanno però che i maggiori esponenti allora viventi di quel movimento di culto sbarcarono a Udine e si proposero <strong>il 2 dicembre 1979 sul palco dello Zanon</strong>. Si chiamavano  <strong>Allen Ginsberg, Gregory Corso, Peter Orlowsly</strong>, i due fondatori del Living Theatre <strong>Julian Beck e Judith Malina</strong> e, sul palco, fece loro da tramite con il pubblico la guru e amica italiana <strong>Fernanda Pivano</strong>, traduttrice e mediatrice di tanta letteratura americana contemporanea, da Hemingway a Kerouac e ai suoi compagni Beat, “angeli” di pace come lei amava definirli.\r\nL’appuntamento di Udine con la Beat Generation fu un unicum nel panorama degli eventi dell’epoca, non solo in Italia, e non ebbe repliche, se non in parte nel molto più noto festival di poesia di Castelporziano.\r\nPer fortuna tra i partecipanti era presente un <strong>Valter Colle</strong> poco più che adolescente ma già con il destino  segnato dalla passione della videodocumentazione, che non perse l’occasione di registrare con l’inseparabile videotape quella perfomance poetica più unica che rara. Sarà lui a commentare nell’incontro il suo filmato che sarà proiettato insieme a un secondo contributo video girato a Milano 25 anni dopo in un lungo incontro-intervista con la Pivano, lucidissima nel ripensare un’esperienza leggendaria, anche a Udine.\r\nIl progetto “poesia in via Manin”  proseguirà giovedì 22 febbraio, sempre alle 21,  con il dialogo in tandem tra  due poeti del  Friuli di oggi, Antonella Sbuelz e Maurizio Mattiuzza.\r\n\r\nInfo e prenotazioni, Teatro Club Udine, via Marco Volpe 13, Udine, t 0432 507953\r\ninfo@teatroclubudine.it, www.teatroclubudine.it\r\n\r\n&nbsp;','Quando la Beat Generation sbarcò a Udine nel 1979','','inherit','closed','closed','','6316-revision-2','','','2018-02-07 11:16:36','2018-02-07 10:16:36','',6316,'http://www.teatroclubudine.it/6323-6316-revision-2/',0,'revision','',0),
	(6327,2,'2018-02-07 11:31:09','2018-02-07 10:31:09','<p align=\"center\"><strong>Il Teatro Club Udine</strong></p>\n<p align=\"center\">con il sostegno di\n<strong>Regione autonoma FVG, Assessorato alla Cultura del Comune di Udine\nFondazione Friuli, Ert FVG </strong></p>\n<p align=\"center\">in collaborazione con <strong>Società Filologica Friulana</strong></p>\n<p align=\"center\">e con\n<strong>Bottega errante per la Notte dei Lettori 2018\nArteventi,  Civica Accademia d’Arte Drammatica “Nico Pepe”, Il Laboratorio\nLibreria Friuli,  Liceo classico “J. Stellini”, Mateârium/Associazione Servi di scena\nTaukay, vicino/lontano</strong></p>\n<p align=\"center\">presenta\nper il progetto POESIA IN CANTINA. Primo appuntamento 2018</p>\n<p align=\"center\"><strong>Quando la Beat Generation sbarcò a Udine nel 1979</strong></p>\n<p align=\"center\"><strong><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/27797688_1997811993820313_7310548398204465823_o2.jpg\"><img class=\"aligncenter size-medium wp-image-6325\" title=\"27797688_1997811993820313_7310548398204465823_o\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/27797688_1997811993820313_7310548398204465823_o2-300x106.jpg\" alt=\"\" width=\"300\" height=\"106\" /></a>\n</strong><strong> </strong><strong></strong></p>\n<strong>Giovedì 8 febbraio</strong>, alle <strong>ore 21</strong>, a ingresso libero e fino a esaurimento dei posti disponibili, prendono il via con la Beat Generation i <strong>giovedì di poesia</strong> pensati per “Akropolis off-La Cantina” nello spazio di <strong>via Manin 18 a Udine</strong>, messo a disposizione dalla Società Filologica Friulana per il gruppo di lavoro che, con il Teatro Club e tante altre associazioni, tra cui Il Laboratorio, organizzerà un ciclo costante di incontri settimanali nella chiave del cantiere aperto di idee e proposte culturali.\nNessun esordio più azzeccato che con il ricordo del mitico gruppo di poeti statunitensi che negli anni Sessanta inaugurarono uno strappo clamoroso con la tradizione del fare versi, promossero la pratica della performance, del reading e della partecipazione collettiva, fecero della poesia uno strumento di protesta, anarchia e critica graffiante all’”American Dream” e da lì influenzarono in maniera determinante larghe fasce della cultura giovanile allora in grande ebollizione.\nPochi sanno però che i maggiori esponenti allora viventi di quel movimento di culto sbarcarono a Udine e si proposero <strong>il 2 dicembre 1979 sul palco dello Zanon</strong>. Si chiamavano  <strong>Allen Ginsberg, Gregory Corso, Peter Orlowsly</strong>, i due fondatori del Living Theatre <strong>Julian Beck e Judith Malina</strong> e, sul palco, fece loro da tramite con il pubblico la guru e amica italiana <strong>Fernanda Pivano</strong>, traduttrice e mediatrice di tanta letteratura americana contemporanea, da Hemingway a Kerouac e ai suoi compagni Beat, “angeli” di pace come lei amava definirli.\nL’appuntamento di Udine con la Beat Generation fu un unicum nel panorama degli eventi dell’epoca, non solo in Italia, e non ebbe repliche, se non in parte nel molto più noto festival di poesia di Castelporziano.\nPer fortuna tra i partecipanti era presente un <strong>Valter Colle</strong> poco più che adolescente ma già con il destino  segnato dalla passione della videodocumentazione, che non perse l’occasione di registrare con l’inseparabile videotape quella perfomance poetica più unica che rara. Sarà lui a commentare nell’incontro il suo filmato che sarà proiettato insieme a un secondo contributo video girato a Milano 25 anni dopo in un lungo incontro-intervista con la Pivano, lucidissima nel ripensare un’esperienza leggendaria, anche a Udine.\nIl progetto “poesia in via Manin”  proseguirà giovedì 22 febbraio, sempre alle 21,  con il dialogo in tandem tra  due poeti del  Friuli di oggi, Antonella Sbuelz e Maurizio Mattiuzza.\n\nInfo e prenotazioni, Teatro Club Udine, via Marco Volpe 13, Udine, t 0432 507953\ninfo@teatroclubudine.it, www.teatroclubudine.it\n\n&nbsp;','Quando la Beat Generation sbarcò a Udine nel 1979','','inherit','closed','closed','','6316-autosave','','','2018-02-07 11:31:09','2018-02-07 10:31:09','',6316,'http://www.teatroclubudine.it/6327-6316-autosave/',0,'revision','',0),
	(6324,2,'2018-02-07 11:17:59','2018-02-07 10:17:59','<p style=\"text-align: center;\" align=\"center\"><strong>Il Teatro Club Udine</strong></p>\r\n<p align=\"center\">con il sostegno di\r\n<strong>Regione autonoma FVG, Assessorato alla Cultura del Comune di Udine\r\nFondazione Friuli, Ert FVG </strong></p>\r\n<p align=\"center\">in collaborazione con <strong>Società Filologica Friulana</strong></p>\r\n<p align=\"center\">e con\r\n<strong>Bottega errante per la Notte dei Lettori 2018\r\nArteventi,  Civica Accademia d’Arte Drammatica “Nico Pepe”, Il Laboratorio\r\nLibreria Friuli,  Liceo classico “J. Stellini”, Mateârium/Associazione Servi di scena\r\nTaukay, vicino/lontano</strong></p>\r\n<p align=\"center\">presenta\r\nper il progetto POESIA IN CANTINA. Primo appuntamento 2018</p>\r\n<p align=\"center\"><strong>Quando la Beat Generation sbarcò a Udine nel 1979</strong></p>\r\n<p align=\"center\"><strong><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/27797688_1997811993820313_7310548398204465823_o.jpg\"><img class=\"aligncenter size-large wp-image-6318\" title=\"27797688_1997811993820313_7310548398204465823_o\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/27797688_1997811993820313_7310548398204465823_o-1024x364.jpg\" alt=\"\" width=\"980\" height=\"348\" /></a>\r\n</strong><strong> </strong><strong></strong></p>\r\n<strong>Giovedì 8 febbraio</strong>, alle <strong>ore 21</strong>, a ingresso libero e fino a esaurimento dei posti disponibili, prendono il via con la Beat Generation i <strong>giovedì di poesia</strong> pensati per “Akropolis off-La Cantina” nello spazio di <strong>via Manin 18 a Udine</strong>, messo a disposizione dalla Società Filologica Friulana per il gruppo di lavoro che, con il Teatro Club e tante altre associazioni, tra cui Il Laboratorio, organizzerà un ciclo costante di incontri settimanali nella chiave del cantiere aperto di idee e proposte culturali.\r\nNessun esordio più azzeccato che con il ricordo del mitico gruppo di poeti statunitensi che negli anni Sessanta inaugurarono uno strappo clamoroso con la tradizione del fare versi, promossero la pratica della performance, del reading e della partecipazione collettiva, fecero della poesia uno strumento di protesta, anarchia e critica graffiante all’”American Dream” e da lì influenzarono in maniera determinante larghe fasce della cultura giovanile allora in grande ebollizione.\r\nPochi sanno però che i maggiori esponenti allora viventi di quel movimento di culto sbarcarono a Udine e si proposero <strong>il 2 dicembre 1979 sul palco dello Zanon</strong>. Si chiamavano  <strong>Allen Ginsberg, Gregory Corso, Peter Orlowsly</strong>, i due fondatori del Living Theatre <strong>Julian Beck e Judith Malina</strong> e, sul palco, fece loro da tramite con il pubblico la guru e amica italiana <strong>Fernanda Pivano</strong>, traduttrice e mediatrice di tanta letteratura americana contemporanea, da Hemingway a Kerouac e ai suoi compagni Beat, “angeli” di pace come lei amava definirli.\r\nL’appuntamento di Udine con la Beat Generation fu un unicum nel panorama degli eventi dell’epoca, non solo in Italia, e non ebbe repliche, se non in parte nel molto più noto festival di poesia di Castelporziano.\r\nPer fortuna tra i partecipanti era presente un <strong>Valter Colle</strong> poco più che adolescente ma già con il destino  segnato dalla passione della videodocumentazione, che non perse l’occasione di registrare con l’inseparabile videotape quella perfomance poetica più unica che rara. Sarà lui a commentare nell’incontro il suo filmato che sarà proiettato insieme a un secondo contributo video girato a Milano 25 anni dopo in un lungo incontro-intervista con la Pivano, lucidissima nel ripensare un’esperienza leggendaria, anche a Udine.\r\nIl progetto “poesia in via Manin”  proseguirà giovedì 22 febbraio, sempre alle 21,  con il dialogo in tandem tra  due poeti del  Friuli di oggi, Antonella Sbuelz e Maurizio Mattiuzza.\r\n\r\nInfo e prenotazioni, Teatro Club Udine, via Marco Volpe 13, Udine, t 0432 507953\r\ninfo@teatroclubudine.it, www.teatroclubudine.it\r\n\r\n&nbsp;','Quando la Beat Generation sbarcò a Udine nel 1979','','inherit','closed','closed','','6316-revision-3','','','2018-02-07 11:17:59','2018-02-07 10:17:59','',6316,'http://www.teatroclubudine.it/6324-6316-revision-3/',0,'revision','',0),
	(6325,2,'2018-02-07 11:19:15','2018-02-07 10:19:15','','27797688_1997811993820313_7310548398204465823_o','','inherit','closed','closed','','27797688_1997811993820313_7310548398204465823_o-3','','','2018-02-07 11:19:15','2018-02-07 10:19:15','',6316,'http://www.teatroclubudine.it/wp-content/uploads/2018/02/27797688_1997811993820313_7310548398204465823_o2.jpg',0,'attachment','image/jpeg',0),
	(6326,2,'2018-02-07 11:18:35','2018-02-07 10:18:35','<p style=\"text-align: left;\" align=\"center\"><strong>Il Teatro Club Udine</strong></p>\r\n<p align=\"center\">con il sostegno di\r\n<strong>Regione autonoma FVG, Assessorato alla Cultura del Comune di Udine\r\nFondazione Friuli, Ert FVG </strong></p>\r\n<p align=\"center\">in collaborazione con <strong>Società Filologica Friulana</strong></p>\r\n<p align=\"center\">e con\r\n<strong>Bottega errante per la Notte dei Lettori 2018\r\nArteventi,  Civica Accademia d’Arte Drammatica “Nico Pepe”, Il Laboratorio\r\nLibreria Friuli,  Liceo classico “J. Stellini”, Mateârium/Associazione Servi di scena\r\nTaukay, vicino/lontano</strong></p>\r\n<p align=\"center\">presenta\r\nper il progetto POESIA IN CANTINA. Primo appuntamento 2018</p>\r\n<p align=\"center\"><strong>Quando la Beat Generation sbarcò a Udine nel 1979</strong></p>\r\n<p align=\"center\"><strong><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/27797688_1997811993820313_7310548398204465823_o.jpg\"><img class=\"aligncenter size-large wp-image-6318\" title=\"27797688_1997811993820313_7310548398204465823_o\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/27797688_1997811993820313_7310548398204465823_o-1024x364.jpg\" alt=\"\" width=\"980\" height=\"348\" /></a>\r\n</strong><strong> </strong><strong></strong></p>\r\n<strong>Giovedì 8 febbraio</strong>, alle <strong>ore 21</strong>, a ingresso libero e fino a esaurimento dei posti disponibili, prendono il via con la Beat Generation i <strong>giovedì di poesia</strong> pensati per “Akropolis off-La Cantina” nello spazio di <strong>via Manin 18 a Udine</strong>, messo a disposizione dalla Società Filologica Friulana per il gruppo di lavoro che, con il Teatro Club e tante altre associazioni, tra cui Il Laboratorio, organizzerà un ciclo costante di incontri settimanali nella chiave del cantiere aperto di idee e proposte culturali.\r\nNessun esordio più azzeccato che con il ricordo del mitico gruppo di poeti statunitensi che negli anni Sessanta inaugurarono uno strappo clamoroso con la tradizione del fare versi, promossero la pratica della performance, del reading e della partecipazione collettiva, fecero della poesia uno strumento di protesta, anarchia e critica graffiante all’”American Dream” e da lì influenzarono in maniera determinante larghe fasce della cultura giovanile allora in grande ebollizione.\r\nPochi sanno però che i maggiori esponenti allora viventi di quel movimento di culto sbarcarono a Udine e si proposero <strong>il 2 dicembre 1979 sul palco dello Zanon</strong>. Si chiamavano  <strong>Allen Ginsberg, Gregory Corso, Peter Orlowsly</strong>, i due fondatori del Living Theatre <strong>Julian Beck e Judith Malina</strong> e, sul palco, fece loro da tramite con il pubblico la guru e amica italiana <strong>Fernanda Pivano</strong>, traduttrice e mediatrice di tanta letteratura americana contemporanea, da Hemingway a Kerouac e ai suoi compagni Beat, “angeli” di pace come lei amava definirli.\r\nL’appuntamento di Udine con la Beat Generation fu un unicum nel panorama degli eventi dell’epoca, non solo in Italia, e non ebbe repliche, se non in parte nel molto più noto festival di poesia di Castelporziano.\r\nPer fortuna tra i partecipanti era presente un <strong>Valter Colle</strong> poco più che adolescente ma già con il destino  segnato dalla passione della videodocumentazione, che non perse l’occasione di registrare con l’inseparabile videotape quella perfomance poetica più unica che rara. Sarà lui a commentare nell’incontro il suo filmato che sarà proiettato insieme a un secondo contributo video girato a Milano 25 anni dopo in un lungo incontro-intervista con la Pivano, lucidissima nel ripensare un’esperienza leggendaria, anche a Udine.\r\nIl progetto “poesia in via Manin”  proseguirà giovedì 22 febbraio, sempre alle 21,  con il dialogo in tandem tra  due poeti del  Friuli di oggi, Antonella Sbuelz e Maurizio Mattiuzza.\r\n\r\nInfo e prenotazioni, Teatro Club Udine, via Marco Volpe 13, Udine, t 0432 507953\r\ninfo@teatroclubudine.it, www.teatroclubudine.it\r\n\r\n&nbsp;','Quando la Beat Generation sbarcò a Udine nel 1979','','inherit','closed','closed','','6316-revision-4','','','2018-02-07 11:18:35','2018-02-07 10:18:35','',6316,'http://www.teatroclubudine.it/6326-6316-revision-4/',0,'revision','',0),
	(6328,2,'2018-02-07 11:19:33','2018-02-07 10:19:33','<p align=\"center\"><strong>Il Teatro Club Udine</strong></p>\r\n<p align=\"center\">con il sostegno di\r\n<strong>Regione autonoma FVG, Assessorato alla Cultura del Comune di Udine\r\nFondazione Friuli, Ert FVG </strong></p>\r\n<p align=\"center\">in collaborazione con <strong>Società Filologica Friulana</strong></p>\r\n<p align=\"center\">e con\r\n<strong>Bottega errante per la Notte dei Lettori 2018\r\nArteventi,  Civica Accademia d’Arte Drammatica “Nico Pepe”, Il Laboratorio\r\nLibreria Friuli,  Liceo classico “J. Stellini”, Mateârium/Associazione Servi di scena\r\nTaukay, vicino/lontano</strong></p>\r\n<p align=\"center\">presenta\r\nper il progetto POESIA IN CANTINA. Primo appuntamento 2018</p>\r\n<p align=\"center\"><strong>Quando la Beat Generation sbarcò a Udine nel 1979</strong></p>\r\n<p align=\"center\"><strong><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/27797688_1997811993820313_7310548398204465823_o2.jpg\"><img class=\"aligncenter size-medium wp-image-6325\" title=\"27797688_1997811993820313_7310548398204465823_o\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/27797688_1997811993820313_7310548398204465823_o2-300x106.jpg\" alt=\"\" width=\"300\" height=\"106\" /></a>\r\n</strong><strong> </strong><strong></strong></p>\r\n<strong>Giovedì 8 febbraio</strong>, alle <strong>ore 21</strong>, a ingresso libero e fino a esaurimento dei posti disponibili, prendono il via con la Beat Generation i <strong>giovedì di poesia</strong> pensati per “Akropolis off-La Cantina” nello spazio di <strong>via Manin 18 a Udine</strong>, messo a disposizione dalla Società Filologica Friulana per il gruppo di lavoro che, con il Teatro Club e tante altre associazioni, tra cui Il Laboratorio, organizzerà un ciclo costante di incontri settimanali nella chiave del cantiere aperto di idee e proposte culturali.\r\nNessun esordio più azzeccato che con il ricordo del mitico gruppo di poeti statunitensi che negli anni Sessanta inaugurarono uno strappo clamoroso con la tradizione del fare versi, promossero la pratica della performance, del reading e della partecipazione collettiva, fecero della poesia uno strumento di protesta, anarchia e critica graffiante all’”American Dream” e da lì influenzarono in maniera determinante larghe fasce della cultura giovanile allora in grande ebollizione.\r\nPochi sanno però che i maggiori esponenti allora viventi di quel movimento di culto sbarcarono a Udine e si proposero <strong>il 2 dicembre 1979 sul palco dello Zanon</strong>. Si chiamavano  <strong>Allen Ginsberg, Gregory Corso, Peter Orlowsly</strong>, i due fondatori del Living Theatre <strong>Julian Beck e Judith Malina</strong> e, sul palco, fece loro da tramite con il pubblico la guru e amica italiana <strong>Fernanda Pivano</strong>, traduttrice e mediatrice di tanta letteratura americana contemporanea, da Hemingway a Kerouac e ai suoi compagni Beat, “angeli” di pace come lei amava definirli.\r\nL’appuntamento di Udine con la Beat Generation fu un unicum nel panorama degli eventi dell’epoca, non solo in Italia, e non ebbe repliche, se non in parte nel molto più noto festival di poesia di Castelporziano.\r\nPer fortuna tra i partecipanti era presente un <strong>Valter Colle</strong> poco più che adolescente ma già con il destino  segnato dalla passione della videodocumentazione, che non perse l’occasione di registrare con l’inseparabile videotape quella perfomance poetica più unica che rara. Sarà lui a commentare nell’incontro il suo filmato che sarà proiettato insieme a un secondo contributo video girato a Milano 25 anni dopo in un lungo incontro-intervista con la Pivano, lucidissima nel ripensare un’esperienza leggendaria, anche a Udine.\r\nIl progetto “poesia in via Manin”  proseguirà giovedì 22 febbraio, sempre alle 21,  con il dialogo in tandem tra  due poeti del  Friuli di oggi, Antonella Sbuelz e Maurizio Mattiuzza.\r\n\r\nInfo e prenotazioni, Teatro Club Udine, via Marco Volpe 13, Udine, t 0432 507953\r\ninfo@teatroclubudine.it, www.teatroclubudine.it\r\n\r\n&nbsp;','Quando la Beat Generation sbarcò a Udine nel 1979','','inherit','closed','closed','','6316-revision-5','','','2018-02-07 11:19:33','2018-02-07 10:19:33','',6316,'http://www.teatroclubudine.it/6328-6316-revision-5/',0,'revision','',0),
	(6329,2,'2018-02-07 11:24:03','2018-02-07 10:24:03','<p align=\"center\"><strong>Il Teatro Club Udine</strong></p>\r\n<p align=\"center\">con il sostegno di\r\n<strong>Regione autonoma FVG, Assessorato alla Cultura del Comune di Udine\r\nFondazione Friuli, Ert FVG </strong></p>\r\n<p align=\"center\">in collaborazione con <strong>Società Filologica Friulana</strong></p>\r\n<p align=\"center\">e con\r\n<strong>Bottega errante per la Notte dei Lettori 2018\r\nArteventi,  Civica Accademia d’Arte Drammatica “Nico Pepe”, Il Laboratorio\r\nLibreria Friuli,  Liceo classico “J. Stellini”, Mateârium/Associazione Servi di scena\r\nTaukay, vicino/lontano</strong></p>\r\n<p align=\"center\">presenta\r\nper il progetto POESIA IN CANTINA. Primo appuntamento 2018</p>\r\n<p align=\"center\"><strong>Quando la Beat Generation sbarcò a Udine nel 1979</strong></p>\r\n<p align=\"center\"><strong><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/27797688_1997811993820313_7310548398204465823_o2.jpg\"><img class=\"aligncenter size-medium wp-image-6325\" title=\"27797688_1997811993820313_7310548398204465823_o\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/27797688_1997811993820313_7310548398204465823_o2-300x106.jpg\" alt=\"\" width=\"300\" height=\"106\" /></a>\r\n</strong><strong> </strong><strong></strong></p>\r\n<strong>Giovedì 8 febbraio</strong>, alle <strong>ore 21</strong>, a ingresso libero e fino a esaurimento dei posti disponibili, prendono il via con la Beat Generation i <strong>giovedì di poesia</strong> pensati per “Akropolis off-La Cantina” nello spazio di <strong>via Manin 18 a Udine</strong>, messo a disposizione dalla Società Filologica Friulana per il gruppo di lavoro che, con il Teatro Club e tante altre associazioni, tra cui Il Laboratorio, organizzerà un ciclo costante di incontri settimanali nella chiave del cantiere aperto di idee e proposte culturali.\r\nNessun esordio più azzeccato che con il ricordo del mitico gruppo di poeti statunitensi che negli anni Sessanta inaugurarono uno strappo clamoroso con la tradizione del fare versi, promossero la pratica della performance, del reading e della partecipazione collettiva, fecero della poesia uno strumento di protesta, anarchia e critica graffiante all’”American Dream” e da lì influenzarono in maniera determinante larghe fasce della cultura giovanile allora in grande ebollizione.\r\nPochi sanno però che i maggiori esponenti allora viventi di quel movimento di culto sbarcarono a Udine e si proposero <strong>il 2 dicembre 1979 sul palco dello Zanon</strong>. Si chiamavano  <strong>Allen Ginsberg, Gregory Corso, Peter Orlowsly</strong>, i due fondatori del Living Theatre <strong>Julian Beck e Judith Malina</strong> e, sul palco, fece loro da tramite con il pubblico la guru e amica italiana <strong>Fernanda Pivano</strong>, traduttrice e mediatrice di tanta letteratura americana contemporanea, da Hemingway a Kerouac e ai suoi compagni Beat, “angeli” di pace come lei amava definirli.\r\nL’appuntamento di Udine con la Beat Generation fu un unicum nel panorama degli eventi dell’epoca, non solo in Italia, e non ebbe repliche, se non in parte nel molto più noto festival di poesia di Castelporziano.\r\nPer fortuna tra i partecipanti era presente un <strong>Valter Colle</strong> poco più che adolescente ma già con il destino  segnato dalla passione della videodocumentazione, che non perse l’occasione di registrare con l’inseparabile videotape quella perfomance poetica più unica che rara. Sarà lui a commentare nell’incontro il suo filmato che sarà proiettato insieme a un secondo contributo video girato a Milano 25 anni dopo in un lungo incontro-intervista con la Pivano, lucidissima nel ripensare un’esperienza leggendaria, anche a Udine.\r\nIl progetto “poesia in via Manin”  proseguirà giovedì 22 febbraio, sempre alle 21,  con il dialogo in tandem tra  due poeti del  Friuli di oggi, Antonella Sbuelz e Maurizio Mattiuzza.\r\n\r\nInfo e prenotazioni, Teatro Club Udine, via Marco Volpe 13, Udine, t 0432 507953\r\ninfo@teatroclubudine.it, www.teatroclubudine.it\r\n\r\n&nbsp;','Quando la Beat Generation sbarcò a Udine nel 1979','','inherit','closed','closed','','6316-revision-6','','','2018-02-07 11:24:03','2018-02-07 10:24:03','',6316,'http://www.teatroclubudine.it/6329-6316-revision-6/',0,'revision','',0),
	(6330,2,'2018-02-07 15:57:58','2018-02-07 14:57:58','<p align=\"center\"><strong>AKRÓPOLIS OFF 2018\r\nPOESIA IN CANTINA 1 </strong></p>\r\n<p align=\"center\"><strong>Quando la Beat Generation sbarcò a Udine nel 1979</strong></p>\r\n<p style=\"text-align: justify;\"><strong>Giovedì 8 febbraio 2018</strong>, alle <strong>ore 21</strong>, a ingresso libero e fino a esaurimento dei posti disponibili, prendono il via con la Beat Generation i <strong>giovedì di poesia</strong> pensati per “Akrópolis off-La Cantina” nello spazio di <strong>via Manin 18 a Udine</strong>, messo a disposizione dalla Società Filologica Friulana per il gruppo di lavoro che, con il Teatro Club e tante altre associazioni, tra cui Il Laboratorio, organizzerà un ciclo costante di incontri settimanali nella chiave del cantiere aperto di idee e proposte culturali.\r\nNessun esordio più azzeccato che con il ricordo del mitico gruppo di poeti statunitensi che negli anni Sessanta inaugurarono uno strappo clamoroso con la tradizione del fare versi, promossero la pratica della performance, del reading e della partecipazione collettiva, fecero della poesia uno strumento di protesta, anarchia e critica graffiante all’”American Dream” e da lì influenzarono in maniera determinante larghe fasce della cultura giovanile allora in grande ebollizione.\r\nPochi sanno però che i maggiori esponenti allora viventi di quel movimento di culto sbarcarono a Udine e si proposero <strong>il 2 dicembre 1979 sul palco dello Zanon</strong>. Si chiamavano  <strong>Allen Ginsberg, Gregory Corso, Peter Orlowsly</strong>, i due fondatori del Living Theatre <strong>Julian Beck e Judith Malina</strong> e, sul palco, fece loro da tramite con il pubblico la guru e amica italiana <strong>Fernanda Pivano</strong>, traduttrice e mediatrice di tanta letteratura americana contemporanea, da Hemingway a Kerouac e ai suoi compagni Beat, “angeli” di pace come lei amava definirli.</p>\r\n<p style=\"text-align: justify;\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/2_12_1979_beat-001.jpg\"><img class=\"aligncenter size-medium wp-image-6332\" title=\"2_12_1979_beat-001\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/2_12_1979_beat-001-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" /></a>L’appuntamento di Udine con la Beat Generation fu un unicum nel panorama degli eventi dell’epoca, non solo in Italia, e non ebbe repliche, se non in parte nel molto più noto festival di poesia di Castelporziano. Per fortuna tra i partecipanti era presente un <strong>Valter Colle</strong> poco più che adolescente ma già con il destino  segnato dalla passione della videodocumentazione, che non perse l’occasione di registrare con l’inseparabile videotape quella perfomance poetica più unica che rara. Sarà lui a commentare nell’incontro il suo filmato che sarà proiettato insieme a un secondo contributo video girato a Milano 25 anni dopo in un lungo incontro-intervista con la Pivano, lucidissima nel ripensare un’esperienza leggendaria, anche a Udine.</p>\r\n<p style=\"text-align: justify;\">Il progetto “poesia in via Manin”  proseguirà giovedì 22 febbraio, sempre alle 21,  con il dialogo in tandem tra  due poeti del  Friuli di oggi, Antonella Sbuelz e Maurizio Mattiuzza.</p>\r\nInfo e prenotazioni, Teatro Club Udine, via Marco Volpe 13, Udine, t 0432 507953\r\ninfo@teatroclubudine.it, www.teatroclubudine.it\r\n\r\n&nbsp;','Akrópolis OFF  Poesia. Video \"La Beat Generation a Udine nel 1979\"','','publish','closed','closed','','akropolis-off-poesia-video-la-beat-generation-a-udine-nel-1979','','','2018-02-07 16:02:34','2018-02-07 15:02:34','',0,'http://www.teatroclubudine.it/?p=6330',0,'post','',0),
	(6332,2,'2018-02-07 15:54:41','2018-02-07 14:54:41','','2_12_1979_beat-001','','inherit','closed','closed','','2_12_1979_beat-001','','','2018-02-07 15:54:41','2018-02-07 14:54:41','',6330,'http://www.teatroclubudine.it/wp-content/uploads/2018/02/2_12_1979_beat-001.jpg',0,'attachment','image/jpeg',0),
	(6333,2,'2018-02-07 15:57:17','2018-02-07 14:57:17','','allen-ginsberg','','inherit','closed','closed','','allen-ginsberg','','','2018-02-07 15:57:17','2018-02-07 14:57:17','',6330,'http://www.teatroclubudine.it/wp-content/uploads/2018/02/allen-ginsberg.jpg',0,'attachment','image/jpeg',0),
	(6334,2,'2018-02-07 15:56:29','2018-02-07 14:56:29','<p align=\"center\"><strong>POESIA IN CANTINA 1 </strong></p>\n<p align=\"center\"><strong>Quando la Beat Generation sbarcò a Udine nel 1979</strong></p>\n<p style=\"text-align: justify;\"><strong>Giovedì 8 febbraio 2018</strong>, alle <strong>ore 21</strong>, a ingresso libero e fino a esaurimento dei posti disponibili, prendono il via con la Beat Generation i <strong>giovedì di poesia</strong> pensati per “Akropolis off-La Cantina” nello spazio di <strong>via Manin 18 a Udine</strong>, messo a disposizione dalla Società Filologica Friulana per il gruppo di lavoro che, con il Teatro Club e tante altre associazioni, tra cui Il Laboratorio, organizzerà un ciclo costante di incontri settimanali nella chiave del cantiere aperto di idee e proposte culturali.\nNessun esordio più azzeccato che con il ricordo del mitico gruppo di poeti statunitensi che negli anni Sessanta inaugurarono uno strappo clamoroso con la tradizione del fare versi, promossero la pratica della performance, del reading e della partecipazione collettiva, fecero della poesia uno strumento di protesta, anarchia e critica graffiante all’”American Dream” e da lì influenzarono in maniera determinante larghe fasce della cultura giovanile allora in grande ebollizione.\nPochi sanno però che i maggiori esponenti allora viventi di quel movimento di culto sbarcarono a Udine e si proposero <strong>il 2 dicembre 1979 sul palco dello Zanon</strong>. Si chiamavano  <strong>Allen Ginsberg, Gregory Corso, Peter Orlowsly</strong>, i due fondatori del Living Theatre <strong>Julian Beck e Judith Malina</strong> e, sul palco, fece loro da tramite con il pubblico la guru e amica italiana <strong>Fernanda Pivano</strong>, traduttrice e mediatrice di tanta letteratura americana contemporanea, da Hemingway a Kerouac e ai suoi compagni Beat, “angeli” di pace come lei amava definirli.</p>\n<p style=\"text-align: justify;\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/2_12_1979_beat-001.jpg\"><img class=\"aligncenter size-medium wp-image-6332\" title=\"2_12_1979_beat-001\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/2_12_1979_beat-001-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" /></a>L’appuntamento di Udine con la Beat Generation fu un unicum nel panorama degli eventi dell’epoca, non solo in Italia, e non ebbe repliche, se non in parte nel molto più noto festival di poesia di Castelporziano. Per fortuna tra i partecipanti era presente un <strong>Valter Colle</strong> poco più che adolescente ma già con il destino  segnato dalla passione della videodocumentazione, che non perse l’occasione di registrare con l’inseparabile videotape quella perfomance poetica più unica che rara. Sarà lui a commentare nell’incontro il suo filmato che sarà proiettato insieme a un secondo contributo video girato a Milano 25 anni dopo in un lungo incontro-intervista con la Pivano, lucidissima nel ripensare un’esperienza leggendaria, anche a Udine.</p>\n<p style=\"text-align: justify;\">Il progetto “poesia in via Manin”  proseguirà giovedì 22 febbraio, sempre alle 21,  con il dialogo in tandem tra  due poeti del  Friuli di oggi, Antonella Sbuelz e Maurizio Mattiuzza.\n\nInfo e prenotazioni, Teatro Club Udine, via Marco Volpe 13, Udine, t 0432 507953\ninfo@teatroclubudine.it, www.teatroclubudine.it</p>\n&nbsp;','Akropolis OFF  Poesia. Video \"La Beat Generation a Udine nel 1979\"','','inherit','closed','closed','','6330-revision','','','2018-02-07 15:56:29','2018-02-07 14:56:29','',6330,'http://www.teatroclubudine.it/6334-6330-revision/',0,'revision','',0),
	(6335,2,'2018-02-07 16:01:03','2018-02-07 15:01:03','<p align=\"center\"><strong>AKRÓPOLIS OFF 2018\nPOESIA IN CANTINA 1 </strong></p>\n<p align=\"center\"><strong>Quando la Beat Generation sbarcò a Udine nel 1979</strong></p>\n<p style=\"text-align: justify;\"><strong>Giovedì 8 febbraio 2018</strong>, alle <strong>ore 21</strong>, a ingresso libero e fino a esaurimento dei posti disponibili, prendono il via con la Beat Generation i <strong>giovedì di poesia</strong> pensati per “Akropolis off-La Cantina” nello spazio di <strong>via Manin 18 a Udine</strong>, messo a disposizione dalla Società Filologica Friulana per il gruppo di lavoro che, con il Teatro Club e tante altre associazioni, tra cui Il Laboratorio, organizzerà un ciclo costante di incontri settimanali nella chiave del cantiere aperto di idee e proposte culturali.\nNessun esordio più azzeccato che con il ricordo del mitico gruppo di poeti statunitensi che negli anni Sessanta inaugurarono uno strappo clamoroso con la tradizione del fare versi, promossero la pratica della performance, del reading e della partecipazione collettiva, fecero della poesia uno strumento di protesta, anarchia e critica graffiante all’”American Dream” e da lì influenzarono in maniera determinante larghe fasce della cultura giovanile allora in grande ebollizione.\nPochi sanno però che i maggiori esponenti allora viventi di quel movimento di culto sbarcarono a Udine e si proposero <strong>il 2 dicembre 1979 sul palco dello Zanon</strong>. Si chiamavano  <strong>Allen Ginsberg, Gregory Corso, Peter Orlowsly</strong>, i due fondatori del Living Theatre <strong>Julian Beck e Judith Malina</strong> e, sul palco, fece loro da tramite con il pubblico la guru e amica italiana <strong>Fernanda Pivano</strong>, traduttrice e mediatrice di tanta letteratura americana contemporanea, da Hemingway a Kerouac e ai suoi compagni Beat, “angeli” di pace come lei amava definirli.</p>\n<p style=\"text-align: justify;\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/2_12_1979_beat-001.jpg\"><img class=\"aligncenter size-medium wp-image-6332\" title=\"2_12_1979_beat-001\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/2_12_1979_beat-001-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" /></a>L’appuntamento di Udine con la Beat Generation fu un unicum nel panorama degli eventi dell’epoca, non solo in Italia, e non ebbe repliche, se non in parte nel molto più noto festival di poesia di Castelporziano. Per fortuna tra i partecipanti era presente un <strong>Valter Colle</strong> poco più che adolescente ma già con il destino  segnato dalla passione della videodocumentazione, che non perse l’occasione di registrare con l’inseparabile videotape quella perfomance poetica più unica che rara. Sarà lui a commentare nell’incontro il suo filmato che sarà proiettato insieme a un secondo contributo video girato a Milano 25 anni dopo in un lungo incontro-intervista con la Pivano, lucidissima nel ripensare un’esperienza leggendaria, anche a Udine.</p>\n<p style=\"text-align: justify;\">Il progetto “poesia in via Manin”  proseguirà giovedì 22 febbraio, sempre alle 21,  con il dialogo in tandem tra  due poeti del  Friuli di oggi, Antonella Sbuelz e Maurizio Mattiuzza.</p>\nInfo e prenotazioni, Teatro Club Udine, via Marco Volpe 13, Udine, t 0432 507953\ninfo@teatroclubudine.it, www.teatroclubudine.it\n\n&nbsp;','AkrÓpolis OFF  Poesia. Video \"La Beat Generation a Udine nel 1979\"','','inherit','closed','closed','','6330-autosave','','','2018-02-07 16:01:03','2018-02-07 15:01:03','',6330,'http://www.teatroclubudine.it/6335-6330-autosave/',0,'revision','',0),
	(6336,2,'2018-02-07 15:57:58','2018-02-07 14:57:58','<p align=\"center\"><strong>POESIA IN CANTINA 1 </strong></p>\r\n<p align=\"center\"><strong>Quando la Beat Generation sbarcò a Udine nel 1979</strong></p>\r\n<p style=\"text-align: justify;\"><strong>Giovedì 8 febbraio 2018</strong>, alle <strong>ore 21</strong>, a ingresso libero e fino a esaurimento dei posti disponibili, prendono il via con la Beat Generation i <strong>giovedì di poesia</strong> pensati per “Akropolis off-La Cantina” nello spazio di <strong>via Manin 18 a Udine</strong>, messo a disposizione dalla Società Filologica Friulana per il gruppo di lavoro che, con il Teatro Club e tante altre associazioni, tra cui Il Laboratorio, organizzerà un ciclo costante di incontri settimanali nella chiave del cantiere aperto di idee e proposte culturali.\r\nNessun esordio più azzeccato che con il ricordo del mitico gruppo di poeti statunitensi che negli anni Sessanta inaugurarono uno strappo clamoroso con la tradizione del fare versi, promossero la pratica della performance, del reading e della partecipazione collettiva, fecero della poesia uno strumento di protesta, anarchia e critica graffiante all’”American Dream” e da lì influenzarono in maniera determinante larghe fasce della cultura giovanile allora in grande ebollizione.\r\nPochi sanno però che i maggiori esponenti allora viventi di quel movimento di culto sbarcarono a Udine e si proposero <strong>il 2 dicembre 1979 sul palco dello Zanon</strong>. Si chiamavano  <strong>Allen Ginsberg, Gregory Corso, Peter Orlowsly</strong>, i due fondatori del Living Theatre <strong>Julian Beck e Judith Malina</strong> e, sul palco, fece loro da tramite con il pubblico la guru e amica italiana <strong>Fernanda Pivano</strong>, traduttrice e mediatrice di tanta letteratura americana contemporanea, da Hemingway a Kerouac e ai suoi compagni Beat, “angeli” di pace come lei amava definirli.</p>\r\n<p style=\"text-align: justify;\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/2_12_1979_beat-001.jpg\"><img class=\"aligncenter size-medium wp-image-6332\" title=\"2_12_1979_beat-001\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/2_12_1979_beat-001-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" /></a>L’appuntamento di Udine con la Beat Generation fu un unicum nel panorama degli eventi dell’epoca, non solo in Italia, e non ebbe repliche, se non in parte nel molto più noto festival di poesia di Castelporziano. Per fortuna tra i partecipanti era presente un <strong>Valter Colle</strong> poco più che adolescente ma già con il destino  segnato dalla passione della videodocumentazione, che non perse l’occasione di registrare con l’inseparabile videotape quella perfomance poetica più unica che rara. Sarà lui a commentare nell’incontro il suo filmato che sarà proiettato insieme a un secondo contributo video girato a Milano 25 anni dopo in un lungo incontro-intervista con la Pivano, lucidissima nel ripensare un’esperienza leggendaria, anche a Udine.</p>\r\n<p style=\"text-align: justify;\">Il progetto “poesia in via Manin”  proseguirà giovedì 22 febbraio, sempre alle 21,  con il dialogo in tandem tra  due poeti del  Friuli di oggi, Antonella Sbuelz e Maurizio Mattiuzza.\r\n\r\nInfo e prenotazioni, Teatro Club Udine, via Marco Volpe 13, Udine, t 0432 507953\r\ninfo@teatroclubudine.it, www.teatroclubudine.it</p>\r\n&nbsp;','Akropolis OFF  Poesia. Video \"La Beat Generation a Udine nel 1979\"','','inherit','closed','closed','','6330-revision-2','','','2018-02-07 15:57:58','2018-02-07 14:57:58','',6330,'http://www.teatroclubudine.it/6336-6330-revision-2/',0,'revision','',0),
	(6337,2,'2018-02-07 15:59:59','2018-02-07 14:59:59','<p align=\"center\"><strong>POESIA IN CANTINA 1 </strong></p>\r\n<p align=\"center\"><strong>Quando la Beat Generation sbarcò a Udine nel 1979</strong></p>\r\n<p style=\"text-align: justify;\"><strong>Giovedì 8 febbraio 2018</strong>, alle <strong>ore 21</strong>, a ingresso libero e fino a esaurimento dei posti disponibili, prendono il via con la Beat Generation i <strong>giovedì di poesia</strong> pensati per “Akropolis off-La Cantina” nello spazio di <strong>via Manin 18 a Udine</strong>, messo a disposizione dalla Società Filologica Friulana per il gruppo di lavoro che, con il Teatro Club e tante altre associazioni, tra cui Il Laboratorio, organizzerà un ciclo costante di incontri settimanali nella chiave del cantiere aperto di idee e proposte culturali.\r\nNessun esordio più azzeccato che con il ricordo del mitico gruppo di poeti statunitensi che negli anni Sessanta inaugurarono uno strappo clamoroso con la tradizione del fare versi, promossero la pratica della performance, del reading e della partecipazione collettiva, fecero della poesia uno strumento di protesta, anarchia e critica graffiante all’”American Dream” e da lì influenzarono in maniera determinante larghe fasce della cultura giovanile allora in grande ebollizione.\r\nPochi sanno però che i maggiori esponenti allora viventi di quel movimento di culto sbarcarono a Udine e si proposero <strong>il 2 dicembre 1979 sul palco dello Zanon</strong>. Si chiamavano  <strong>Allen Ginsberg, Gregory Corso, Peter Orlowsly</strong>, i due fondatori del Living Theatre <strong>Julian Beck e Judith Malina</strong> e, sul palco, fece loro da tramite con il pubblico la guru e amica italiana <strong>Fernanda Pivano</strong>, traduttrice e mediatrice di tanta letteratura americana contemporanea, da Hemingway a Kerouac e ai suoi compagni Beat, “angeli” di pace come lei amava definirli.</p>\r\n<p style=\"text-align: justify;\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/2_12_1979_beat-001.jpg\"><img class=\"aligncenter size-medium wp-image-6332\" title=\"2_12_1979_beat-001\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/2_12_1979_beat-001-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" /></a>L’appuntamento di Udine con la Beat Generation fu un unicum nel panorama degli eventi dell’epoca, non solo in Italia, e non ebbe repliche, se non in parte nel molto più noto festival di poesia di Castelporziano. Per fortuna tra i partecipanti era presente un <strong>Valter Colle</strong> poco più che adolescente ma già con il destino  segnato dalla passione della videodocumentazione, che non perse l’occasione di registrare con l’inseparabile videotape quella perfomance poetica più unica che rara. Sarà lui a commentare nell’incontro il suo filmato che sarà proiettato insieme a un secondo contributo video girato a Milano 25 anni dopo in un lungo incontro-intervista con la Pivano, lucidissima nel ripensare un’esperienza leggendaria, anche a Udine.</p>\r\n<p style=\"text-align: justify;\">Il progetto “poesia in via Manin”  proseguirà giovedì 22 febbraio, sempre alle 21,  con il dialogo in tandem tra  due poeti del  Friuli di oggi, Antonella Sbuelz e Maurizio Mattiuzza.</p>\r\nInfo e prenotazioni, Teatro Club Udine, via Marco Volpe 13, Udine, t 0432 507953\r\ninfo@teatroclubudine.it, www.teatroclubudine.it\r\n\r\n&nbsp;','Akropolis OFF  Poesia. Video \"La Beat Generation a Udine nel 1979\"','','inherit','closed','closed','','6330-revision-3','','','2018-02-07 15:59:59','2018-02-07 14:59:59','',6330,'http://www.teatroclubudine.it/6337-6330-revision-3/',0,'revision','',0),
	(6338,2,'2018-02-07 16:01:56','2018-02-07 15:01:56','<p align=\"center\"><strong>AKRÓPOLIS OFF 2018\r\nPOESIA IN CANTINA 1 </strong></p>\r\n<p align=\"center\"><strong>Quando la Beat Generation sbarcò a Udine nel 1979</strong></p>\r\n<p style=\"text-align: justify;\"><strong>Giovedì 8 febbraio 2018</strong>, alle <strong>ore 21</strong>, a ingresso libero e fino a esaurimento dei posti disponibili, prendono il via con la Beat Generation i <strong>giovedì di poesia</strong> pensati per “Akropolis off-La Cantina” nello spazio di <strong>via Manin 18 a Udine</strong>, messo a disposizione dalla Società Filologica Friulana per il gruppo di lavoro che, con il Teatro Club e tante altre associazioni, tra cui Il Laboratorio, organizzerà un ciclo costante di incontri settimanali nella chiave del cantiere aperto di idee e proposte culturali.\r\nNessun esordio più azzeccato che con il ricordo del mitico gruppo di poeti statunitensi che negli anni Sessanta inaugurarono uno strappo clamoroso con la tradizione del fare versi, promossero la pratica della performance, del reading e della partecipazione collettiva, fecero della poesia uno strumento di protesta, anarchia e critica graffiante all’”American Dream” e da lì influenzarono in maniera determinante larghe fasce della cultura giovanile allora in grande ebollizione.\r\nPochi sanno però che i maggiori esponenti allora viventi di quel movimento di culto sbarcarono a Udine e si proposero <strong>il 2 dicembre 1979 sul palco dello Zanon</strong>. Si chiamavano  <strong>Allen Ginsberg, Gregory Corso, Peter Orlowsly</strong>, i due fondatori del Living Theatre <strong>Julian Beck e Judith Malina</strong> e, sul palco, fece loro da tramite con il pubblico la guru e amica italiana <strong>Fernanda Pivano</strong>, traduttrice e mediatrice di tanta letteratura americana contemporanea, da Hemingway a Kerouac e ai suoi compagni Beat, “angeli” di pace come lei amava definirli.</p>\r\n<p style=\"text-align: justify;\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/2_12_1979_beat-001.jpg\"><img class=\"aligncenter size-medium wp-image-6332\" title=\"2_12_1979_beat-001\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/2_12_1979_beat-001-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" /></a>L’appuntamento di Udine con la Beat Generation fu un unicum nel panorama degli eventi dell’epoca, non solo in Italia, e non ebbe repliche, se non in parte nel molto più noto festival di poesia di Castelporziano. Per fortuna tra i partecipanti era presente un <strong>Valter Colle</strong> poco più che adolescente ma già con il destino  segnato dalla passione della videodocumentazione, che non perse l’occasione di registrare con l’inseparabile videotape quella perfomance poetica più unica che rara. Sarà lui a commentare nell’incontro il suo filmato che sarà proiettato insieme a un secondo contributo video girato a Milano 25 anni dopo in un lungo incontro-intervista con la Pivano, lucidissima nel ripensare un’esperienza leggendaria, anche a Udine.</p>\r\n<p style=\"text-align: justify;\">Il progetto “poesia in via Manin”  proseguirà giovedì 22 febbraio, sempre alle 21,  con il dialogo in tandem tra  due poeti del  Friuli di oggi, Antonella Sbuelz e Maurizio Mattiuzza.</p>\r\nInfo e prenotazioni, Teatro Club Udine, via Marco Volpe 13, Udine, t 0432 507953\r\ninfo@teatroclubudine.it, www.teatroclubudine.it\r\n\r\n&nbsp;','Akrópolis OFF  Poesia. Video \"La Beat Generation a Udine nel 1979\"','','inherit','closed','closed','','6330-revision-4','','','2018-02-07 16:01:56','2018-02-07 15:01:56','',6330,'http://www.teatroclubudine.it/6338-6330-revision-4/',0,'revision','',0),
	(6341,2,'2018-02-07 20:12:32','2018-02-07 19:12:32','<p align=\"center\"><strong>Il Teatro Club Udine</strong></p>\r\n<p align=\"center\">con il sostegno di  Regione autonoma FVG, Assessorato alla Cultura del Comune di Udine\r\nFondazione Friuli, Ert FVG</p>\r\n<p align=\"center\">in collaborazione con  Civica Accademia d’Arte Drammatica “Nico Pepe”</p>\r\n<p align=\"center\">e con  Bottega errante per la Notte dei Lettori 2018, Arteventi,  Civica Accademia d’Arte Drammatica “Nico Pepe”, Il Laboratorio, Libreria Friuli,  Liceo classico “J. Stellini”, Mateârium/Associazione Servi di scena\r\nSocietà Filologica Friulana, Taukay, vicino/lontano</p>\r\n<p align=\"center\">presenta\r\nper la rassegna “Akrópolis In”<strong></strong></p>\r\n<p align=\"center\">CONNETTIVo24GRAMMI\r\ncon il sostegno di Fondazione Claudia Lombardi │Lugano</p>\r\n\r\n<h2 align=\"center\"><span style=\"color: #ff0000;\"><strong>LA FABBRICA DELLA FELICITÀ</strong></span><strong>\r\n</strong></h2>\r\n<p align=\"center\">drammaturgia Irene Canali</p>\r\n<p align=\"center\">con <strong>Nicola Andretta, Giuseppe Attanasio, Irene Canali, Miriam Costamagna\r\nDaniele Palmeri, Marta Salandi</strong>\r\ncollaborazioni Mattia Fabris, Andrea Lopez Nunes\r\nregia  Irene Canali</p>\r\n<p align=\"center\"><strong>■ sabato 10 febbraio 2018 ore 21.00\r\n</strong><strong>Teatro San Giorgio </strong><strong>│Udine</strong></p>\r\n&nbsp;\r\n<p style=\"text-align: justify;\"><strong>Al Teatro San Giorgio, </strong> <strong>sabato 10 febbraio 2018, alle ore 21,  </strong>taglio del nastro per<strong> </strong>la rassegna “<strong>Akrópolis In”,</strong> pensata  dal <strong>Teatro Club</strong> in collaborazione con tante strutture culturali e artistiche del territorio, tra cui in particolare la <strong>Civica Accademia “Nico Pepe”.</strong> E’ infatti da questa fertile fucina di  pedagogia teatrale  che provengono i cinque  bravissimi giovani attori (<strong>Giuseppe Attanasio, Irene Canali, Miriam Costamagna, Daniele Palmeri, Marta Salandi,</strong> cui si è unito  <strong>Nicola Andretta</strong>  dello Stabile del Veneto)   che interpretano lo spettacolo  <strong>La fabbrica della felicità</strong>,  vincitore del  Premio Testinscena 2017  e ora proposto a Udine dopo il debutto in anteprima a Lugano e a Milano.</p>\r\n<p style=\"text-align: justify;\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/1.jpg\"><img class=\"aligncenter size-medium wp-image-6343\" title=\"1\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/1-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" /></a>\r\nSu progetto della neonata compagnia CONNETTIVo24GRAMMI, da loro stessi fondata, il lavoro si ispira al romanzo <em>Il mondo nuovo</em> di Aldous Huxley, un classico delle storie apocalittiche da incubo distopico,  liberamente adattato da Irene Canali, che firma anche la regia. Da quel testo è stata ripresa l’immagine di una grande fabbrica farmaceutica, la Pfaizer Pharma, produttrice del Soma, una pillola portentosa, stimolante, tranquillante, gradevolmente allucinante: in una parola, uno psicofarmaco  in grado di assicurare l’assoluta felicità.\r\nSullo sfondo, si profila così  una futuribile società che ha trovato il rimedio facile e immediato ad ogni forma di malattia, e ha eliminato la sofferenza, i conflitti, le frustrazioni, l’angoscia e la paura. Una società in cui anche la vecchiaia è bandita come un  retaggio del passato, e in cui la morte non dovrebbe avere più nulla di spaventoso, perché c’è la Pietraia, e sarà come andare in vacanza su un’isola paradisiaca.\r\nMa il dubbio è dietro l’angolo: qual è il prezzo di una felicità di questo tipo, ventiquattro ore su ventiquattro? Ha senso la luce senza l’alone del buio? Può esistere una euforia da psicofarmaci a tutto pedale? E chi  ne regola l’andamento sul mercato?\r\nQueste le riflessioni proposte dall’interessante spettacolo, che si impegna a interrogarsi sull’intreccio tra scienza, capitale e propaganda, alleati per lo spaccio dell’euforia artificiale a buon mercato. Non senza significato, poi, queste domande aperte vengono avanzate da dei giovani artisti,  proiettati a meditare anche sul loro possibile futuro, per il quale evidentemente non si augurano prospettive totalitarie da happy hour a trecentosessanta gradi.</p>\r\n&nbsp;\r\n\r\nInfo, Teatro Club Udine, via Marco Volpe 13, Udine, t 0432 507953\r\ninfo@teatroclubudine.it, www.teatroclubudine.it\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Akrópolis IN, 10 febbraio \'18, al Teatro San Giorgio, \"La fabbrica della felicità\"','','publish','closed','closed','','akropolis-in-10-febbraio-18-al-teatro-san-giorgio-la-fabbrica-della-felicita','','','2018-02-07 20:17:07','2018-02-07 19:17:07','',0,'http://www.teatroclubudine.it/?p=6341',0,'post','',0),
	(6343,2,'2018-02-07 20:06:28','2018-02-07 19:06:28','','1','','inherit','closed','closed','','1-2','','','2018-02-07 20:06:28','2018-02-07 19:06:28','',6341,'http://www.teatroclubudine.it/wp-content/uploads/2018/02/1.jpg',0,'attachment','image/jpeg',0),
	(6344,2,'2018-02-07 20:10:51','2018-02-07 19:10:51','','1','','inherit','closed','closed','','1-3','','','2018-02-07 20:10:51','2018-02-07 19:10:51','',6341,'http://www.teatroclubudine.it/wp-content/uploads/2018/02/11.jpg',0,'attachment','image/jpeg',0),
	(6345,2,'2018-02-07 20:12:09','2018-02-07 19:12:09','<p align=\"center\"><strong>Il Teatro Club Udine</strong></p>\n<p align=\"center\">con il sostegno di  Regione autonoma FVG, Assessorato alla Cultura del Comune di Udine\nFondazione Friuli, Ert FVG</p>\n<p align=\"center\">in collaborazione con  Civica Accademia d’Arte Drammatica “Nico Pepe”</p>\n<p align=\"center\">e con  Bottega errante per la Notte dei Lettori 2018, Arteventi,  Civica Accademia d’Arte Drammatica “Nico Pepe”, Il Laboratorio, Libreria Friuli,  Liceo classico “J. Stellini”, Mateârium/Associazione Servi di scena\nSocietà Filologica Friulana, Taukay, vicino/lontano</p>\n<p align=\"center\">presenta\nper la rassegna “Akrópolis In”<strong></strong></p>\n<p align=\"center\">CONNETTIVo24GRAMMI\ncon il sostegno di Fondazione Claudia Lombardi │Lugano\n<strong>LA FABBRICA DELLA FELICITÀ</strong><strong>\n</strong>drammaturgia Irene Canali\ncon <strong>Nicola Andretta, Giuseppe Attanasio, Irene Canali, Miriam Costamagna\nDaniele Palmeri, Marta Salandi</strong>\ncollaborazioni Mattia Fabris, Andrea Lopez Nunes\nregia  Irene Canali</p>\n<p align=\"center\"><strong>■ sabato 10 febbraio 2018 ore 21.00\n</strong><strong>Teatro San Giorgio </strong><strong>│Udine</strong></p>\n<p align=\"center\"></p>\n&nbsp;\n\n<strong>Al Teatro San Giorgio, </strong> <strong>sabato 10 febbraio, alle ore 21,  </strong>taglio del nastro per<strong> </strong>la rassegna “<strong>Akrópolis In”,</strong> pensata  dal <strong>Teatro Club</strong> in collaborazione con tante strutture culturali e artistiche del territorio, tra cui in particolare la <strong>Civica Accademia “Nico Pepe”.</strong> E’ infatti da questa fertile fucina di  pedagogia teatrale  che provengono i cinque  bravissimi giovani attori (<strong>Giuseppe Attanasio, Irene Canali, Miriam Costamagna, Daniele Palmeri, Marta Salandi,</strong> cui si è unito  <strong>Nicola Andretta</strong>  dello Stabile del Veneto)   che interpretano lo spettacolo  <strong>La fabbrica della felicità</strong>,  vincitore del  Premio Testinscena 2017  e ora proposto a Udine dopo il debutto in anteprima a Lugano e a Milano.\n\n<a href=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/1.jpg\"><img class=\"aligncenter size-medium wp-image-6343\" title=\"1\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/1-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" /></a>\nSu progetto della neonata compagnia CONNETTIVo24GRAMMI, da loro stessi fondata, il lavoro si ispira al romanzo <em>Il mondo nuovo</em> di Aldous Huxley, un classico delle storie apocalittiche da incubo distopico,  liberamente adattato da Irene Canali, che firma anche la regia. Da quel testo è stata ripresa l’immagine di una grande fabbrica farmaceutica, la Pfaizer Pharma, produttrice del Soma, una pillola portentosa, stimolante, tranquillante, gradevolmente allucinante: in una parola, uno psicofarmaco  in grado di assicurare l’assoluta felicità.\nSullo sfondo, si profila così  una futuribile società che ha trovato il rimedio facile e immediato ad ogni forma di malattia, e ha eliminato la sofferenza, i conflitti, le frustrazioni, l’angoscia e la paura. Una società in cui anche la vecchiaia è bandita come un  retaggio del passato, e in cui la morte non dovrebbe avere più nulla di spaventoso, perché c’è la Pietraia, e sarà come andare in vacanza su un’isola paradisiaca.\nMa il dubbio è dietro l’angolo: qual è il prezzo di una felicità di questo tipo, ventiquattro ore su ventiquattro? Ha senso la luce senza l’alone del buio? Può esistere una euforia da psicofarmaci a tutto pedale? E chi  ne regola l’andamento sul mercato?\nQueste le riflessioni proposte dall’interessante spettacolo, che si impegna a interrogarsi sull’intreccio tra scienza, capitale e propaganda, alleati per lo spaccio dell’euforia artificiale a buon mercato. Non senza significato, poi, queste domande aperte vengono avanzate da dei giovani artisti,  proiettati a meditare anche sul loro possibile futuro, per il quale evidentemente non si augurano prospettive totalitarie da happy hour a trecentosessanta gradi.\n\n&nbsp;\n\nInfo, Teatro Club Udine, via Marco Volpe 13, Udine, t 0432 507953\ninfo@teatroclubudine.it, www.teatroclubudine.it\n\n&nbsp;\n\n&nbsp;\n\n&nbsp;\n\n&nbsp;','Akrópolis In, 10 febbraio \'18, al Teatro San Giorgio, \"La fabbrica della felicità\"','','inherit','closed','closed','','6341-revision','','','2018-02-07 20:12:09','2018-02-07 19:12:09','',6341,'http://www.teatroclubudine.it/6345-6341-revision/',0,'revision','',0),
	(6346,2,'2018-02-07 20:14:35','2018-02-07 19:14:35','<p align=\"center\"><strong>Il Teatro Club Udine</strong></p>\n<p align=\"center\">con il sostegno di  Regione autonoma FVG, Assessorato alla Cultura del Comune di Udine\nFondazione Friuli, Ert FVG</p>\n<p align=\"center\">in collaborazione con  Civica Accademia d’Arte Drammatica “Nico Pepe”</p>\n<p align=\"center\">e con  Bottega errante per la Notte dei Lettori 2018, Arteventi,  Civica Accademia d’Arte Drammatica “Nico Pepe”, Il Laboratorio, Libreria Friuli,  Liceo classico “J. Stellini”, Mateârium/Associazione Servi di scena\nSocietà Filologica Friulana, Taukay, vicino/lontano</p>\n<p align=\"center\">presenta\nper la rassegna “Akrópolis In”<strong></strong></p>\n<p align=\"center\">CONNETTIVo24GRAMMI\ncon il sostegno di Fondazione Claudia Lombardi │Lugano</p>\n\n<h2 align=\"center\">\n<span style=\"color: #ff0000;\"><strong>LA FABBRICA DELLA FELICITÀ</strong></span><strong>\n</strong></h2>\n<p align=\"center\">drammaturgia Irene Canali</p>\n<p align=\"center\">con <strong>Nicola Andretta, Giuseppe Attanasio, Irene Canali, Miriam Costamagna\nDaniele Palmeri, Marta Salandi</strong>\ncollaborazioni Mattia Fabris, Andrea Lopez Nunes\nregia  Irene Canali</p>\n<p align=\"center\"><strong>■ sabato 10 febbraio 2018 ore 21.00\n</strong><strong>Teatro San Giorgio </strong><strong>│Udine</strong></p>\n&nbsp;\n<p style=\"text-align: justify;\"><strong>Al Teatro San Giorgio, </strong> <strong>sabato 10 febbraio 2018, alle ore 21,  </strong>taglio del nastro per<strong> </strong>la rassegna “<strong>Akrópolis In”,</strong> pensata  dal <strong>Teatro Club</strong> in collaborazione con tante strutture culturali e artistiche del territorio, tra cui in particolare la <strong>Civica Accademia “Nico Pepe”.</strong> E’ infatti da questa fertile fucina di  pedagogia teatrale  che provengono i cinque  bravissimi giovani attori (<strong>Giuseppe Attanasio, Irene Canali, Miriam Costamagna, Daniele Palmeri, Marta Salandi,</strong> cui si è unito  <strong>Nicola Andretta</strong>  dello Stabile del Veneto)   che interpretano lo spettacolo  <strong>La fabbrica della felicità</strong>,  vincitore del  Premio Testinscena 2017  e ora proposto a Udine dopo il debutto in anteprima a Lugano e a Milano.</p>\n<p style=\"text-align: justify;\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/1.jpg\"><img class=\"aligncenter size-medium wp-image-6343\" title=\"1\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/1-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" /></a>\nSu progetto della neonata compagnia CONNETTIVo24GRAMMI, da loro stessi fondata, il lavoro si ispira al romanzo <em>Il mondo nuovo</em> di Aldous Huxley, un classico delle storie apocalittiche da incubo distopico,  liberamente adattato da Irene Canali, che firma anche la regia. Da quel testo è stata ripresa l’immagine di una grande fabbrica farmaceutica, la Pfaizer Pharma, produttrice del Soma, una pillola portentosa, stimolante, tranquillante, gradevolmente allucinante: in una parola, uno psicofarmaco  in grado di assicurare l’assoluta felicità.\nSullo sfondo, si profila così  una futuribile società che ha trovato il rimedio facile e immediato ad ogni forma di malattia, e ha eliminato la sofferenza, i conflitti, le frustrazioni, l’angoscia e la paura. Una società in cui anche la vecchiaia è bandita come un  retaggio del passato, e in cui la morte non dovrebbe avere più nulla di spaventoso, perché c’è la Pietraia, e sarà come andare in vacanza su un’isola paradisiaca.\nMa il dubbio è dietro l’angolo: qual è il prezzo di una felicità di questo tipo, ventiquattro ore su ventiquattro? Ha senso la luce senza l’alone del buio? Può esistere una euforia da psicofarmaci a tutto pedale? E chi  ne regola l’andamento sul mercato?\nQueste le riflessioni proposte dall’interessante spettacolo, che si impegna a interrogarsi sull’intreccio tra scienza, capitale e propaganda, alleati per lo spaccio dell’euforia artificiale a buon mercato. Non senza significato, poi, queste domande aperte vengono avanzate da dei giovani artisti,  proiettati a meditare anche sul loro possibile futuro, per il quale evidentemente non si augurano prospettive totalitarie da happy hour a trecentosessanta gradi.</p>\n&nbsp;\n\nInfo, Teatro Club Udine, via Marco Volpe 13, Udine, t 0432 507953\ninfo@teatroclubudine.it, www.teatroclubudine.it\n\n&nbsp;\n\n&nbsp;\n\n&nbsp;\n\n&nbsp;','Akrópolis In, 10 febbraio \'18, al Teatro San Giorgio, \"La fabbrica della felicità\"','','inherit','closed','closed','','6341-autosave','','','2018-02-07 20:14:35','2018-02-07 19:14:35','',6341,'http://www.teatroclubudine.it/6346-6341-autosave/',0,'revision','',0),
	(6347,2,'2018-02-07 20:12:32','2018-02-07 19:12:32','<p align=\"center\"><strong>Il Teatro Club Udine</strong></p>\r\n<p align=\"center\">con il sostegno di  Regione autonoma FVG, Assessorato alla Cultura del Comune di Udine\r\nFondazione Friuli, Ert FVG</p>\r\n<p align=\"center\">in collaborazione con  Civica Accademia d’Arte Drammatica “Nico Pepe”</p>\r\n<p align=\"center\">e con  Bottega errante per la Notte dei Lettori 2018, Arteventi,  Civica Accademia d’Arte Drammatica “Nico Pepe”, Il Laboratorio, Libreria Friuli,  Liceo classico “J. Stellini”, Mateârium/Associazione Servi di scena\r\nSocietà Filologica Friulana, Taukay, vicino/lontano</p>\r\n<p align=\"center\">presenta\r\nper la rassegna “Akrópolis In”<strong></strong></p>\r\n<p align=\"center\">CONNETTIVo24GRAMMI\r\ncon il sostegno di Fondazione Claudia Lombardi │Lugano\r\n<strong>LA FABBRICA DELLA FELICITÀ</strong><strong>\r\n</strong>drammaturgia Irene Canali\r\ncon <strong>Nicola Andretta, Giuseppe Attanasio, Irene Canali, Miriam Costamagna\r\nDaniele Palmeri, Marta Salandi</strong>\r\ncollaborazioni Mattia Fabris, Andrea Lopez Nunes\r\nregia  Irene Canali</p>\r\n<p align=\"center\"><strong>■ sabato 10 febbraio 2018 ore 21.00\r\n</strong><strong>Teatro San Giorgio </strong><strong>│Udine</strong></p>\r\n<p align=\"center\"></p>\r\n&nbsp;\r\n<p style=\"text-align: justify;\"><strong>Al Teatro San Giorgio, </strong> <strong>sabato 10 febbraio, alle ore 21,  </strong>taglio del nastro per<strong> </strong>la rassegna “<strong>Akrópolis In”,</strong> pensata  dal <strong>Teatro Club</strong> in collaborazione con tante strutture culturali e artistiche del territorio, tra cui in particolare la <strong>Civica Accademia “Nico Pepe”.</strong> E’ infatti da questa fertile fucina di  pedagogia teatrale  che provengono i cinque  bravissimi giovani attori (<strong>Giuseppe Attanasio, Irene Canali, Miriam Costamagna, Daniele Palmeri, Marta Salandi,</strong> cui si è unito  <strong>Nicola Andretta</strong>  dello Stabile del Veneto)   che interpretano lo spettacolo  <strong>La fabbrica della felicità</strong>,  vincitore del  Premio Testinscena 2017  e ora proposto a Udine dopo il debutto in anteprima a Lugano e a Milano.</p>\r\n<p style=\"text-align: justify;\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/1.jpg\"><img class=\"aligncenter size-medium wp-image-6343\" title=\"1\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2018/02/1-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" /></a>\r\nSu progetto della neonata compagnia CONNETTIVo24GRAMMI, da loro stessi fondata, il lavoro si ispira al romanzo <em>Il mondo nuovo</em> di Aldous Huxley, un classico delle storie apocalittiche da incubo distopico,  liberamente adattato da Irene Canali, che firma anche la regia. Da quel testo è stata ripresa l’immagine di una grande fabbrica farmaceutica, la Pfaizer Pharma, produttrice del Soma, una pillola portentosa, stimolante, tranquillante, gradevolmente allucinante: in una parola, uno psicofarmaco  in grado di assicurare l’assoluta felicità.\r\nSullo sfondo, si profila così  una futuribile società che ha trovato il rimedio facile e immediato ad ogni forma di malattia, e ha eliminato la sofferenza, i conflitti, le frustrazioni, l’angoscia e la paura. Una società in cui anche la vecchiaia è bandita come un  retaggio del passato, e in cui la morte non dovrebbe avere più nulla di spaventoso, perché c’è la Pietraia, e sarà come andare in vacanza su un’isola paradisiaca.\r\nMa il dubbio è dietro l’angolo: qual è il prezzo di una felicità di questo tipo, ventiquattro ore su ventiquattro? Ha senso la luce senza l’alone del buio? Può esistere una euforia da psicofarmaci a tutto pedale? E chi  ne regola l’andamento sul mercato?\r\nQueste le riflessioni proposte dall’interessante spettacolo, che si impegna a interrogarsi sull’intreccio tra scienza, capitale e propaganda, alleati per lo spaccio dell’euforia artificiale a buon mercato. Non senza significato, poi, queste domande aperte vengono avanzate da dei giovani artisti,  proiettati a meditare anche sul loro possibile futuro, per il quale evidentemente non si augurano prospettive totalitarie da happy hour a trecentosessanta gradi.</p>\r\n&nbsp;\r\n\r\nInfo, Teatro Club Udine, via Marco Volpe 13, Udine, t 0432 507953\r\ninfo@teatroclubudine.it, www.teatroclubudine.it\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Akrópolis In, 10 febbraio \'18, al Teatro San Giorgio, \"La fabbrica della felicità\"','','inherit','closed','closed','','6341-revision-2','','','2018-02-07 20:12:32','2018-02-07 19:12:32','',6341,'http://www.teatroclubudine.it/6347-6341-revision-2/',0,'revision','',0);

