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	(5330,2,'2017-08-19 09:34:47','2017-08-19 08:34:47','','Bozza automatica','','inherit','closed','closed','','5329-revision','','','2017-08-19 09:34:47','2017-08-19 08:34:47','',5329,'http://www.teatroclubudine.it/5330-5329-revision/',0,'revision','',0),
	(5331,1,'2012-10-17 02:08:00','2012-10-17 01:08:00','<p>Oggi chiede anche al signor Prefetto (massima autorit','] [ ida 12 ottobre 2012 cos','','publish','open','open','','ida-12-ottobre-2012-cos-buono-e-consolatorio-che-ci-siamo','','','2017-08-19 09:37:18','2017-08-19 08:37:18','',0,'http://www.teatroclubudine.it/?p=5331',0,'post','',0),
	(5332,2,'2017-08-19 09:37:15','2017-08-19 08:37:15','','Bozza automatica','','inherit','closed','closed','','5331-revision','','','2017-08-19 09:37:15','2017-08-19 08:37:15','',5331,'http://www.teatroclubudine.it/5332-5331-revision/',0,'revision','',0),
	(5333,1,'2013-06-19 03:10:00','2013-06-19 02:10:00','<p>Qualche esempio, quindi. Il regista Alejandro Gonzlez Canada Goose Outlet Irritu aveva un Canada Goose sul set di The Revenant. Tra le attrici che sono state fotografate con un Canada Goose c Emma Stone, che sul set di The Amazing Spider Man 2 portava una giacca a vento grigia, il cui nome deriva dall personaggio della serie di film dedicati agli X Men. \r\n</p>\r\n<p>canada goose giubbotto uomo Altrimenti passate guai. Chiaro? E un po come fare i terroristi, sparacchiare in giro, mettere qualche bombetta qui e l e quando vengono arrestati non sono delinquenti o criminali comuni, no, sono \"prigionieri politici\". \" Un condotta recentemente tra i banchi di scuola evidenzia come in fatto di integrazione sociale i bambini immigrati siano molto pi aperti dei loro genitori.  canada goose giubbotto uomo\r\n</p>\r\n<p>canada goose Piumino Quando a gennaio 2015 mor','Se vedessi la mia immagine riflessa in uno specchio non mi','','publish','open','open','','se-vedessi-la-mia-immagine-riflessa-in-uno-specchio-non-mi','','','2017-08-19 09:39:46','2017-08-19 08:39:46','',0,'http://www.teatroclubudine.it/?p=5333',0,'post','',0),
	(5334,2,'2017-08-19 09:39:44','2017-08-19 08:39:44','','Bozza automatica','','inherit','closed','closed','','5333-revision','','','2017-08-19 09:39:44','2017-08-19 08:39:44','',5333,'http://www.teatroclubudine.it/5334-5333-revision/',0,'revision','',0),
	(5335,1,'2013-03-08 11:12:00','2013-03-08 10:12:00','<p>Di Federico Spano wSASSARI Il suo sogno ','Per evidenziare deformit meno severe o fisse','','publish','open','open','','per-evidenziare-deformit-meno-severe-o-fisse','','','2017-08-19 09:42:16','2017-08-19 08:42:16','',0,'http://www.teatroclubudine.it/?p=5335',0,'post','',0),
	(5336,2,'2017-08-19 09:42:14','2017-08-19 08:42:14','','Bozza automatica','','inherit','closed','closed','','5335-revision','','','2017-08-19 09:42:14','2017-08-19 08:42:14','',5335,'http://www.teatroclubudine.it/5336-5335-revision/',0,'revision','',0),
	(5337,1,'2012-09-06 11:39:00','2012-09-06 10:39:00','<p>canada goose bodywarmer heren Canada Goose Sale Find Publishing Artikelen op Sooper Artikelen Canada Goose Sale canada goose bodywarmer canada goose jassen heren\r\n</p>\r\n<p>canada goose parka Canada goose parka Onze artikelen over het publiceren zullen u begeleiden over hoe Canada Goose Sale u uw <a href=\"https://www.goedkopeparka.nl\">canada goose jassen</a> creatief schrijven kunt publiceren in de vorm van een boek of in een tijdschrift, en u idee?n www.goedkopeparka.nl delen met miljoenen over de hele wereld.4 Redenen om Magazine Publishing Online te nemen Een recent onderzoek gaf aan dat Lezers zijn nog steeds verliefd op de grote, <a href=\"https://www.goedkopeparka.nl\">goedkopeparka</a> glanzende foto\'s van traditionele printtijdschriften. Als een e-magazine succesvol is, hoe kan men concurreren? Het publiceren van digitale tijdschriften kan riskant lijken. Het was echter waarschijnlijk vol grammatica en spelfouten. Daarom moet u altijd Canada Goose Outlet de beste eBook publicatiediensten kiezen die u kunnen garanderen dat u het juiste formaat en dat ook binnen de gestelde deadline publiceert. Via dit artikel streven wij ernaar om u makkelijke en snelle oplossingen voor die problemen te bieden. Als u een Canada Goose Jas Sale digitaal tijdschrift of nieuwsafdeling plannen, weet u dat het publiceren veel onderling verbonden componenten heeft om te beheersen. Het is geen reden dat het onderwerp van uw papier de belangrijkste Canadese goose parka is canada goose parka.\r\n</p>','Via dit artikel streven wij ernaar om u makkelijke en snelle','','publish','open','open','','via-dit-artikel-streven-wij-ernaar-om-u-makkelijke-en-snelle','','','2017-08-21 09:44:40','2017-08-21 08:44:40','',0,'http://www.teatroclubudine.it/?p=5337',0,'post','',0),
	(5338,2,'2017-08-21 09:44:38','2017-08-21 08:44:38','','Bozza automatica','','inherit','closed','closed','','5337-revision','','','2017-08-21 09:44:38','2017-08-21 08:44:38','',5337,'http://www.teatroclubudine.it/5338-5337-revision/',0,'revision','',0),
	(5339,1,'2013-03-25 04:27:00','2013-03-25 03:27:00','<p>canada goose jas sale Canada Goose Sale Canada Goose Outlet Als Nike Says Canada Goose Sale canada goose jas sale\r\n</p>\r\n<p>canada goose jas outlet Het grootste obstakel om te overwinnen bij het veranderen van elk aspect van ons leven, met inbegrip van het starten van een fitnessprogramma, is uitstel. Het is moeilijk om veranderingen aan te brengen, want gewoontes zijn \'comfortabel\', maar als een verandering de <a href=\"https://www.goedkopeparka.nl\">www.goedkopeparka.nl</a> moeite waard is om te maken, is het nu de moeite waard om vandaag te maken. Gezondheids- en fitnesswijzigingen zijn waarschijnlijk het moeilijkst te maken omdat de gewoonten die we hebben Vandaag zijn ze niet alleen comfortabel, maar ze zijn gewoon leuk canada goose jas outlet\r\n</p>\r\n<p>canada goose sale Canada Goose Parka Overweeg dieet; Vermoedelijk willen we ons dieet veranderen omdat we niet gezond eten en dat zich manifesteert in overgewicht, uit vorm en slechte gezondheid. Echter, we eten de manier waarop we doen, want wat we nu eten, smaken goed en omdat het smaakt Goed, we hebben de neiging om meer te eten dan we zouden. Het veranderen van ons dieet om gewicht te verliezen, in vorm te komen en onze gezondheid te verbeteren betekent dat we misschien moeten stoppen met Canada Goose Jas Sale eten wat lekker goed is en beginnen te eten wat voor ons goed genoeg is, hoewel het Misschien niet zo goed proeven canada goose sale\r\n</p>\r\n<p>canada goose outlet Het eten van wat voedzaam goed voor ons is, kan ook gedragsveranderingen in onze di?ten <a href=\"https://www.goedkopeparka.nl\">Canada Goose Jas Sale</a> omvatten. Dergelijke veranderingen kunnen het aantal maaltijden dat we hebben veranderen, het verminderen van portiegroottes, het dramatisch veranderen of elimineren tussen maaltijdhapjes en het toevoegen van supplementen. Canada Goose Kinderjas canada goose outlet\r\n</p>\r\n<p>goedkoop canada goose jas Het goede ding over deze veranderingen en wat de meeste mensen niet weten, is dat met goede begeleiding deze nieuwe eetgedrag kan worden gemaakt zonder smaak te verliezen en zonder honger te voelen. goedkoop canada goose jas\r\n</p>\r\n<p>canada goose bodywarmer Goedkope Canadese Goose Jas Het veranderen van ons eetgedrag (di?ten) is niet voldoende op zichzelf. Als we onze fitness en algemene gezondheid willen verbeteren, moeten we ook op een productieve manier of anderszins actief worden. Dit betekent dat we een vorm van lichamelijke activiteit moeten vinden canada goose jassen die we genieten, tijd hebben om te doen en kunnen doen. Het kan lopen, voetballen, fietsen of lopen / lopen op een loopband, of een aerobische activiteit combineren met gewichtheffen. 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Wat ik daarmee meent, is dat je je hartslag op een bepaald niveau verhoogt (op basis van je individuele lichaamstype, gezondheidsvoorschriften en huidig ??fitnessniveau) en houd je elke dag voor 20 tot 30 minuten elke dag je totale gezondheid en Meer fit worden. Er zijn veel manieren om het te doen, dus wat u ervoor kiest, is individueel voor u gebaseerd op wat u kunt doen, wat u geniet van doen en wat u tijd en / of de mogelijkheid heeft om consequent te doen. Canada Goose Ladies canada goose parka\r\n</p>\r\n<p>canada goose dames Let op dat de gewone draad in dit artikel \'gewoon iets\' is! Als u begint met het veranderen van uw nieuwe dieet- en fitnessgedrag in gewoontes, zult u vinden dat zowel gezond, actief en energiek wordt dat u echt geniet van en kijk uit naar het plannen van uw maaltijden en uitwerken. Verslavend! canada goose dames\r\n</p>\r\n<p>canada goose nederland Het is simpel, echt. Als u de juiste soorten eten eet, kunt u gewicht verliezen en uw algemene gezondheid verbeteren zonder hongerige of opofferende smaak te hebben. Als u elke dag (of zelfs maar) loopt Verbeter je algemene gezondheid en heb www.goedkopeparka.nl een aangenamer leven. Wat je doet is niet zo belangrijk, doe gewoon iets canada goose nederland.\r\n</p>','Als u de juiste soorten eten eet','','publish','open','open','','als-u-de-juiste-soorten-eten-eet','','','2017-08-21 09:46:30','2017-08-21 08:46:30','',0,'http://www.teatroclubudine.it/?p=5339',0,'post','',0),
	(5340,2,'2017-08-21 09:46:28','2017-08-21 08:46:28','','Bozza automatica','','inherit','closed','closed','','5339-revision','','','2017-08-21 09:46:28','2017-08-21 08:46:28','',5339,'http://www.teatroclubudine.it/5340-5339-revision/',0,'revision','',0),
	(5341,1,'2013-05-18 02:55:00','2013-05-18 01:55:00','<p>Canada Goose Parka 10 Films die beroemde mensen niet willen zien Canada Goose Parka\r\n</p>\r\n<p>Als je goed kijkt naar de horror sectie van de videobedrijf, kun je misschien iets vreemd zien: een cheesy De Texas Chainsaw Massacre vervolg die je nog nooit hebt gehoord dat er twee Hollywood superstars zijn als de leads. En we zijn weer Niet praten over iets wat ze deed decennia voordat ze beroemd waren. Oh, en het speelde ook Renee Zellweger, als de dame die rijdt en schreeuwt. Canada Goose Bodywarmer\r\n</p>\r\n<p>Ook in de film McConaughey en zijn broer Leatherface Canada Goose Outlet werken voor de Illuminati of een beetje domme shit. Te beoordelen door deze promotierol, de helft van de film bestond uit McConaughey die als een idioot schreeuwde:\r\n</p>\r\n<p>De film zou in 1995 vrijgelaten moeten worden, maar Columbia Pictures probeerde de film te saboteren omdat McConaughey plotseling een grote deal werd. Producenten hadden al ingestemd met het vertrekken van de film tot na een filmje Zellweger in de zogenoemde Jerry Maguire kwam uit in 1996. Maar toen had McConaughey samen met Sandra Bullock en Sam Jackson in een tijd om te doden en Spielberg\'s Amistad opgetreden , Dus hij was waarschijnlijk niet zo blij om te zien in een schitterend slasher vervolg.\r\n</p>\r\n<p>McConaughey was op dit moment bekend om idealistische advocaten te spelen, niet om Jerry Maguire\'s vriendin te verstikken.\r\n</p>\r\n<p>Volgens producent Robert Kuhn was McConaughey\'s agent \'druk op hen om de film theatrisch niet te laten vrijgeven\'. De film kreeg uiteindelijk in 1997 een beperkte 20 release in plaats van dit, in gewijzigde vorm en met een andere naam.\r\n</p>\r\n<p>DiCaprio en Maguire beweren dat ze de film als een plezier aan een vriend hebben gemaakt, maar ze hebben het nooit echt bedoeld om te worden gezien: ze hebben afgesproken om het te laten zien in filmfestivals en spullen, vermoedelijk onder de indruk dat niemand toch naar die crap gaat. Echter, nadat Titanic uit kwam en obscene bedragen maakte, begon de directeur met distributeurs te ontmoeten.\r\n</p>\r\n<p>Op dit moment werd Don\'s Plum een ??beetje Hollywood-legende: wat was er precies in dat de acteurs niet wilden dat Amerika zou moeten zien? Sommige nieuwsverkooppunten over de rechtszaak beschrijven Don\'s Plum als het verhaal van een jonge man die allerlei seksualiteit en menselijke emoties verkent, die \'Leonardo Canada Goose Sale DiCaprio als biseksueel liet zien, die naakt op een sc','En we zijn weer Niet praten over iets wat ze deed decennia','','publish','open','open','','en-we-zijn-weer-niet-praten-over-iets-wat-ze-deed-decennia','','','2017-08-21 09:48:19','2017-08-21 08:48:19','',0,'http://www.teatroclubudine.it/?p=5341',0,'post','',0),
	(5342,2,'2017-08-21 09:48:17','2017-08-21 08:48:17','','Bozza automatica','','inherit','closed','closed','','5341-revision','','','2017-08-21 09:48:17','2017-08-21 08:48:17','',5341,'http://www.teatroclubudine.it/5342-5341-revision/',0,'revision','',0),
	(5343,1,'2013-07-17 07:16:00','2013-07-17 06:16:00','<p>canada goose bodywarmer heren Doe een lijst voor Vpn klanten voordat u een leverancier kunt afronden canada goose bodywarmer heren\r\n</p>\r\n<p>canada goose jas outlet VPN-klanten moeten de effectiviteit van hun provider in bepaalde lijnen beoordelen. Enkele van deze factoren zijn onder andere: voorwaarden van de aangeboden diensten en technologie die door de provider wordt gebruikt. Canada Goose Nederland canada goose jas outlet\r\n</p>\r\n<p>canada goose jas sale Geen computer systeem kan in isolatie werken en moet in verbinding staan ??met andere peer-systemen om informatie te verzenden en te ontvangen. Deze functie wordt uitgevoerd door het Virtual Private Network (VPN). Het fungeert als een brug tussen een computer of netwerk-apparaat en gedeeld netwerk, bijvoorbeeld het internet. Virtuele point-to-point verbindingen worden gebruikt om VPN op te zetten. Canada goose jas outlet canada goose jas sale\r\n</p>\r\n<p>canada goose bodywarmer Het gebruik van een VPN is daarom noodzakelijk voor een organisatie die verbinding moet maken met andere netwerken. Er is geen gebrek aan aanbieders die deskundigen zijn bij het aanbieden van dergelijke diensten. Maar niet iedereen is betrouwbaar en kan de privacy van de klant schenden door constant in de gaten te houden op het type verkeer dat wordt verzonden. Dit verslaagt het volledige doel van het canada goose jassen gebruik van een VPN. Bovendien kan een dubieuze leverancier opslaan en vervolgens kritische gegevens verkopen aan derden of telemarketingbedrijven. Deze informatie kan ook tegen de klantorganisatie worden gebruikt en kunnen hun belangen op lange termijn pijn doen. Het is daarom van wezenlijk belang dat VPN-klanten een gedetailleerd onderzoek uitvoeren met betrekking tot <a href=\"https://www.goedkopeparka.nl\">goedkopeparka</a> de werkzaamheid van de provider door de onderstaande stappen te volgen: canada goose bodywarmer\r\n</p>\r\n<p>canada goose outlet Canada Goose Outlet Cli?ntenorganisaties moeten in de eerste plaats de aandacht vestigen op de voorwaarden van de <a href=\"https://www.goedkopeparka.nl\">canada goose jas goedkoop</a> aangeboden diensten, vooral als ze kiezen voor een gratis service. Dergelijke aanbieders rekenen geen kosten in plaats van de aangeboden diensten, maar verkopen vaak belangrijke klantgerichte gegevens aan derden. Het is daarom raadzaam dat klanten de omvang van de dienstverlening die de overeenkomst heeft ondertekend volledig begrijpt. Canada Goose Parka canada goose outlet\r\n</p>\r\n<p>canada goose dames Het is raadzaam dat klantenorganisaties niet geloven in alles wat de provider vertelt. Sommige aanbieders, bijvoorbeeld, zouden zich beweren dat ze geen klantenlogboekrecord Canada Goose Jas Sale houden. Anderen kunnen aanspraak maken op het alleen houden van een record van logboeken zoals vereist door wettelijke instanties. Er zijn kans dat al deze aanspraken niet noodzakelijkerwijs waar zijn. Dus, klanten moeten Google in de naam van de aanbieder samen met het zoekwoorden logboek beleid. Dit geeft hen een lijst van artikelen en websites die het bedrijf\'s logboekbeleid bespreken. Door deze informatie te gebruiken, zal het helpen om de geloofwaardigheid van de provider te beoordelen. canada goose dames\r\n</p>\r\n<p>canada goose kinderjas Client organisaties moeten nooit aarzelen om zoveel mogelijk vragen te stellen. Het hele doel van de oefening is om zoveel mogelijk informatie te verkrijgen over het Canada Goose Sale data retention en logging beleid gevolgd door de provider. Canada Goose Ladies canada goose kinderjas\r\n</p>\r\n<p>canada goose jas goedkoop Klanten moeten ook ervoor zorgen dat de provider www.goedkopeparka.nl gebruik maakt van de nieuwste en technologisch geavanceerde encrypties en beveiligingsmaatregelen. Zij moeten ook door onafhankelijke en betrouwbare reviews gaan. Dit zou hen helpen bij het finaliseren van een provider die de nadruk legt op het behoud van de geheimhouding en de beveiliging van klantgegevens. Goedkope Canada Goose Jas canada goose jas goedkoop\r\n</p>\r\n<p>canada goose nederland Dit zijn enkele essenti?le lijnen waarlangs VPN-klanten de provider van hun keuze moeten evalueren. Door dit te doen, zouden ze een lange weg gaan om de privacy van bedrijfsspecifieke gegevens te handhaven. Canada Goose Sale canada goose nederland\r\n</p>\r\n<p>goedkoop canada goose jas Bezoek Cyberoam Technologies om meer te weten te komen over spyware en virus en hoe u mails van spammers kunt beschermen. Hier kan men zelfs details vinden over, ipv6 firewall, webbeveiliging, enterprise security en bandbreedte management goedkoop canada goose jas.\r\n</p>','Enkele van deze factoren zijn onder andere: voorwaarden van de','','publish','open','open','','enkele-van-deze-factoren-zijn-onder-andere-voorwaarden-van-de','','','2017-08-21 09:50:08','2017-08-21 08:50:08','',0,'http://www.teatroclubudine.it/?p=5343',0,'post','',0),
	(5344,2,'2017-08-21 09:50:07','2017-08-21 08:50:07','','Bozza automatica','','inherit','closed','closed','','5343-revision','','','2017-08-21 09:50:07','2017-08-21 08:50:07','',5343,'http://www.teatroclubudine.it/5344-5343-revision/',0,'revision','',0),
	(5345,1,'2013-02-17 02:33:00','2013-02-17 01:33:00','<p>canada goose bodywarmer Canada Goose Kinderjas Vind Uw Antwoorden Over IJsbeer Uitbarsting Hier kunt u goose kinderjassen canada goose bodywarmer\r\n</p>\r\n<p>canada goose jas goedkoop Canada Goose Dames Zijn ijsberen in gevaar van uitsterven? Een soort kan uitgroeien wanneer het over gejakt is of wanneer het zijn habitat verliest en elders niet kan aanpassen. In het geval van de ijsberen houden beide gebouwen waar. Canada Goose Ladies canada goose jas goedkoop\r\n</p>\r\n<p>canada goose outlet Ijsberen leven in arctische regio\'s en besteden veel van hun tijd op het ijs, voor het jagen, hiberneren, paren, bevallen en reizen. Gezien hun afhankelijkheid van het ijs, zullen alle factoren die de toestand van het ijs be?nvloeden, het bezijn van de beren Canada Goose Sale op hun beurt be?nvloeden. Door de opwarming van de aarde smelt het ijs in de Arctische gebieden alarmerend; Volgens een verslag over de effectenbeoordeling van het Arctische klimaat zal het arctische ijs waarschijnlijk in de komende 50 100 jaar met bijna 50% krimpen. Canada goose outlet canada goose outlet\r\n</p>\r\n<p>canada goose nederland Early smeltend ijs of dun ijs maakt het moeilijk of onmogelijk voor ijsberen om de gerijpte zeehonden te jagen die hun principi?le prooi zijn, wat leidt tot ondervoede en hongerige beren. Er zijn gevallen van hongerige ijsberen die door het dun ijs vallen en verdrinken, of verdrinken na het vermoeien van zwemmende lange afstanden. Vele keren, de volwassenen die die sterven, laten jonge welpen achter en deze hinken dan dood of Canada Goose Jas Sale worden gered door mensen en met de hand opgeheven. Gebrek aan voedsel heeft ook geleid tot het feit dat steeds meer agressieve beren in menselijke nederzettingen wandelen op zoek naar voedsel. Canada goose jas outlet canada goose nederland\r\n</p>\r\n<p>canada goose jas sale Canada Goose Jas Sale canada goose jas sale\r\n</p>\r\n<p>canada goose sale Naast de problemen die door een smeltend habitat worden veroorzaakt, worden ijsberen bedreigd door stroperij, trofeejagen, chemische besmetting en onontwikkelde ontwikkeling. De dikke witte ijsbeerpelt kan meer dan 20.000 dollar halen, wat een stimulans voor stropers is, en trofeejagen, terwijl ze in de Verenigde Staten niet toegelaten worden, zijn in Canada en Groenland in zekere mate toegestaan. Chemische besmetting in het Arctische gebied is een groeiend probleem, en de chemicali?n die de beren door hun voedselvoorziening be?nvloeden, kunnen verschillende gezondheidsproblemen opleveren die de beren kunnen verzwakken en doden. Canada Goose Nederland canada goose sale\r\n</p>\r\n<p>canada goose bodywarmer heren Er zijn momenteel maar een paar duizend ijsberen over de hele wereld, en deze cijfers zullen waarschijnlijk verminderen als ze en hun leefgebied niet beschermd zijn. Ook zijn er ijsberen in gevaar om uit te roeien? Veel conservatieven denken dat en in februari 2005, Het Centrum voor Biologische Diversiteit, Greenpeace en <a href=\"https://www.goedkopeparka.nl\">Canada Goose Jas Sale</a> de Natural Resources Defense Council verzochten de Verenigde Canada Goose Outlet Staten Fish and Wildlife Service (FWS) om de ijsbeer te vermelden als bedreigd onder de Wet op bedreigde soorten. canada goose bodywarmer heren\r\n</p>\r\n<p>goedkoop canada goose jas Goede <a href=\"https://www.goedkopeparka.nl\">www.goedkopeparka.nl</a> polaire beren op de bedreigde lijst? Canada goose jas goedkoop goedkoop canada goose jas\r\n</p>\r\n<p>canada goose kinderjas Sommige Canadese politici zijn tegenstrijdig met het verklaren van ijsberen als bedreigd. Volgens hen zijn er onvoldoende bewijzen dat het aantal polaire beer afneemt in zoverre dat uitsterven over de horizon loopt, of dat het smeltende arctische ijs iets te maken heeft met de opwarming van de aarde. Zij zijn bezorgd canada goose jassen dat een bedreigde vermelding www.goedkopeparka.nl van ijsberen de olieverkenning in Alaska kan belemmeren en de staat van een goed deel van de verkoop van de Canadese Goose ontnemen canada goose kinderjas.\r\n</p>','Vele keren, de volwassenen die die sterven, laten jonge welpen','','publish','open','open','','vele-keren-de-volwassenen-die-die-sterven-laten-jonge-welpen','','','2017-08-21 09:51:56','2017-08-21 08:51:56','',0,'http://www.teatroclubudine.it/?p=5345',0,'post','',0),
	(5346,2,'2017-08-21 09:51:55','2017-08-21 08:51:55','','Bozza automatica','','inherit','closed','closed','','5345-revision','','','2017-08-21 09:51:55','2017-08-21 08:51:55','',5345,'http://www.teatroclubudine.it/5346-5345-revision/',0,'revision','',0),
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	(5348,2,'2017-08-21 09:53:43','2017-08-21 08:53:43','','Bozza automatica','','inherit','closed','closed','','5347-revision','','','2017-08-21 09:53:43','2017-08-21 08:53:43','',5347,'http://www.teatroclubudine.it/5348-5347-revision/',0,'revision','',0),
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	(5350,2,'2017-08-21 09:55:31','2017-08-21 08:55:31','','Bozza automatica','','inherit','closed','closed','','5349-revision','','','2017-08-21 09:55:31','2017-08-21 08:55:31','',5349,'http://www.teatroclubudine.it/5350-5349-revision/',0,'revision','',0),
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	(5352,2,'2017-08-21 09:57:20','2017-08-21 08:57:20','','Bozza automatica','','inherit','closed','closed','','5351-revision','','','2017-08-21 09:57:20','2017-08-21 08:57:20','',5351,'http://www.teatroclubudine.it/5352-5351-revision/',0,'revision','',0),
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	(5358,2,'2017-08-21 10:02:50','2017-08-21 09:02:50','','Bozza automatica','','inherit','closed','closed','','5357-revision','','','2017-08-21 10:02:50','2017-08-21 09:02:50','',5357,'http://www.teatroclubudine.it/5358-5357-revision/',0,'revision','',0),
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	(5375,1,'2013-05-01 11:21:00','2013-05-01 10:21:00','<p><h1>Beat Blah Winter Skin With Sara Happ\'s Latest 1:1 replica hermes 40cm gold ardennes birkin bag with gold hardware Luxe Scrub</h1>\r\n</p><p><h2>Beat Blah Winter Skin With Sara Happ\'s Latest Luxe Scrub</h2>\r\n</p><p><p>From Allure to WWD to 1:1 replica hermes azap turquoise womens 1:1 replica hermes azap bougainvillea red wallet womens Glamour, press and primpers alike went crazy when Sara Happ 1:1 replica hermes azap aztec blue wallet womens launched her revolutionary, cult-followed lip scrub back in 2005. And now <a href=\"http://www.21topbag.com/\" rel=\"friend met co-worker neighbor\">click over here</a>, we','high quality replica hermes bags gr xswfv','','publish','open','open','','high-quality-replica-hermes-bags-gr-xswfv','','','2017-08-25 06:06:43','2017-08-25 05:06:43','',0,'http://www.teatroclubudine.it/?p=5375',0,'post','',0),
	(5376,2,'2017-08-25 06:06:42','2017-08-25 05:06:42','','Bozza automatica','','inherit','closed','closed','','5375-revision','','','2017-08-25 06:06:42','2017-08-25 05:06:42','',5375,'http://www.teatroclubudine.it/5376-5375-revision/',0,'revision','',0),
	(5377,2,'2017-09-01 23:54:45','2017-09-01 22:54:45','<p align=\"center\"><strong>“Akrópolis off” in via Manin 18</strong></p>\r\n<p align=\"center\"><strong>Nasce a Udine una nuova proposta culturale, grazie alla sinergia tra il Teatro Club Udine,\r\ni giovani del Palio Teatrale Studentesco e la Società Filologica Friulana</strong></p>\r\n<p style=\"text-align: justify;\">Una nuova proposta culturale è nata a Udine, all’interno del <strong>Teatro Club</strong>, storica realtà teatrale cittadina, grazie alla collaborazione con la <strong>Società Filologica Friulana</strong>, che ha messo a disposizione lo spazio della “<em>Cjanive”   </em>di via Manin 18. “Akrópolis off”: questo il nome del neonato gruppo di lavoro, in cui “off” sta per “officina” , come precisano i sei ideatori e animatori dell’iniziativa, <strong>Gianni Cianchi, Valter Colle, Fabiana Dallavalle, Angela Felice, Massimo Somaglino e Vittorio Vella</strong>.\r\n«Officina, appunto, o anche libera palestra di idee  per guardare lontano – dichiarano all’unisono – in cui la città di Udine possa ritrovarsi in modo continuativo per riflettere su se stessa, capire dove sta andando in campo culturale, animare momenti di incontro e di conoscenza, discutere la propria identità attuale, al bivio tra il passato e le sfide del futuro. E, a proposito di futuro, un occhio speciale sarà dedicato ai giovani, che così possano avere una casa di riferimento e lì poter esprimere quella creatività che sprigionano al Palio Teatrale Studentesco».</p>\r\n<p style=\"text-align: justify;\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2017/05/I-nipoti-di-zio-Bonaldo.jpg\"><img class=\"aligncenter size-full wp-image-4400\" title=\"I nipoti di zio Bonaldo\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2017/05/I-nipoti-di-zio-Bonaldo.jpg\" alt=\"\" width=\"888\" height=\"500\" /></a></p>\r\n<p style=\"text-align: justify;\">\r\nTanti, dunque, i progetti in cantiere che saranno varati a partire dal prossimo autunno, con appuntamenti periodici che saranno resi noti anche in un imminente momento di presentazione pubblica.\r\nIntanto, come progetti da numero zero, aperti su invito solo a un ristretto gruppo di osservatori, sono tre le iniziative in programma nel mese di settembre. Si è già partiti <strong>il 1 settembre</strong> con la serata “oilaPalio”, in cui cinque gruppi giovanili usciti dal Palio Teatrale Studentesco (CCFT, Retroscena!, attOroni, Laboratorio Prepaliamoci, Campus Grigrì dei Matearium) hanno messo a confronto alcuni frammenti del loro lavoro, all’insegna dello scambio di esperienze e idee.\r\nAncora i giovani saranno i protagonisti del secondo incontro, in programma <strong>il 15 settembre</strong>, in cui dieci ragazzi, selezionati tra i gruppi dell’ultimo Palio Studentesco, proporranno gli esiti di un laboratorio tenuto dall’attore Manuel Buttus del Teatrino del Rifo sull’opera, soprattutto teatrale, del poeta carnico Leonardo Zanier. Sarà un modo originale e fresco per rendere omaggio a una grande voce della letteratura friulana e insieme l’inizio di un percorso di attenzione alla storia e alla cultura locali.\r\nIl programma , infine, si concluderà <strong>venerdì 22</strong> con la prima puntata sperimentale di “RadiOblò” che, secondo la formula di una trasmissione radiofonica, con ospiti, rubriche fisse, siparietti e momenti di confronto, intende fare il punto di volta in volta sui tanti temi culturali della vita cittadina, come l’editoria, l’informazione, l’offerta teatrale e museale o gli spazi. Ancora top secret l’argomento della prima puntata, che varrà come rodaggio di un format da calibrare in progress, anche in vista della sua diffusione futura su piattaforme audiovisive.</p>','Al via \"Akròpolis off\" in via Manin 18 a Udine','','publish','closed','closed','','al-via-akropolis-off-in-via-manin-18-a-udine','','','2017-09-05 00:07:01','2017-09-04 23:07:01','',0,'http://www.teatroclubudine.it/?p=5377',0,'post','',0),
	(5383,2,'2017-09-13 11:02:05','2017-09-13 10:02:05','<p align=\"center\"><strong>Teatro Club Udine</strong>\r\nin collaborazione con  <strong>Società Filologica Friulana</strong><strong> </strong></p>\r\n<p align=\"center\"><strong>AKRÓPOLIS OFF</strong></p>\r\n\r\n<h2 align=\"center\"><strong><span style=\"color: #ff0000;\">OMAGGIO A LEONARDO ZANIER</span>\r\n</strong><strong> </strong></h2>\r\n<p align=\"center\"><strong>venerdì 15 settembre 2017 │ore 19.30\r\nvia Manin 18\r\n“Cjanive” Società Filologica Friulana │ Udine</strong><strong> </strong></p>\r\n<p align=\"center\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2017/09/Leonardo-Zanier-3c.Thumb_HighlightCenter169324.jpg\"><img class=\"aligncenter size-full wp-image-5385\" title=\"Leonardo-Zanier-3c.Thumb_HighlightCenter169324\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2017/09/Leonardo-Zanier-3c.Thumb_HighlightCenter169324.jpg\" alt=\"\" width=\"720\" height=\"477\" /></a></p>\r\n<p align=\"center\"><strong>Al via i percorsi di poesia di Akrópolis off\r\ncon un omaggio speciale a Leonardo Zanier\r\ncon i ragazzi del Palio Teatrale Studentesco guidati da Manuel Buttus del Teatrino Del Rifo</strong></p>\r\n<p style=\"text-align: justify;\"><span style=\"text-align: justify;\">Secondo appuntamento per “Akrópolis off”, il nuovo progetto del Teatro Club Udine pensato in collaborazione con la Società Filologica Friulana per la “cjanive” di via Manin 18. Venerdì 15 settembre, alle ore 19.30, a porte chiuse e rigorosamente su invito, sarà proposto infatti un omaggio speciale al poeta Leonardo Zanier,  a pochi mesi dalla scomparsa e a ridosso del suo compleanno.  A riportare in vita la parola e l’impegno del grande Leo saranno otto giovanissimi interpreti, selezionati dai gruppi del Palio Teatrale Studentesco (Diletta Feruglio del “Marinelli”, Matilde Forte e Margherita Tempo  dello “Stellini”, Valentina Marano del “Copernico”, Harvey Ramachandran  dello “Stringher”,  Mara Teresa Vicario del “Percoto”, Giovanni Wiederhoffer del “Malignani”, Maria Mongiat dell’Isis di Tolmezzo). Otto voci che per l’occasione saranno  guidate da Manuel Buttus, attore con Giorgio Monte del Teatrino del Rifo, che a suo tempo lavorò intensamente al fianco di Zanier, valorizzandone soprattutto la vena drammaturgica e scenica.</span></p>\r\n<p style=\"text-align: justify;\">Il tema dei “confini”, su cui Zanier concentrò gran parte della sua sensibilità civile e politica, sarà al centro del lavoro, esito finale di un fitto laboratorio di preparazione, concentrato in una settimana sempre nello spazio di via Manin.  «Sarà una sorpresa – spiega Buttus- in cui si cercherà di incrociare la libertà del pensiero di Leo con lo sguardo dei giovani di oggi e con le loro reazioni ad una parola poetica spesso sconosciuta».\r\nUn ricordo originale e nuovo, dunque, in cui conteranno la freschezza e la leggerezza dei ragazzi, protagonisti di un modo non celebrativo di fare teatro che a Zanier, innamorato della vita e refrattario alla retorica, sarebbe certamente piaciuto. Intanto, per i promotori di “Akrópolis off”  (Gianni Cianchi, Valter Colle, Fabiana Dallavalle, Angela Felice, Massimo Somaglino,Vittorio Vella) è l’inizio sperimentale di uno dei tanti percorsi in cantiere, che in questo caso, dopo l’omaggio a Zanier, intende dedicare la sua attenzione alle grandi voci della poesia, non solo friulana, coinvolgendo soprattutto i giovani in un insolito viaggio letterario.</p>\r\n&nbsp;','AKROPOLIS OFF.Omaggio a Leonardo Zanier (15.9.2017)','','publish','closed','closed','','akropolis-off-omaggio-a-leonardo-zanier-15-9-2017','','','2017-09-13 12:09:05','2017-09-13 11:09:05','',0,'http://www.teatroclubudine.it/?p=5383',0,'post','',0),
	(5379,2,'2017-09-05 00:05:17','2017-09-04 23:05:17','','Palazzo Mantica','','inherit','closed','closed','','palazzo-mantica','','','2017-09-05 00:05:17','2017-09-04 23:05:17','',5377,'http://www.teatroclubudine.it/wp-content/uploads/2017/09/Palazzo-Mantica.jpg',0,'attachment','image/jpeg',0),
	(5380,2,'2017-09-05 00:01:47','2017-09-04 23:01:47','<p align=\"center\"><strong>“Akrópolis off” in via Manin 18</strong></p>\n<p align=\"center\"><strong>Nasce a Udine una nuova proposta culturale, grazie alla sinergia tra il Teatro Club Udine,\ni giovani del Palio Teatrale Studentesco e la Società Filologica Friulana</strong></p>\n<p style=\"text-align: justify;\">Una nuova proposta culturale è nata a Udine, all’interno del <strong>Teatro Club</strong>, storica realtà teatrale cittadina, grazie alla collaborazione con la <strong>Società Filologica Friulana</strong>, che ha messo a disposizione lo spazio della “<em>Cjanive”   </em>di via Manin 18. “Akrópolis off”: questo il nome del neonato gruppo di lavoro, in cui “off” sta per “officina” , come precisano i sei ideatori e animatori dell’iniziativa, <strong>Gianni Cianchi, Valter Colle, Fabiana Dallavalle, Angela Felice, Massimo Somaglino e Vittorio Vella</strong>.\n«Officina, appunto, o anche libera palestra di idee  per guardare lontano – dichiarano all’unisono – in cui la città di Udine possa ritrovarsi in modo continuativo per riflettere su se stessa, capire dove sta andando in campo culturale, animare momenti di incontro e di conoscenza, discutere la propria identità attuale, al bivio tra il passato e le sfide del futuro. E, a proposito di futuro, un occhio speciale sarà dedicato ai giovani, che così possano avere una casa di riferimento e lì poter esprimere quella creatività che sprigionano al Palio Teatrale Studentesco».</p>\n<p style=\"text-align: justify;\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2017/05/I-nipoti-di-zio-Bonaldo.jpg\"><img class=\"aligncenter size-full wp-image-4400\" title=\"I nipoti di zio Bonaldo\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2017/05/I-nipoti-di-zio-Bonaldo.jpg\" alt=\"\" width=\"888\" height=\"500\" /></a></p>\n<p style=\"text-align: justify;\">\nTanti, dunque, i progetti in cantiere che saranno varati a partire dal prossimo autunno, con appuntamenti periodici che saranno resi noti anche in un imminente momento di presentazione pubblica.\nIntanto, come progetti da numero zero, aperti su invito solo a un ristretto gruppo di osservatori, sono tre le iniziative in programma nel mese di settembre. Si è già partiti <strong>il 1 settembre</strong> con la serata “oilaPalio”, in cui cinque gruppi giovanili usciti dal Palio Teatrale Studentesco (CCFT, Retroscena!, attOroni, Laboratorio Prepaliamoci, Campus Grigrì dei Matearium) hanno messo a confronto alcuni frammenti del loro lavoro, all’insegna dello scambio di esperienze e idee.\nAncora i giovani saranno i protagonisti del secondo incontro, in programma <strong>il 15 settembre</strong>, in cui dieci ragazzi, selezionati tra i gruppi dell’ultimo Palio Studentesco, proporranno gli esiti di un laboratorio tenuto dall’attore Manuel Buttus del Teatrino del Rifo sull’opera, soprattutto teatrale, del poeta carnico Leonardo Zanier. Sarà un modo originale e fresco per rendere omaggio a una grande voce della letteratura friulana e insieme l’inizio di un percorso di attenzione alla storia e alla cultura locali.\nIl programma , infine, si concluderà <strong>venerdì 22</strong> con la prima puntata sperimentale di “RadiOblò” che, secondo la formula di una trasmissione radiofonica, con ospiti, rubriche fisse, siparietti e momenti di confronto, intende fare il punto di volta in volta sui tanti temi culturali della vita cittadina, come l’editoria, l’informazione, l’offerta teatrale e museale o gli spazi. Ancora top secret l’argomento della prima puntata, che varrà come rodaggio di un format da calibrare in progress, anche in vista della sua diffusione futura su piattaforme audiovisive.</p>','Al via \"Akròpolis off\" in via Manin 18 a Udine','','inherit','closed','closed','','5377-revision','','','2017-09-05 00:01:47','2017-09-04 23:01:47','',5377,'http://www.teatroclubudine.it/5380-5377-revision/',0,'revision','',0),
	(5381,2,'2017-09-05 00:05:46','2017-09-04 23:05:46','<p align=\"center\"><strong>“Akrópolis off” in via Manin 18</strong></p>\r\n<p align=\"center\"><strong>Nasce a Udine una nuova proposta culturale, grazie alla sinergia tra il Teatro Club Udine,\r\ni giovani del Palio Teatrale Studentesco e la Società Filologica Friulana</strong></p>\r\n<p style=\"text-align: justify;\">Una nuova proposta culturale è nata a Udine, all’interno del <strong>Teatro Club</strong>, storica realtà teatrale cittadina, grazie alla collaborazione con la <strong>Società Filologica Friulana</strong>, che ha messo a disposizione lo spazio della “<em>Cjanive”   </em>di via Manin 18. “Akrópolis off”: questo il nome del neonato gruppo di lavoro, in cui “off” sta per “officina” , come precisano i sei ideatori e animatori dell’iniziativa, <strong>Gianni Cianchi, Valter Colle, Fabiana Dallavalle, Angela Felice, Massimo Somaglino e Vittorio Vella</strong>.\r\n«Officina, appunto, o anche libera palestra di idee  per guardare lontano – dichiarano all’unisono – in cui la città di Udine possa ritrovarsi in modo continuativo per riflettere su se stessa, capire dove sta andando in campo culturale, animare momenti di incontro e di conoscenza, discutere la propria identità attuale, al bivio tra il passato e le sfide del futuro. E, a proposito di futuro, un occhio speciale sarà dedicato ai giovani, che così possano avere una casa di riferimento e lì poter esprimere quella creatività che sprigionano al Palio Teatrale Studentesco».</p>\r\n<p style=\"text-align: justify;\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2017/05/I-nipoti-di-zio-Bonaldo.jpg\"><img class=\"aligncenter size-full wp-image-4400\" title=\"I nipoti di zio Bonaldo\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2017/05/I-nipoti-di-zio-Bonaldo.jpg\" alt=\"\" width=\"888\" height=\"500\" /></a></p>\r\n<p style=\"text-align: justify;\">\r\nTanti, dunque, i progetti in cantiere che saranno varati a partire dal prossimo autunno, con appuntamenti periodici che saranno resi noti anche in un imminente momento di presentazione pubblica.\r\nIntanto, come progetti da numero zero, aperti su invito solo a un ristretto gruppo di osservatori, sono tre le iniziative in programma nel mese di settembre. Si è già partiti <strong>il 1 settembre</strong> con la serata “oilaPalio”, in cui cinque gruppi giovanili usciti dal Palio Teatrale Studentesco (CCFT, Retroscena!, attOroni, Laboratorio Prepaliamoci, Campus Grigrì dei Matearium) hanno messo a confronto alcuni frammenti del loro lavoro, all’insegna dello scambio di esperienze e idee.\r\nAncora i giovani saranno i protagonisti del secondo incontro, in programma <strong>il 15 settembre</strong>, in cui dieci ragazzi, selezionati tra i gruppi dell’ultimo Palio Studentesco, proporranno gli esiti di un laboratorio tenuto dall’attore Manuel Buttus del Teatrino del Rifo sull’opera, soprattutto teatrale, del poeta carnico Leonardo Zanier. Sarà un modo originale e fresco per rendere omaggio a una grande voce della letteratura friulana e insieme l’inizio di un percorso di attenzione alla storia e alla cultura locali.\r\nIl programma , infine, si concluderà <strong>venerdì 22</strong> con la prima puntata sperimentale di “RadiOblò” che, secondo la formula di una trasmissione radiofonica, con ospiti, rubriche fisse, siparietti e momenti di confronto, intende fare il punto di volta in volta sui tanti temi culturali della vita cittadina, come l’editoria, l’informazione, l’offerta teatrale e museale o gli spazi. Ancora top secret l’argomento della prima puntata, che varrà come rodaggio di un format da calibrare in progress, anche in vista della sua diffusione futura su piattaforme audiovisive.</p>','Al via \"Akròpolis off\" in via Manin 18 a Udine','','inherit','closed','closed','','5377-revision-2','','','2017-09-05 00:05:46','2017-09-04 23:05:46','',5377,'http://www.teatroclubudine.it/5381-5377-revision-2/',0,'revision','',0),
	(5382,2,'2017-09-05 00:08:04','2017-09-04 23:08:04','<p align=\"center\"><strong>“Akrópolis off” in via Manin 18</strong></p>\n<p align=\"center\"><strong>Nasce a Udine una nuova proposta culturale, grazie alla sinergia tra il Teatro Club Udine,\ni giovani del Palio Teatrale Studentesco e la Società Filologica Friulana</strong></p>\n<p style=\"text-align: justify;\">Una nuova proposta culturale è nata a Udine, all’interno del <strong>Teatro Club</strong>, storica realtà teatrale cittadina, grazie alla collaborazione con la <strong>Società Filologica Friulana</strong>, che ha messo a disposizione lo spazio della “<em>Cjanive”   </em>di via Manin 18. “Akrópolis off”: questo il nome del neonato gruppo di lavoro, in cui “off” sta per “officina” , come precisano i sei ideatori e animatori dell’iniziativa, <strong>Gianni Cianchi, Valter Colle, Fabiana Dallavalle, Angela Felice, Massimo Somaglino e Vittorio Vella</strong>.\n«Officina, appunto, o anche libera palestra di idee  per guardare lontano – dichiarano all’unisono – in cui la città di Udine possa ritrovarsi in modo continuativo per riflettere su se stessa, capire dove sta andando in campo culturale, animare momenti di incontro e di conoscenza, discutere la propria identità attuale, al bivio tra il passato e le sfide del futuro. E, a proposito di futuro, un occhio speciale sarà dedicato ai giovani, che così possano avere una casa di riferimento e lì poter esprimere quella creatività che sprigionano al Palio Teatrale Studentesco».</p>\n<p style=\"text-align: justify;\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2017/05/I-nipoti-di-zio-Bonaldo.jpg\"><img class=\"aligncenter size-full wp-image-4400\" title=\"I nipoti di zio Bonaldo\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2017/05/I-nipoti-di-zio-Bonaldo.jpg\" alt=\"\" width=\"888\" height=\"500\" /></a></p>\n<p style=\"text-align: justify;\">Tanti, dunque, i progetti in cantiere che saranno varati a partire dal prossimo autunno, con appuntamenti periodici che saranno resi noti anche in un imminente momento di presentazione pubblica.\nIntanto, come progetti da numero zero, aperti su invito solo a un ristretto gruppo di osservatori, sono tre le iniziative in programma nel mese di settembre. Si è già partiti <strong>il 1 settembre</strong> con la serata “oilaPalio”, in cui cinque gruppi giovanili usciti dal Palio Teatrale Studentesco (CCFT, Retroscena!, attOroni, Laboratorio Prepaliamoci, Campus Grigrì dei Matearium) hanno messo a confronto alcuni frammenti del loro lavoro, all’insegna dello scambio di esperienze e idee.\nAncora i giovani saranno i protagonisti del secondo incontro, in programma <strong>il 15 settembre</strong>, in cui dieci ragazzi, selezionati tra i gruppi dell’ultimo Palio Studentesco, proporranno gli esiti di un laboratorio tenuto dall’attore Manuel Buttus del Teatrino del Rifo sull’opera, soprattutto teatrale, del poeta carnico Leonardo Zanier. Sarà un modo originale e fresco per rendere omaggio a una grande voce della letteratura friulana e insieme l’inizio di un percorso di attenzione alla storia e alla cultura locali.\nIl programma , infine, si concluderà <strong>venerdì 22</strong> con la prima puntata sperimentale di “RadiOblò” che, secondo la formula di una trasmissione radiofonica, con ospiti, rubriche fisse, siparietti e momenti di confronto, intende fare il punto di volta in volta sui tanti temi culturali della vita cittadina, come l’editoria, l’informazione, l’offerta teatrale e museale o gli spazi. Ancora top secret l’argomento della prima puntata, che varrà come rodaggio di un format da calibrare in progress, anche in vista della sua diffusione futura su piattaforme audiovisive.</p>','Al via \"Akròpolis off\" in via Manin 18 a Udine','','inherit','closed','closed','','5377-autosave','','','2017-09-05 00:08:04','2017-09-04 23:08:04','',5377,'http://www.teatroclubudine.it/5382-5377-autosave/',0,'revision','',0),
	(5385,2,'2017-09-13 12:05:32','2017-09-13 11:05:32','','Leonardo-Zanier-3c.Thumb_HighlightCenter169324','','inherit','closed','closed','','leonardo-zanier-3c-thumb_highlightcenter169324','','','2017-09-13 12:05:32','2017-09-13 11:05:32','',5383,'http://www.teatroclubudine.it/wp-content/uploads/2017/09/Leonardo-Zanier-3c.Thumb_HighlightCenter169324.jpg',0,'attachment','image/jpeg',0),
	(5386,2,'2017-09-13 12:08:09','2017-09-13 11:08:09','<p align=\"center\"><strong>Teatro Club Udine</strong>\nin collaborazione con  <strong>Società Filologica Friulana</strong><strong> </strong></p>\n<p align=\"center\"><strong>AKRÓPOLIS OFF</strong></p>\n\n<h2 align=\"center\"><strong><span style=\"color: #ff0000;\">OMAGGIO A LEONARDO ZANIER</span>\n</strong><strong> </strong></h2>\n<p align=\"center\"><strong>venerdì 15 settembre 2017 │ore 19.30\nvia Manin 18\n“Cjanive” Società Filologica Friulana │ Udine</strong><strong> </strong></p>\n<p align=\"center\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2017/09/Leonardo-Zanier-3c.Thumb_HighlightCenter169324.jpg\"><img class=\"aligncenter size-full wp-image-5385\" title=\"Leonardo-Zanier-3c.Thumb_HighlightCenter169324\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2017/09/Leonardo-Zanier-3c.Thumb_HighlightCenter169324.jpg\" alt=\"\" width=\"720\" height=\"477\" /></a></p>\n<p align=\"center\"><strong>Al via i percorsi di poesia di Akrópolis off\ncon un omaggio speciale a Leonardo Zanier\ncon i ragazzi del Palio Teatrale Studentesco guidati da Manuel Buttus del Teatrino Del Rifo</strong></p>\n<p style=\"text-align: justify;\"><span style=\"text-align: justify;\">Secondo appuntamento per “Akrópolis off”, il nuovo progetto del Teatro Club Udine pensato in collaborazione con la Società Filologica Friulana per la “cjanive” di via Manin 18. Venerdì 15 settembre, alle ore 19.30, a porte chiuse e rigorosamente su invito, sarà proposto infatti un omaggio speciale al poeta Leonardo Zanier,  a pochi mesi dalla scomparsa e a ridosso del suo compleanno.  A riportare in vita la parola e l’impegno del grande Leo saranno otto giovanissimi interpreti, selezionati dai gruppi del Palio Teatrale Studentesco (Diletta Feruglio del “Marinelli”, Matilde Forte e Margherita Tempo  dello “Stellini”, Valentina Marano del “Copernico”, Harvey Ramachandran  dello “Stringher”,  Mara Teresa Vicario del “Percoto”, Giovanni Wiederhoffer del “Malignani”, Maria Mongiat dell’Isis di Tolmezzo). Otto voci che per l’occasione saranno  guidate da Manuel Buttus, attore con Giorgio Monte del Teatrino del Rifo, che a suo tempo lavorò intensamente al fianco di Zanier, valorizzandone soprattutto la vena drammaturgica e scenica.</span></p>\n<p style=\"text-align: justify;\">Il tema dei “confini”, su cui Zanier concentrò gran parte della sua sensibilità civile e politica, sarà al centro del lavoro, esito finale di un fitto laboratorio di preparazione, concentrato in una settimana sempre nello spazio di via Manin.  «Sarà una sorpresa – spiega Buttus- in cui si cercherà di incrociare la libertà del pensiero di Leo con lo sguardo dei giovani di oggi e con le loro reazioni ad una parola poetica spesso sconosciuta».\nUn ricordo originale e nuovo, dunque, in cui conteranno la freschezza e la leggerezza dei ragazzi, protagonisti di un modo non celebrativo di fare teatro che a Zanier, innamorato della vita e refrattario alla retorica, sarebbe certamente piaciuto. Intanto, per i promotori di “Akrópolis off”  (Gianni Cianchi, Valter Colle, Fabiana Dallavalle, Angela Felice, Massimo Somaglino,Vittorio Vella) è l’inizio sperimentale di uno dei tanti percorsi in cantiere, che in questo caso, dopo l’omaggio a Zanier, intende dedicare la sua attenzione alle grandi voci della poesia, non solo friulana, coinvolgendo soprattutto i giovani in un insolito viaggio letterario.</p>\n&nbsp;','AKROPOLIS OFF.Omaggio a Leonardo Zanier (15.9.2017)','','inherit','closed','closed','','5383-revision','','','2017-09-13 12:08:09','2017-09-13 11:08:09','',5383,'http://www.teatroclubudine.it/5386-5383-revision/',0,'revision','',0),
	(5387,2,'2017-09-13 12:10:08','2017-09-13 11:10:08','<p align=\"center\"><strong>Teatro Club Udine</strong>\nin collaborazione con  <strong>Società Filologica Friulana</strong><strong> </strong></p>\n<p align=\"center\"><strong>AKRÓPOLIS OFF</strong></p>\n\n<h2 align=\"center\"><strong><span style=\"color: #ff0000;\">OMAGGIO A LEONARDO ZANIER</span>\n</strong><strong> </strong></h2>\n<p align=\"center\"><strong>venerdì 15 settembre 2017 │ore 19.30\nvia Manin 18\n“Cjanive” Società Filologica Friulana │ Udine</strong><strong> </strong></p>\n<p align=\"center\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2017/09/Leonardo-Zanier-3c.Thumb_HighlightCenter169324.jpg\"><img class=\"aligncenter size-full wp-image-5385\" title=\"Leonardo-Zanier-3c.Thumb_HighlightCenter169324\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2017/09/Leonardo-Zanier-3c.Thumb_HighlightCenter169324.jpg\" alt=\"\" width=\"720\" height=\"477\" /></a></p>\n<p align=\"center\"><strong>Al via i percorsi di poesia di Akrópolis off\ncon un omaggio speciale a Leonardo Zanier\ncon i ragazzi del Palio Teatrale Studentesco guidati da Manuel Buttus del Teatrino Del Rifo</strong></p>\n<p style=\"text-align: justify;\"><span style=\"text-align: justify;\">Secondo appuntamento per “Akrópolis off”, il nuovo progetto del Teatro Club Udine pensato in collaborazione con la Società Filologica Friulana per la “cjanive” di via Manin 18. Venerdì 15 settembre, alle ore 19.30, a porte chiuse e rigorosamente su invito, sarà proposto infatti un omaggio speciale al poeta Leonardo Zanier,  a pochi mesi dalla scomparsa e a ridosso del suo compleanno.  A riportare in vita la parola e l’impegno del grande Leo saranno otto giovanissimi interpreti, selezionati dai gruppi del Palio Teatrale Studentesco (Diletta Feruglio del “Marinelli”, Matilde Forte e Margherita Tempo  dello “Stellini”, Valentina Marano del “Copernico”, Harvey Ramachandran  dello “Stringher”,  Mara Teresa Vicario del “Percoto”, Giovanni Wiederhoffer del “Malignani”, Maria Mongiat dell’Isis di Tolmezzo). Otto voci che per l’occasione saranno  guidate da Manuel Buttus, attore con Giorgio Monte del Teatrino del Rifo, che a suo tempo lavorò intensamente al fianco di Zanier, valorizzandone soprattutto la vena drammaturgica e scenica.</span></p>\n<p style=\"text-align: justify;\">Il tema dei “confini”, su cui Zanier concentrò gran parte della sua sensibilità civile e politica, sarà al centro del lavoro, esito finale di un fitto laboratorio di preparazione, concentrato in una settimana sempre nello spazio di via Manin.  «Sarà una sorpresa – spiega Buttus- in cui si cercherà di incrociare la libertà del pensiero di Leo con lo sguardo dei giovani di oggi e con le loro reazioni ad una parola poetica spesso sconosciuta».\nUn ricordo originale e nuovo, dunque, in cui conteranno la freschezza e la leggerezza dei ragazzi, protagonisti di un modo non celebrativo di fare teatro che a Zanier, innamorato della vita e refrattario alla retorica, sarebbe certamente piaciuto. Intanto, per i promotori di “Akrópolis off”  (Gianni Cianchi, Valter Colle, Fabiana Dallavalle, Angela Felice, Massimo Somaglino,Vittorio Vella) è l’inizio sperimentale di uno dei tanti percorsi in cantiere, che in questo caso, dopo l’omaggio a Zanier, intende dedicare la sua attenzione alle grandi voci della poesia, non solo friulana, coinvolgendo soprattutto i giovani in un insolito viaggio letterario.</p>\n&nbsp;','AKROPOLIS OFF. Omaggio a Leonardo Zanier (15.9.2017)','','inherit','closed','closed','','5383-autosave','','','2017-09-13 12:10:08','2017-09-13 11:10:08','',5383,'http://www.teatroclubudine.it/5387-5383-autosave/',0,'revision','',0),
	(5388,2,'2017-09-01 12:10:46','2017-09-01 11:10:46','<p style=\"text-align: justify;\" align=\"center\">Ecco il programma della prima puntata del progetto Akrópolis off, pensato dal Teatro Club per lo spazio di via Manin 18 messo a disposizione esclusiva dalla Società Filologica Friulana. Un progetto che si connota per la particolare attenzione ai giovani, specie usciti dalla fucina del Palio Teatrale Studentesco, che quelli dei cinque gruppi che infatti proporranno alcuni frammenti del loro lavoro e che animeranno il primo appuntamento del nuovo programma, che ha tutte  le gambe e le intenzioni per la sua prosecuzione futura. A fare la guida le parole del maestro Jerzy Grotowski: «So bene che quando ha inizio la commercializzazione dell’arte si proteggono i maestri. La giustificazione è sempre la solita: “Ma no, noi i maestri li tuteliamo, loro avranno condizioni di lavoro adeguate”.  Quando ero a Opole e all’inizio della nostra attività a Wroclaw, io non ero un maestro. Ero un eccentrico che veniva contestato, un ribelle, uno che introduceva idee sconosciute.  Ebbene, la protezione mi era necessaria allora. Quale protezione ci sarà oggi per coloro che iniziano? Ecco, la questione chiave. Non per i maestri, ma per i futuri maestri, per coloro che iniziano oggi, che sono ancora sconosciuti. Proteggerli vorrà forse dire spingerli a correre da un benefattore all’altro, a concentrarsi sul problema di ottenere pochi spiccioli per poi potersi permettere solo quattro, cinque settimane di lavoro? Oppure si troveranno altre forme che permettano a queste persone di sperimentare un lavoro sistematico, a lungo termine? Per me questo è il punto cruciale: non proteggere i maestri, ma proteggere coloro che sono capaci di intraprendere un lavoro a lungo termine quando non sono ancora maestri».</p>\r\n<p align=\"center\"><strong>Teatro Club Udine\r\n</strong>in collaborazione con Società Filologica Friulana</p>\r\n<p align=\"center\">Progetto Akrópolis off</p>\r\n\r\n<h1 align=\"center\"><span style=\"color: #ff0000;\"><strong>oilaPalio</strong></span></h1>\r\n<p align=\"center\">con i gruppi\r\nRetroscena!, CCFT, atTORONI, Campus GriGrì</p>\r\n<p align=\"center\">incursioni\r\na cura dei ragazzi “Prepaliamoci” di San Daniele del Friuli</p>\r\n<p align=\"center\">venerdì 1 settembre 2017 │ ore 19.30\r\nCjanive │ Società Filologica Friulana\r\nvia Manin 18 │Udine</p>\r\n<p align=\"center\"><strong>PROGRAMMA</strong><strong> </strong></p>\r\n<strong>Retroscena!\r\n</strong>Mai avreste creduto di assistere a una rappresentazione dal vivo del grande attore Narciso Vanesi? Dareste qualsiasi cosa per salire su una macchina del tempo ed essere testimoni del dialogo tra il Papa e Michelangelo che ha dato vita alle meraviglie della Cappella Sistina? Vi affascinano i mitici racconti in cui grandi cavalieri si scontrano in un’allegoria dell’eterna lotta tra il bene e il male? Ebbene i Retroscena, sfruttando la magia del teatro di strada, renderanno possibile l\'impossibile.\r\n\r\nNati nell’estate del 2006, i <strong>RetroScena!</strong> sono una compagnia creatasi grazie alla volontà di alcuni ragazzi di continuare l’esperienza teatrale del Palio di Udine e di sperimentare nuovi spazi diversi dal palcoscenico. Negli anni, con un cast quasi sempre rinnovato e ringiovanito, hanno  portato in scena produzioni sia di propria invenzione, frutto di improvvisazioni su canovaccio, che d’autore. Da anni sono presenti nelle rievocazioni storiche di Gemona del Friuli, Valvasone, Cividale del Friuli, Terzo di Aquileia e Venzone, con sempre nuovi spettacoli da strada poi riadattati per il palcoscenico\r\n\r\n&nbsp;\r\n<p align=\"center\">INCURSIONI (forse)</p>\r\n<strong>CCFT\r\n</strong><em>Le Sorelle Mirabal. </em>Tra il 1930 e il 1961 la Repubblica Dominicana visse sotto la dittatura di Rafael Leónidas Trujillo, un regime militare affermatosi con la forza e la prepotenza di orrendi delitti. Le sorelle Mirabal erano delle ragazze di buona famiglia che - chi per scelta politica e chi perché non tollerava più le ingiustizie del regime-  aderirono al movimento segreto che si opponeva al dittatore. Il loro nome segreto era “las mariposas”, le farfalle. Dopo anni di persecuzione e carcerazioni  furono uccise dagli uomini della polizia segreta di Trujillo in un’imboscata, il 25 novembre 1960; da qui la decisione di celebrare in quel giorno dell’anno la Giornata contro la violenza sulle donne. Il loro assassinio creò grande indignazione e diventò la scintilla che portò alla fine del regime nel 1961.\r\nCome scrisse Pedro Mir, «ciò che è necessariamente debole, è necessariamente forte». Così un regime crollò per la morte di alcune “Farfalle”.\r\n\r\nI <strong>CCFT ExPalio</strong> sono nati nel 2009 con l’intento di raccogliere i ragazzi usciti dall’esperienza del Palio. Agli attori paliensi  col tempo si sono uniti anche alcuni universitari alla prima esperienza teatrale. Ogni anno, nella prima fase di laboratorio aperta a tutti, il gruppo impara a conoscersi e a mescolare le proprie esperienze. Parallelamente vengono proposti e letti dei testi che vengono discussi da tutto il gruppo e che poi vengono messi ai voti. Con la scelta del testo, a gennaio, il gruppo si compatta e inizia il lavoro di allestimento.  «Ricorda - dicono-  se il prossimo anno esci dalle superiori e hai nostalgia del Palio, noi siamo qui e ti aspettiamo! Scrivi a info.ccft@gmail.com oppure visita la pagina Facebook CCFT e tieniti informato!».\r\n<p align=\"center\"><span style=\"text-decoration: underline;\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2017/05/I-Retroscena.jpg\"><img class=\"size-full wp-image-4193\" title=\"I Retroscena\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2017/05/I-Retroscena.jpg\" alt=\"\" width=\"1055\" height=\"500\" /></a>[/caption]</span></p>\r\n<p align=\"center\">INCURSIONI (forse)</p>\r\n<strong>atTORONI\r\n</strong>con Nicola Antoniutti, Anna Bagatto, Sonia Castro, Alessandro Ciciliot, Dario Comisini, Giulia Cosolo, Arianna Di Luch, Giovanni Folena, Chiara Peloso, Gaia Ziraldo\r\n<em>Melanomiasistinafrrrvvv. </em>Che c\'è? L\'hai vista? Chi? Chi? Corte, no? Perché? Sì, l\'ho vista. Anch\'io l\'ho vista! Dite una cosa, avete notato che...? Che cosa? Eh, osservatela, non è mica più come al solito! Che cosa ha? Non sta bene? Che cosa avrebbe? Signori miei, si tratta di... melanomiasistinaffrstt. Cosa? Melanomiasistinafrrrvvv! Che bella parola, anche così incompleta! Bellissima! E lei sa? Dorme ancora, ma non mi pare che si renda conto di quello che le sta capitando. Impossibile, nessuno lo sa ancora! Non possiamo fare qualcosa per lei? Prima che sulle sue palpebre si stenda l\'ombra …\r\nChe parola però... Melanomiasistinafrrrvvv... Ogni volta diventa più magnifica!\r\n\r\nGli <strong>atTORONI</strong> è il gruppo teatrale dell’Associazione Culturale Officine d’Autore di San Daniele del Friuli. I membri della compagnia, formatasi nel 2015, hanno tutti in comune l’esperienza nel gruppo teatrale dell’I.S.I.S. “V. Manzini” (sempre di San Daniele), e in questi anni hanno avuto modo di lavorare sul linguaggio comico di Dario Fo e dei Monty Python, sul teatro di strada nell’ambito delle rievocazioni medioevali regionali e sul racconto dell’assurdo di Dino Buzzati, da cui <em>Melanomiasistinafrrrvvv  </em>è tratto.\r\n<p align=\"center\">INCURSIONI (forse)</p>\r\n<p align=\"left\"><strong>Servi di Scena\r\n<em>Grigrì</em>  performance\r\n</strong>Il Grigrì, un amuleto che risale a riti magici, serve ad attrarre la fortuna e a proteggere dalla malasorte; è un\'onomatopea che ricorda il verso del grillo ed è il nome del primo Campus Teatrale per giovani attori, anche paliensi,  organizzato dall’Associazione <strong>Servi di Scena</strong>.  Durante i quattro  giorni intensivi del Campus una decina di aspiranti attori hanno partecipato a laboratori di maschera, di cucina, di Tango, di composizione scenica e d\'iconografia. L\'esperienza ha dato vita a una performance che parla di fuoco, ritualità, attesa e ciclicità del tempo. In occasione di “oilaPalio” proporranno un estratto da questo studio.\r\n«Un matematico in fuga dalla sua famiglia, un pescatore fallito alla ricerca di fortuna, una ragioniera guerrafondaia che vuole lanciarsi nella lotta con il coltello tra i denti, un maestro di capohera che vuole convertire gli invasori alla capohera, un\'appassionata di lettura che sa che questo è il luogo ideale per stare con i suoi libri, perché tanto qua non accade mai nulla. Questo è l\'esercito | non esercito che si prepara per affrontare una minaccia che forse non esiste».\r\n[Frammento tratto dal laboratorio di scrittura realizzato durante il Campus <em>Grigrì</em>]</p>\r\n&nbsp;\r\n\r\n&nbsp;','AKROPOLIS OFF: prima puntata \"oliaPalio\" (1.9.2017)','','publish','closed','closed','','5388','','','2017-09-13 12:26:43','2017-09-13 11:26:43','',0,'http://www.teatroclubudine.it/?p=5388',0,'post','',0),
	(5390,2,'2017-09-13 12:22:48','2017-09-13 11:22:48','<p style=\"text-align: justify;\" align=\"center\">Ecco il programma della prima puntata del progetto Akrópolis off, pensato dal Teatro Club per lo spazio di via Manin 18 messo a disposizione esclusiva dalla Società Filologica Friulana. Un progetto che si connota per la particolare attenzione ai giovani, specie usciti dalla fucina del Palio Teatrale Studentesco, che quelli dei cinque gruppi che infatti proporranno alcuni frammenti del loro lavoro e che animeranno il primo appuntamento del nuov programma, che ha le gambe per la sua prosecuzione futura.</p>\n<p align=\"center\"><strong>Teatro Club Udine\n</strong>in collaborazione con Società Filologica Friulana</p>\n<p align=\"center\">Progetto Akrópolis off</p>\n\n<h1 align=\"center\"><span style=\"color: #ff0000;\"><strong>oilaPalio</strong></span></h1>\n<p align=\"center\">con i gruppi\nRetroscena!, CCFT, atTORONI, Campus GriGrì</p>\n<p align=\"center\">incursioni\na cura dei ragazzi “Prepaliamoci” di San Daniele del Friuli</p>\n<p align=\"center\">venerdì 1 settembre 2017 │ ore 19.30\nCjanive │ Società Filologica Friulana\nvia Manin 18 │Udine</p>\n<p align=\"center\"><strong>PROGRAMMA</strong><strong> </strong></p>\n<strong>Retroscena!\n</strong>Mai avreste creduto di assistere a una rappresentazione dal vivo del grande attore Narciso Vanesi? Dareste qualsiasi cosa per salire su una macchina del tempo ed essere testimoni del dialogo tra il Papa e Michelangelo che ha dato vita alle meraviglie della Cappella Sistina? Vi affascinano i mitici racconti in cui grandi cavalieri si scontrano in un’allegoria dell’eterna lotta tra il bene e il male? Ebbene i Retroscena, sfruttando la magia del teatro di strada, renderanno possibile l\'impossibile.\n\nNati nell’estate del 2006, i <strong>RetroScena!</strong> sono una compagnia creatasi grazie alla volontà di alcuni ragazzi di continuare l’esperienza teatrale del Palio di Udine e di sperimentare nuovi spazi diversi dal palcoscenico. Negli anni, con un cast quasi sempre rinnovato e ringiovanito, hanno  portato in scena produzioni sia di propria invenzione, frutto di improvvisazioni su canovaccio, che d’autore. Da anni sono presenti nelle rievocazioni storiche di Gemona del Friuli, Valvasone, Cividale del Friuli, Terzo di Aquileia e Venzone, con sempre nuovi spettacoli da strada poi riadattati per il palcoscenico\n\n&nbsp;\n<p align=\"center\">INCURSIONI (forse)</p>\n<strong>CCFT\n</strong><em>Le Sorelle Mirabal. </em>Tra il 1930 e il 1961 la Repubblica Dominicana visse sotto la dittatura di Rafael Leónidas Trujillo, un regime militare affermatosi con la forza e la prepotenza di orrendi delitti. Le sorelle Mirabal erano delle ragazze di buona famiglia che - chi per scelta politica e chi perché non tollerava più le ingiustizie del regime-  aderirono al movimento segreto che si opponeva al dittatore. Il loro nome segreto era “las mariposas”, le farfalle. Dopo anni di persecuzione e carcerazioni  furono uccise dagli uomini della polizia segreta di Trujillo in un’imboscata, il 25 novembre 1960; da qui la decisione di celebrare in quel giorno dell’anno la Giornata contro la violenza sulle donne. Il loro assassinio creò grande indignazione e diventò la scintilla che portò alla fine del regime nel 1961.\nCome scrisse Pedro Mir, «ciò che è necessariamente debole, è necessariamente forte». Così un regime crollò per la morte di alcune “Farfalle”.\n\nI <strong>CCFT ExPalio</strong> sono nati nel 2009 con l’intento di raccogliere i ragazzi usciti dall’esperienza del Palio. Agli attori paliensi  col tempo si sono uniti anche alcuni universitari alla prima esperienza teatrale. Ogni anno, nella prima fase di laboratorio aperta a tutti, il gruppo impara a conoscersi e a mescolare le proprie esperienze. Parallelamente vengono proposti e letti dei testi che vengono discussi da tutto il gruppo e che poi vengono messi ai voti. Con la scelta del testo, a gennaio, il gruppo si compatta e inizia il lavoro di allestimento.  «Ricorda - dicono-  se il prossimo anno esci dalle superiori e hai nostalgia del Palio, noi siamo qui e ti aspettiamo! Scrivi a info.ccft@gmail.com oppure visita la pagina Facebook CCFT e tieniti informato!».\n<p align=\"center\"><span style=\"text-decoration: underline;\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2017/05/I-Retroscena.jpg\"><img class=\"size-full wp-image-4193\" title=\"I Retroscena\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2017/05/I-Retroscena.jpg\" alt=\"\" width=\"1055\" height=\"500\" /></a>[/caption]</span></p>\n<p align=\"center\">INCURSIONI (forse)</p>\n<strong>atTORONI\n</strong>con Nicola Antoniutti, Anna Bagatto, Sonia Castro, Alessandro Ciciliot, Dario Comisini, Giulia Cosolo, Arianna Di Luch, Giovanni Folena, Chiara Peloso, Gaia Ziraldo\n<em>Melanomiasistinafrrrvvv. </em>Che c\'è? L\'hai vista? Chi? Chi? Corte, no? Perché? Sì, l\'ho vista. Anch\'io l\'ho vista! Dite una cosa, avete notato che...? Che cosa? Eh, osservatela, non è mica più come al solito! Che cosa ha? Non sta bene? Che cosa avrebbe? Signori miei, si tratta di... melanomiasistinaffrstt. Cosa? Melanomiasistinafrrrvvv! Che bella parola, anche così incompleta! Bellissima! E lei sa? Dorme ancora, ma non mi pare che si renda conto di quello che le sta capitando. Impossibile, nessuno lo sa ancora! Non possiamo fare qualcosa per lei? Prima che sulle sue palpebre si stenda l\'ombra …\nChe parola però... Melanomiasistinafrrrvvv... Ogni volta diventa più magnifica!\n\nGli <strong>atTORONI</strong> è il gruppo teatrale dell’Associazione Culturale Officine d’Autore di San Daniele del Friuli. I membri della compagnia, formatasi nel 2015, hanno tutti in comune l’esperienza nel gruppo teatrale dell’I.S.I.S. “V. Manzini” (sempre di San Daniele), e in questi anni hanno avuto modo di lavorare sul linguaggio comico di Dario Fo e dei Monty Python, sul teatro di strada nell’ambito delle rievocazioni medioevali regionali e sul racconto dell’assurdo di Dino Buzzati, da cui <em>Melanomiasistinafrrrvvv  </em>è tratto.\n<p align=\"center\">INCURSIONI (forse)</p>\n<p align=\"left\"><strong>Servi di Scena\n<em>Grigrì</em>  performance\n</strong>Il Grigrì, un amuleto che risale a riti magici, serve ad attrarre la fortuna e a proteggere dalla malasorte; è un\'onomatopea che ricorda il verso del grillo ed è il nome del primo Campus Teatrale per giovani attori, anche paliensi,  organizzato dall’Associazione <strong>Servi di Scena</strong>.  Durante i quattro  giorni intensivi del Campus una decina di aspiranti attori hanno partecipato a laboratori di maschera, di cucina, di Tango, di composizione scenica e d\'iconografia. L\'esperienza ha dato vita a una performance che parla di fuoco, ritualità, attesa e ciclicità del tempo. In occasione di “oilaPalio” proporranno un estratto da questo studio.\n«Un matematico in fuga dalla sua famiglia, un pescatore fallito alla ricerca di fortuna, una ragioniera guerrafondaia che vuole lanciarsi nella lotta con il coltello tra i denti, un maestro di capohera che vuole convertire gli invasori alla capohera, un\'appassionata di lettura che sa che questo è il luogo ideale per stare con i suoi libri, perché tanto qua non accade mai nulla. Questo è l\'esercito | non esercito che si prepara per affrontare una minaccia che forse non esiste».\n[Frammento tratto dal laboratorio di scrittura realizzato durante il Campus <em>Grigrì</em>]</p>\n&nbsp;\n\n&nbsp;','','','inherit','closed','closed','','5388-revision','','','2017-09-13 12:22:48','2017-09-13 11:22:48','',5388,'http://www.teatroclubudine.it/5390-5388-revision/',0,'revision','',0),
	(5410,2,'2017-10-25 14:40:35','2017-10-25 13:40:35','Chiesa di Santa Maria dei Battuti\r\nCividale del Friuli\r\ndomenica 22 ottobre › domenica 3 dicembre 2017\r\n\r\nConvitto Nazionale “Paolo Diacono” di Cividale del Friuli\r\nTeatro Club Udine\r\n\r\nin collaborazione con\r\nComune di Cividale del Friuli\r\nÖsterreichische Nationalbibliotheck [Vienna]\r\nCivici Musei e Gallerie di Storia e Arte di Udine│ Fototeca [Udine]\r\nCRAF [Spilimbergo]\r\n\r\n&nbsp;\r\n\r\ncatalogo e allestimento\r\na cura di Angela Felice e Cesare Genuzio\r\n\r\ncon i ragazzi fotografi\r\nMichele Barnaba, Letizia Bon, Sonia Bressan, Mattia Burello, Ottavia Cantarutti, Gioele Costantini,  Teresa De Palma, Benedetta Falato, Chiara Francescatto, Elisabetta Gregorutti, Nico Guerra,\r\nDidi Lian, Regina Mauro, Siria Morassi, Anna Pallavisini, Sara Peressin, Paola Piccini,\r\nLudovica Poiana, Linda Poluzzi, Gaia Simonetto\r\n\r\ncon il contributo dei fotografi\r\nLeonardo Fabris, Davide Harpo Genuzio, Danilo Rommel\r\n\r\nUn ringraziamento a SOMSI di Cividale e a Silvia Bianco, Ludovica Borsatti, Angelo Calanni, Gianni Cianchi, Giovanni Cozzi, Elisa Fassetta, Giannino Fassetta, Luciano Gaudenzio, Walter Liva,  Elisabetta Gottardo, Vittorino Michelutti, Hans Petschar, Marco Rossitti, Alessandra Spangaro, Maria Cristina Tonchia\r\n\r\n&nbsp;\r\n\r\n<strong>orari</strong>\r\n\r\ndomenica 22 ottobre inaugurazione ore 11.30 │apertura fino alle ore 19\r\n\r\nvenerdì 27, sabato 28, domenica  29 ottobre,  mercoledì 1 novembre  ore 10 › 13 │ 15 › 19\r\n\r\nsabato e domenica ore 10 › 13 │ 15 › 19\r\n\r\n&nbsp;\r\n\r\ninfo\r\nInformacittà  0432  710460, informacitta@cividale.net │ www.cividalegrandeguerra.it\r\n\r\n&nbsp;\r\n\r\nLa mostra <strong> ‘017-‘917 Giovani scatti per Caporetto</strong><strong> </strong>è il frutto di un laboratorio di fotografia rivolto ai liceali del Convitto Nazione “Paolo Diacono” di Cividale sul tema della Grande Guerra, con particolare riferimento al’episodio storico della rotta di Caporetto. L’atelier, condotto dal maestro fotografo Cesare  Genuzio, con la supervisione progettuale di Angela Felice, ha coinvolto venti ragazzi, che hanno seguito lezioni preparatorie, hanno perlustrato archivi e fototeche, hanno setacciato i ricordi di famiglia, hanno realizzato infine una sequenza di splendide fotografie, per un confronto temporale  tra le immagini del 1917 e altre scattate oggi, a distanza di cento anni, negli stessi luoghi un tempo teatro di devastazione e dolore umano.\r\n<strong>Cuore della mostra</strong>, pensata per gli spazi della Chiesa  di Santa Maria dei Battuti, è perciò lo spazio centrale isolato nella navata: una sorta da scatola alle cui pareti sono esposti gli scatti perlopiù a colori dei giovani fotografi messi a confronto e in parallelo con le immagini d’epoca in  bianco/nero che hanno fornito la prima suggestione.\r\n\r\nIl resto dello spazio della Chiesa è stato utilizzato invece per l’esposizione del ricco materiale fotografico d’archivio che è servito da traccia per il lavoro.  Si tratta di un  <strong>prezioso repertorio documentale </strong>che proviene da autorevoli Centri preposti alla ricerca e alla catalogazione delle fonti visive di ambito storico, quali il Bildarchiv der  Österreichische Nationalbibliotheck di Vienna, la Fototeca dei Civici Musei e Gallerie di Storia e Arte di Udine e il CRAF di Spilimbergo. In particolare, lungo la parete destra della Chiesa  scorrono in stampe di ampio formato straordinarie fotografie, alcune inedite,  provenienti dell’<strong>Archivio viennese</strong> e utili a far rivivere le condizioni di vita della popolazione friulana al tempo del conflitto.\r\nSulla parete sinistra della navata, sono visibili <strong>cinque scatti realizzati dal fotografo </strong><strong>Danilo Rommel</strong>,  che ha ripercorso oggi la via seguita , tra il 24 e il 27 ottobre 1917, dal bisnonno Erwin, la celebre Volpe del Deserto, e al tempo della Grande Guerra  giovane primo tenente del battaglione Fucilieri da montagna del Württenberg.  A seguire la parete è completata da immagini, sempre provenienti da Vienna, che documentano in particolare due fenomeni conseguenti alla rotta di Caporetto tra il 1917 e il 1918: da un lato, <strong>la fuga della popolazione friulana</strong>; dall’altro, <strong>la</strong> <strong>convivenza </strong>sul territorio tra i residenti rimasti e i soldati occupanti austro-ungarici.\r\n\r\nNello spazio dell’abside, sezionato da pannelli rossi, gioiello per unicità e importanza è sulla sinistra  la sezione relativa ad <strong>Andr</strong><strong>é</strong><strong> Kert</strong><strong>é</strong><strong>sz</strong>, noto perlopiù come fotografo americano, uno dei grandi del \'900, ma in realtà nato in Ungheria e nel 1914 soldato di leva a Gorizia,  da suddito austroungarico. A quell’anno risalgono una serie di fotografie, prestate dal CRAF, che ritraggono alcuni momenti degli inizi di un conflitto che doveva ancora apparire breve e indolore.\r\nDocumento dell’origine della guerra sono anche  quattro fotografie realizzate dal famoso <strong>fotografo triestino Carlo Wulz</strong>  al corteo funebre che si snodò a Trieste il 1 luglio 1914 con le bare dell’arciduca Francesco Ferdinando e della consorte Sofia, uccisi nell\'attentato di Sarajevo e arrivati via mare nella città giuliana per essere trasferiti a Vienna.\r\nUna serie di alcuni scatti esposti sempre nella navata, sui pannelli rossi e alle pareti, esemplifica un gioco di interessanti contrasti negli anni in cui la guerra era ormai avanzata : da un lato (sulla parete esterna di destra) si documenta la <strong>vita “normale” che nel 1917 si teneva a Trieste</strong>, non lambita dal conflitto;  dall’altro, a sinistra, con due <strong>fotografie di Ernesto Battigelli</strong> e di altri fotografi ignoti, si mostra il furore delle battaglie che altrove erano ingaggiate.\r\n<strong>Uno spazio “intimo” a sé</strong>, sulla sinistra, espone infine poche fotografie inedite di soldati italiani uccisi dai gas, rimasti intatti in montagna durante l\'inverno del \'17 e fotografati con il disgelo della primavera del \'18. La posizione è identica a quella dei bambini siriani di Idlib, anche loro uccisi dai gas nell\'aprile 2017 e rimasti paralizzati nell\'archetipo della guerra che si ripete cento anni dopo.   Anche qui dunque un gioco di confronti che, in una esposizione pur restia a proporre immagini di corpi straziati dalla guerra,  sono lasciati alla meditazione dei visitatori.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','‘017-‘917 Giovani scatti per Caporetto - Gli orari della mostra fotografica','','publish','closed','closed','','017-917-giovani-scatti-per-caporetto-gli-orari-della-mostra-fotografica','','','2017-10-25 14:40:35','2017-10-25 13:40:35','',0,'http://www.teatroclubudine.it/?p=5410',0,'post','',0),
	(5400,2,'2017-10-14 08:39:49','2017-10-14 07:39:49','<p align=\"center\"><strong>Convitto Nazionale “Paolo Diacono” di Cividale del Friuli\r\nTeatro Club Udine</strong></p>\r\n<p align=\"center\">in collaborazione con\r\n<strong>Comune di Cividale del Friuli, </strong>Ö<strong>sterreichische Nationalbibliotheck [Vienna]\r\n</strong><strong>Civici Musei e Gallerie di Storia e Arte di Udine│ Fototeca [Udine], C</strong><strong>RAF [Spilimbergo]</strong><strong></strong></p>\r\n&nbsp;\r\n<p align=\"center\">annunciano  la mostra fotografica</p>\r\n\r\n<h1 align=\"center\"><strong>‘017-‘917. Giovani scatti per Caporetto</strong></h1>\r\n<a href=\"http://www.teatroclubudine.it/wp-content/uploads/2017/10/mostra.jpg\"><img class=\"aligncenter size-full wp-image-5402\" title=\"mostra\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2017/10/mostra.jpg\" alt=\"\" width=\"910\" height=\"615\" /></a>\r\n<p align=\"center\"><strong><span style=\"text-decoration: underline;\">INAUGURAZIONE </span></strong></p>\r\n<p align=\"center\"><strong>domenica 22 ottobre 2017 │ore 11.30\r\n</strong>Chiesa di Santa Maria dei Battuti</p>\r\n<p align=\"center\">Cividale del Friuli</p>\r\n<p align=\"center\">interventi\r\n<strong>Angela Zappulla </strong>  assessore alla cultura Comune di Cividale\r\n<strong>Patrizia Pavatti</strong>  rettore Convitto Nazionale “Paolo Diacono”\r\n<strong>Angela Felice</strong> e <strong>Cesare Genuzio</strong>  curatori</p>\r\n<p align=\"center\">momenti musicali\r\n<strong>Ludovica Borsatti</strong> e <strong>Elisa Fassetta</strong></p>\r\n<p align=\"center\">partecipano i ragazzi fotografi\r\n<strong>Michele Barnaba, Letizia Bon, Sonia Bressan, Mattia Burello, Ottavia Cantarutti\r\nGioele Costantini,  Teresa De Palma, Benedetta Falato, </strong><strong> </strong><strong>Chiara Francescatto\r\nElisabetta Gregorutti, Nico Guerra, Didi Lian, Regina Mauro, Siria Morassi\r\nAnna Pallavisini, Sara Peressin, Paola Piccini,  Ludovica Poiana\r\nLinda Poluzzi, Gaia Simonetto</strong></p>\r\n<p align=\"center\"><strong>Info</strong>\r\nInformacittà  0432  710460 │ Teatro Club Udine 0432 507953</p>\r\n&nbsp;\r\n\r\n&nbsp;','‘017-‘917. Giovani scatti per Caporetto','','publish','closed','closed','','017-917-giovani-scatti-per-caporetto','','','2017-10-14 08:41:54','2017-10-14 07:41:54','',0,'http://www.teatroclubudine.it/?p=5400',0,'post','',0),
	(5393,2,'2017-09-13 12:26:33','2017-09-13 11:26:33','<p style=\"text-align: justify;\" align=\"center\">Ecco il programma della prima puntata del progetto Akrópolis off, pensato dal Teatro Club per lo spazio di via Manin 18 messo a disposizione esclusiva dalla Società Filologica Friulana. Un progetto che si connota per la particolare attenzione ai giovani, specie usciti dalla fucina del Palio Teatrale Studentesco, che quelli dei cinque gruppi che infatti proporranno alcuni frammenti del loro lavoro e che animeranno il primo appuntamento del nuovo programma, che ha tutte  le gambe e le intenzioni per la sua prosecuzione futura. A fare la guida le parole del maestro Jerzy Grotowski: «So bene che quando ha inizio la commercializzazione dell’arte si proteggono i maestri. La giustificazione è sempre la solita: “Ma no, noi i maestri li tuteliamo, loro avranno condizioni di lavoro adeguate”.  Quando ero a Opole e all’inizio della nostra attività a Wroclaw, io non ero un maestro. Ero un eccentrico che veniva contestato, un ribelle, uno che introduceva idee sconosciute.  Ebbene, la protezione mi era necessaria allora. Quale protezione ci sarà oggi per coloro che iniziano? Ecco, la questione chiave. Non per i maestri, ma per i futuri maestri, per coloro che iniziano oggi, che sono ancora sconosciuti. Proteggerli vorrà forse dire spingerli a correre da un benefattore all’altro, a concentrarsi sul problema di ottenere pochi spiccioli per poi potersi permettere solo quattro, cinque settimane di lavoro? Oppure si troveranno altre forme che permettano a queste persone di sperimentare un lavoro sistematico, a lungo termine? Per me questo è il punto cruciale: non proteggere i maestri, ma proteggere coloro che sono capaci di intraprendere un lavoro a lungo termine quando non sono ancora maestri».</p>\n<p align=\"center\"><strong>Teatro Club Udine\n</strong>in collaborazione con Società Filologica Friulana</p>\n<p align=\"center\">Progetto Akrópolis off</p>\n\n<h1 align=\"center\"><span style=\"color: #ff0000;\"><strong>oilaPalio</strong></span></h1>\n<p align=\"center\">con i gruppi\nRetroscena!, CCFT, atTORONI, Campus GriGrì</p>\n<p align=\"center\">incursioni\na cura dei ragazzi “Prepaliamoci” di San Daniele del Friuli</p>\n<p align=\"center\">venerdì 1 settembre 2017 │ ore 19.30\nCjanive │ Società Filologica Friulana\nvia Manin 18 │Udine</p>\n<p align=\"center\"><strong>PROGRAMMA</strong><strong> </strong></p>\n<strong>Retroscena!\n</strong>Mai avreste creduto di assistere a una rappresentazione dal vivo del grande attore Narciso Vanesi? Dareste qualsiasi cosa per salire su una macchina del tempo ed essere testimoni del dialogo tra il Papa e Michelangelo che ha dato vita alle meraviglie della Cappella Sistina? Vi affascinano i mitici racconti in cui grandi cavalieri si scontrano in un’allegoria dell’eterna lotta tra il bene e il male? Ebbene i Retroscena, sfruttando la magia del teatro di strada, renderanno possibile l\'impossibile.\n\nNati nell’estate del 2006, i <strong>RetroScena!</strong> sono una compagnia creatasi grazie alla volontà di alcuni ragazzi di continuare l’esperienza teatrale del Palio di Udine e di sperimentare nuovi spazi diversi dal palcoscenico. Negli anni, con un cast quasi sempre rinnovato e ringiovanito, hanno  portato in scena produzioni sia di propria invenzione, frutto di improvvisazioni su canovaccio, che d’autore. Da anni sono presenti nelle rievocazioni storiche di Gemona del Friuli, Valvasone, Cividale del Friuli, Terzo di Aquileia e Venzone, con sempre nuovi spettacoli da strada poi riadattati per il palcoscenico\n\n&nbsp;\n<p align=\"center\">INCURSIONI (forse)</p>\n<strong>CCFT\n</strong><em>Le Sorelle Mirabal. </em>Tra il 1930 e il 1961 la Repubblica Dominicana visse sotto la dittatura di Rafael Leónidas Trujillo, un regime militare affermatosi con la forza e la prepotenza di orrendi delitti. Le sorelle Mirabal erano delle ragazze di buona famiglia che - chi per scelta politica e chi perché non tollerava più le ingiustizie del regime-  aderirono al movimento segreto che si opponeva al dittatore. Il loro nome segreto era “las mariposas”, le farfalle. Dopo anni di persecuzione e carcerazioni  furono uccise dagli uomini della polizia segreta di Trujillo in un’imboscata, il 25 novembre 1960; da qui la decisione di celebrare in quel giorno dell’anno la Giornata contro la violenza sulle donne. Il loro assassinio creò grande indignazione e diventò la scintilla che portò alla fine del regime nel 1961.\nCome scrisse Pedro Mir, «ciò che è necessariamente debole, è necessariamente forte». Così un regime crollò per la morte di alcune “Farfalle”.\n\nI <strong>CCFT ExPalio</strong> sono nati nel 2009 con l’intento di raccogliere i ragazzi usciti dall’esperienza del Palio. Agli attori paliensi  col tempo si sono uniti anche alcuni universitari alla prima esperienza teatrale. Ogni anno, nella prima fase di laboratorio aperta a tutti, il gruppo impara a conoscersi e a mescolare le proprie esperienze. Parallelamente vengono proposti e letti dei testi che vengono discussi da tutto il gruppo e che poi vengono messi ai voti. Con la scelta del testo, a gennaio, il gruppo si compatta e inizia il lavoro di allestimento.  «Ricorda - dicono-  se il prossimo anno esci dalle superiori e hai nostalgia del Palio, noi siamo qui e ti aspettiamo! Scrivi a info.ccft@gmail.com oppure visita la pagina Facebook CCFT e tieniti informato!».\n<p align=\"center\"><span style=\"text-decoration: underline;\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2017/05/I-Retroscena.jpg\"><img class=\"size-full wp-image-4193\" title=\"I Retroscena\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2017/05/I-Retroscena.jpg\" alt=\"\" width=\"1055\" height=\"500\" /></a>[/caption]</span></p>\n<p align=\"center\">INCURSIONI (forse)</p>\n<strong>atTORONI\n</strong>con Nicola Antoniutti, Anna Bagatto, Sonia Castro, Alessandro Ciciliot, Dario Comisini, Giulia Cosolo, Arianna Di Luch, Giovanni Folena, Chiara Peloso, Gaia Ziraldo\n<em>Melanomiasistinafrrrvvv. </em>Che c\'è? L\'hai vista? Chi? Chi? Corte, no? Perché? Sì, l\'ho vista. Anch\'io l\'ho vista! Dite una cosa, avete notato che...? Che cosa? Eh, osservatela, non è mica più come al solito! Che cosa ha? Non sta bene? Che cosa avrebbe? Signori miei, si tratta di... melanomiasistinaffrstt. Cosa? Melanomiasistinafrrrvvv! Che bella parola, anche così incompleta! Bellissima! E lei sa? Dorme ancora, ma non mi pare che si renda conto di quello che le sta capitando. Impossibile, nessuno lo sa ancora! Non possiamo fare qualcosa per lei? Prima che sulle sue palpebre si stenda l\'ombra …\nChe parola però... Melanomiasistinafrrrvvv... Ogni volta diventa più magnifica!\n\nGli <strong>atTORONI</strong> è il gruppo teatrale dell’Associazione Culturale Officine d’Autore di San Daniele del Friuli. I membri della compagnia, formatasi nel 2015, hanno tutti in comune l’esperienza nel gruppo teatrale dell’I.S.I.S. “V. Manzini” (sempre di San Daniele), e in questi anni hanno avuto modo di lavorare sul linguaggio comico di Dario Fo e dei Monty Python, sul teatro di strada nell’ambito delle rievocazioni medioevali regionali e sul racconto dell’assurdo di Dino Buzzati, da cui <em>Melanomiasistinafrrrvvv  </em>è tratto.\n<p align=\"center\">INCURSIONI (forse)</p>\n<p align=\"left\"><strong>Servi di Scena\n<em>Grigrì</em>  performance\n</strong>Il Grigrì, un amuleto che risale a riti magici, serve ad attrarre la fortuna e a proteggere dalla malasorte; è un\'onomatopea che ricorda il verso del grillo ed è il nome del primo Campus Teatrale per giovani attori, anche paliensi,  organizzato dall’Associazione <strong>Servi di Scena</strong>.  Durante i quattro  giorni intensivi del Campus una decina di aspiranti attori hanno partecipato a laboratori di maschera, di cucina, di Tango, di composizione scenica e d\'iconografia. L\'esperienza ha dato vita a una performance che parla di fuoco, ritualità, attesa e ciclicità del tempo. In occasione di “oilaPalio” proporranno un estratto da questo studio.\n«Un matematico in fuga dalla sua famiglia, un pescatore fallito alla ricerca di fortuna, una ragioniera guerrafondaia che vuole lanciarsi nella lotta con il coltello tra i denti, un maestro di capohera che vuole convertire gli invasori alla capohera, un\'appassionata di lettura che sa che questo è il luogo ideale per stare con i suoi libri, perché tanto qua non accade mai nulla. Questo è l\'esercito | non esercito che si prepara per affrontare una minaccia che forse non esiste».\n[Frammento tratto dal laboratorio di scrittura realizzato durante il Campus <em>Grigrì</em>]</p>\n&nbsp;\n\n&nbsp;','AKROPOLIS OFF: prima puntata  \"oliaPalio\" (1.9.2017)','','inherit','closed','closed','','5388-autosave','','','2017-09-13 12:26:33','2017-09-13 11:26:33','',5388,'http://www.teatroclubudine.it/5393-5388-autosave/',0,'revision','',0);

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	(5394,2,'2017-09-13 12:23:21','2017-09-13 11:23:21','<p style=\"text-align: justify;\" align=\"center\">Ecco il programma della prima puntata del progetto Akrópolis off, pensato dal Teatro Club per lo spazio di via Manin 18 messo a disposizione esclusiva dalla Società Filologica Friulana. Un progetto che si connota per la particolare attenzione ai giovani, specie usciti dalla fucina del Palio Teatrale Studentesco, che quelli dei cinque gruppi che infatti proporranno alcuni frammenti del loro lavoro e che animeranno il primo appuntamento del nuovo programma, che ha tutte  le gambe e le intenzioni per la sua prosecuzione futura.</p>\r\n<p align=\"center\"><strong>Teatro Club Udine\r\n</strong>in collaborazione con Società Filologica Friulana</p>\r\n<p align=\"center\">Progetto Akrópolis off</p>\r\n\r\n<h1 align=\"center\"><span style=\"color: #ff0000;\"><strong>oilaPalio</strong></span></h1>\r\n<p align=\"center\">con i gruppi\r\nRetroscena!, CCFT, atTORONI, Campus GriGrì</p>\r\n<p align=\"center\">incursioni\r\na cura dei ragazzi “Prepaliamoci” di San Daniele del Friuli</p>\r\n<p align=\"center\">venerdì 1 settembre 2017 │ ore 19.30\r\nCjanive │ Società Filologica Friulana\r\nvia Manin 18 │Udine</p>\r\n<p align=\"center\"><strong>PROGRAMMA</strong><strong> </strong></p>\r\n<strong>Retroscena!\r\n</strong>Mai avreste creduto di assistere a una rappresentazione dal vivo del grande attore Narciso Vanesi? Dareste qualsiasi cosa per salire su una macchina del tempo ed essere testimoni del dialogo tra il Papa e Michelangelo che ha dato vita alle meraviglie della Cappella Sistina? Vi affascinano i mitici racconti in cui grandi cavalieri si scontrano in un’allegoria dell’eterna lotta tra il bene e il male? Ebbene i Retroscena, sfruttando la magia del teatro di strada, renderanno possibile l\'impossibile.\r\n\r\nNati nell’estate del 2006, i <strong>RetroScena!</strong> sono una compagnia creatasi grazie alla volontà di alcuni ragazzi di continuare l’esperienza teatrale del Palio di Udine e di sperimentare nuovi spazi diversi dal palcoscenico. Negli anni, con un cast quasi sempre rinnovato e ringiovanito, hanno  portato in scena produzioni sia di propria invenzione, frutto di improvvisazioni su canovaccio, che d’autore. Da anni sono presenti nelle rievocazioni storiche di Gemona del Friuli, Valvasone, Cividale del Friuli, Terzo di Aquileia e Venzone, con sempre nuovi spettacoli da strada poi riadattati per il palcoscenico\r\n\r\n&nbsp;\r\n<p align=\"center\">INCURSIONI (forse)</p>\r\n<strong>CCFT\r\n</strong><em>Le Sorelle Mirabal. </em>Tra il 1930 e il 1961 la Repubblica Dominicana visse sotto la dittatura di Rafael Leónidas Trujillo, un regime militare affermatosi con la forza e la prepotenza di orrendi delitti. Le sorelle Mirabal erano delle ragazze di buona famiglia che - chi per scelta politica e chi perché non tollerava più le ingiustizie del regime-  aderirono al movimento segreto che si opponeva al dittatore. Il loro nome segreto era “las mariposas”, le farfalle. Dopo anni di persecuzione e carcerazioni  furono uccise dagli uomini della polizia segreta di Trujillo in un’imboscata, il 25 novembre 1960; da qui la decisione di celebrare in quel giorno dell’anno la Giornata contro la violenza sulle donne. Il loro assassinio creò grande indignazione e diventò la scintilla che portò alla fine del regime nel 1961.\r\nCome scrisse Pedro Mir, «ciò che è necessariamente debole, è necessariamente forte». Così un regime crollò per la morte di alcune “Farfalle”.\r\n\r\nI <strong>CCFT ExPalio</strong> sono nati nel 2009 con l’intento di raccogliere i ragazzi usciti dall’esperienza del Palio. Agli attori paliensi  col tempo si sono uniti anche alcuni universitari alla prima esperienza teatrale. Ogni anno, nella prima fase di laboratorio aperta a tutti, il gruppo impara a conoscersi e a mescolare le proprie esperienze. Parallelamente vengono proposti e letti dei testi che vengono discussi da tutto il gruppo e che poi vengono messi ai voti. Con la scelta del testo, a gennaio, il gruppo si compatta e inizia il lavoro di allestimento.  «Ricorda - dicono-  se il prossimo anno esci dalle superiori e hai nostalgia del Palio, noi siamo qui e ti aspettiamo! Scrivi a info.ccft@gmail.com oppure visita la pagina Facebook CCFT e tieniti informato!».\r\n<p align=\"center\"><span style=\"text-decoration: underline;\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2017/05/I-Retroscena.jpg\"><img class=\"size-full wp-image-4193\" title=\"I Retroscena\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2017/05/I-Retroscena.jpg\" alt=\"\" width=\"1055\" height=\"500\" /></a>[/caption]</span></p>\r\n<p align=\"center\">INCURSIONI (forse)</p>\r\n<strong>atTORONI\r\n</strong>con Nicola Antoniutti, Anna Bagatto, Sonia Castro, Alessandro Ciciliot, Dario Comisini, Giulia Cosolo, Arianna Di Luch, Giovanni Folena, Chiara Peloso, Gaia Ziraldo\r\n<em>Melanomiasistinafrrrvvv. </em>Che c\'è? L\'hai vista? Chi? Chi? Corte, no? Perché? Sì, l\'ho vista. Anch\'io l\'ho vista! Dite una cosa, avete notato che...? Che cosa? Eh, osservatela, non è mica più come al solito! Che cosa ha? Non sta bene? Che cosa avrebbe? Signori miei, si tratta di... melanomiasistinaffrstt. Cosa? Melanomiasistinafrrrvvv! Che bella parola, anche così incompleta! Bellissima! E lei sa? Dorme ancora, ma non mi pare che si renda conto di quello che le sta capitando. Impossibile, nessuno lo sa ancora! Non possiamo fare qualcosa per lei? Prima che sulle sue palpebre si stenda l\'ombra …\r\nChe parola però... Melanomiasistinafrrrvvv... Ogni volta diventa più magnifica!\r\n\r\nGli <strong>atTORONI</strong> è il gruppo teatrale dell’Associazione Culturale Officine d’Autore di San Daniele del Friuli. I membri della compagnia, formatasi nel 2015, hanno tutti in comune l’esperienza nel gruppo teatrale dell’I.S.I.S. “V. Manzini” (sempre di San Daniele), e in questi anni hanno avuto modo di lavorare sul linguaggio comico di Dario Fo e dei Monty Python, sul teatro di strada nell’ambito delle rievocazioni medioevali regionali e sul racconto dell’assurdo di Dino Buzzati, da cui <em>Melanomiasistinafrrrvvv  </em>è tratto.\r\n<p align=\"center\">INCURSIONI (forse)</p>\r\n<p align=\"left\"><strong>Servi di Scena\r\n<em>Grigrì</em>  performance\r\n</strong>Il Grigrì, un amuleto che risale a riti magici, serve ad attrarre la fortuna e a proteggere dalla malasorte; è un\'onomatopea che ricorda il verso del grillo ed è il nome del primo Campus Teatrale per giovani attori, anche paliensi,  organizzato dall’Associazione <strong>Servi di Scena</strong>.  Durante i quattro  giorni intensivi del Campus una decina di aspiranti attori hanno partecipato a laboratori di maschera, di cucina, di Tango, di composizione scenica e d\'iconografia. L\'esperienza ha dato vita a una performance che parla di fuoco, ritualità, attesa e ciclicità del tempo. In occasione di “oilaPalio” proporranno un estratto da questo studio.\r\n«Un matematico in fuga dalla sua famiglia, un pescatore fallito alla ricerca di fortuna, una ragioniera guerrafondaia che vuole lanciarsi nella lotta con il coltello tra i denti, un maestro di capohera che vuole convertire gli invasori alla capohera, un\'appassionata di lettura che sa che questo è il luogo ideale per stare con i suoi libri, perché tanto qua non accade mai nulla. Questo è l\'esercito | non esercito che si prepara per affrontare una minaccia che forse non esiste».\r\n[Frammento tratto dal laboratorio di scrittura realizzato durante il Campus <em>Grigrì</em>]</p>\r\n&nbsp;\r\n\r\n&nbsp;','','','inherit','closed','closed','','5388-revision-2','','','2017-09-13 12:23:21','2017-09-13 11:23:21','',5388,'http://www.teatroclubudine.it/5394-5388-revision-2/',0,'revision','',0),
	(5395,2,'2017-09-15 11:20:51','2017-09-15 10:20:51','<p align=\"center\">Teatro Club Udine\r\nin collaborazione con Società Filologica Friulana</p>\r\n<p align=\"center\">Progetto Akrópolis off</p>\r\n\r\n<h2 align=\"center\"><span style=\"color: #ff0000;\"><strong>Omaggio a Leonardo Zanier </strong></span></h2>\r\n<p align=\"center\">laboratorio con i ragazzi-attori del Palio</p>\r\n<p align=\"center\">Diletta Feruglio (“Marinelli”)\r\nMatilde Forte (“Stellini”)\r\nValentina Marano (“Copernico”)\r\nMaria Mongiat (Isis di Tolmezzo)\r\nHarvey Ramachandran  (“Stringher”)\r\nMargherita Tempo (“Stellini”)\r\nMara Teresa Vicario (“Percoto”)\r\nGiovanni Wiederhoffer (“Malignani”)</p>\r\n<p align=\"center\">coordinamento\r\nManuel Buttus  │Teatrino del Rifo</p>\r\n<p align=\"center\">venerdì 15 settembre 2017 │ ore 19.30\r\nCjanive │ Società Filologica Friulana\r\nvia Manin 18\r\nUdine</p>\r\n<p style=\"text-align: justify;\" align=\"center\">«Mi sono da sempre occupato di edilizia, di marginalità e sviluppo locale, di formazione e sindacato, ma anche di storia orale, di tradizioni e magie, di migrazioni e ritorni, di mestieri e canzoni e soprattutto di parole: il loro senso e spessore, cosa c’è dentro e dietro e sotto le parole, prese da sole e prese a grappoli». (Leonardo Zanier)</p>\r\n<p style=\"text-align: justify;\" align=\"center\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2017/09/Leonardo-Zanier-3c.Thumb_HighlightCenter169324.jpg\"><img class=\"aligncenter size-full wp-image-5385\" title=\"Leonardo-Zanier-3c.Thumb_HighlightCenter169324\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2017/09/Leonardo-Zanier-3c.Thumb_HighlightCenter169324.jpg\" alt=\"\" width=\"720\" height=\"477\" /></a></p>\r\n<p style=\"text-align: center;\"></p>\r\n<p style=\"text-align: center;\"><strong>Una riflessione di Massimo Somaglino</strong></p>\r\n<p style=\"text-align: justify;\">Quando intorno al tavolo di lavoro costituitosi per il progetto di gestione della Cjanive / Filologica ha cominciato a circolare l’idea di realizzare qualcosa in onore e in memoria di Leo Zanier, è sembrato subito chiaro a tutti che il piano della celebrazione avrebbe dovuto lasciare campo al piano del lavoro. Il lavoro, il suo farsi concreto, fosse intellettuale o manuale,  era argomento molto caro a Leo. Ad altri, o altrove, spettava, spetta e spetterà la celebrazione del ricordo. A noi interessava l’azione, perché la sua parola poetica e politica fosse ancora viva, presente, perché potesse innestare nuova azione, nuovo farsi per un altro farsi, a rimettere in moto un ingranaggio creativo in realtà mai pienamente arrestato.\r\nPer esempio qualcuno doveva incaricarsi di far conoscere Leo ai giovani, ai ragazzi che non lo conoscono. E la parola (poetica e politica) doveva passare per il teatro. Facile pensare ad un laboratorio teatrale, dunque, la cui conduzione ci è sembrato naturale e giusto affidare a chi con Leo il teatro lo ha fatto davvero: il Teatrino del Rifo, protagonista con lo stesso Leo ed altri artisti dell’esperienza dei Cercaluna, che portò nelle estati friulane di vent’anni fa la parola poetica e politica di Leo, intorno ai confini, al turismo, alle migrazioni ed agli spostamenti e spaesamenti.\r\nSe rivado con la memoria al mio primo ricordo legato a Leo, però, esso risale agli anni ’80, quando giovanetto, a beneficio delle orecchie di un mio amico milanese teatrante di strada e burattinaio, appassionato di lingue minoritarie e cultura popolare, leggevo e spiegavo le poesie di Leo, appena scoperto. Il mio amico ascoltava e spesso capiva parole come <em>cjasa, vacja, cjargna, cjòt</em>. Marino Zerbin (questo il suo nome) mi ha mostrato che è possibile innamorarsi di una palatale. Lo ringrazio per questo.\r\nI ragazzi che con Manuel Buttus hanno lavorato cinque giorni intorno alle palatali carniche e alla parola “cjermins”-“confini”, con la lingua di Leo hanno anche combattuto, dei veri e propri “corpo a corpo” che hanno lasciato ematomi e ferite, ma alla fine con la loro giovanissima età e articolata provenienza raccolgono il testimone della parola e della lingua poetica e politica di uno dei più acuti osservatori della realtà friulana ed italiana dell’ultima parte del vecchio millennio, la scoprono e ri-scoprono per loro e per noi, la fanno propria e la ri-consegnano vivificata al nostro vivere oggi i confini geografici, fisici, linguistici, emotivi, culturali.\r\nVedere questi sbarbati ragazzini discettare di confini e di linguaggi, dare un pensiero ai concetti talvolta difficili, espressi da Leo attraverso esempi e raffronti che loro, nel breve tempo della loro vita vissuta, non hanno nemmeno mai incontrato, fa bene al cuore e alla speranza, dà corpo e voce alla definizione pasoliniana di quella “meglio gioventù” che Angela Felice per un verso e il Rifo per un altro conoscono bene.\r\nEd è sempre questione di punti di vista. Costruirne uno proprio è già lavoro lungo e difficile, lo sappiamo, ma riuscire a contenerne di più, capire e spiegare cosa si prova al di qua e insieme al di là del confine, quello è affare del poeta. E’ per questo che ne abbiamo ancora bisogno.</p>\r\n<p align=\"right\"></p>\r\n&nbsp;','AKROPOLIS OFF. \"Omaggio a Leo\" │ programma di sala','','publish','closed','closed','','akropolis-off-omaggio-a-leo-%e2%94%82-programma-di-sala','','','2017-09-15 12:30:53','2017-09-15 11:30:53','',0,'http://www.teatroclubudine.it/?p=5395',0,'post','',0),
	(5397,2,'2017-09-15 12:29:29','2017-09-15 11:29:29','','Leonardo-Zanier','','inherit','closed','closed','','leonardo-zanier','','','2017-09-15 12:29:29','2017-09-15 11:29:29','',5395,'http://www.teatroclubudine.it/wp-content/uploads/2017/09/Leonardo-Zanier.jpg',0,'attachment','image/jpeg',0),
	(5398,2,'2017-09-15 12:30:04','2017-09-15 11:30:04','<p align=\"center\">Teatro Club Udine\nin collaborazione con Società Filologica Friulana</p>\n<p align=\"center\">Progetto Akrópolis off</p>\n\n<h2 align=\"center\"><span style=\"color: #ff0000;\"><strong>Omaggio a Leonardo Zanier </strong></span></h2>\n<p align=\"center\">laboratorio con i ragazzi-attori del Palio</p>\n<p align=\"center\">Diletta Feruglio (“Marinelli”)\nMatilde Forte (“Stellini”)\nValentina Marano (“Copernico”)\nMaria Mongiat (Isis di Tolmezzo)\nHarvey Ramachandran  (“Stringher”)\nMargherita Tempo (“Stellini”)\nMara Teresa Vicario (“Percoto”)\nGiovanni Wiederhoffer (“Malignani”)</p>\n<p align=\"center\">coordinamento\nManuel Buttus  │Teatrino del Rifo</p>\n<p align=\"center\">venerdì 15 settembre 2017 │ ore 19.30\nCjanive │ Società Filologica Friulana\nvia Manin 18\nUdine</p>\n<p style=\"text-align: justify;\" align=\"center\">«Mi sono da sempre occupato di edilizia, di marginalità e sviluppo locale, di formazione e sindacato, ma anche di storia orale, di tradizioni e magie, di migrazioni e ritorni, di mestieri e canzoni e soprattutto di parole: il loro senso e spessore, cosa c’è dentro e dietro e sotto le parole, prese da sole e prese a grappoli». (Leonardo Zanier)</p>\n<p style=\"text-align: justify;\" align=\"center\"><a href=\"http://www.teatroclubudine.it/wp-content/uploads/2017/09/Leonardo-Zanier-3c.Thumb_HighlightCenter169324.jpg\"><img class=\"aligncenter size-full wp-image-5385\" title=\"Leonardo-Zanier-3c.Thumb_HighlightCenter169324\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2017/09/Leonardo-Zanier-3c.Thumb_HighlightCenter169324.jpg\" alt=\"\" width=\"720\" height=\"477\" /></a></p>\n<p style=\"text-align: center;\"></p>\n<p style=\"text-align: center;\"><strong>Una riflessione di Massimo Somaglino</strong></p>\n<p style=\"text-align: justify;\">Quando intorno al tavolo di lavoro costituitosi per il progetto di gestione della Cjanive / Filologica ha cominciato a circolare l’idea di realizzare qualcosa in onore e in memoria di Leo Zanier, è sembrato subito chiaro a tutti che il piano della celebrazione avrebbe dovuto lasciare campo al piano del lavoro. Il lavoro, il suo farsi concreto, fosse intellettuale o manuale,  era argomento molto caro a Leo. Ad altri, o altrove, spettava, spetta e spetterà la celebrazione del ricordo. A noi interessava l’azione, perché la sua parola poetica e politica fosse ancora viva, presente, perché potesse innestare nuova azione, nuovo farsi per un altro farsi, a rimettere in moto un ingranaggio creativo in realtà mai pienamente arrestato.\nPer esempio qualcuno doveva incaricarsi di far conoscere Leo ai giovani, ai ragazzi che non lo conoscono. E la parola (poetica e politica) doveva passare per il teatro. Facile pensare ad un laboratorio teatrale, dunque, la cui conduzione ci è sembrato naturale e giusto affidare a chi con Leo il teatro lo ha fatto davvero: il Teatrino del Rifo, protagonista con lo stesso Leo ed altri artisti dell’esperienza dei Cercaluna, che portò nelle estati friulane di vent’anni fa la parola poetica e politica di Leo, intorno ai confini, al turismo, alle migrazioni ed agli spostamenti e spaesamenti.\nSe rivado con la memoria al mio primo ricordo legato a Leo, però, esso risale agli anni ’80, quando giovanetto, a beneficio delle orecchie di un mio amico milanese teatrante di strada e burattinaio, appassionato di lingue minoritarie e cultura popolare, leggevo e spiegavo le poesie di Leo, appena scoperto. Il mio amico ascoltava e spesso capiva parole come <em>cjasa, vacja, cjargna, cjòt</em>. Marino Zerbin (questo il suo nome) mi ha mostrato che è possibile innamorarsi di una palatale. Lo ringrazio per questo.\nI ragazzi che con Manuel Buttus hanno lavorato cinque giorni intorno alle palatali carniche e alla parola “cjermins”-“confini”, con la lingua di Leo hanno anche combattuto, dei veri e propri “corpo a corpo” che hanno lasciato ematomi e ferite, ma alla fine con la loro giovanissima età e articolata provenienza raccolgono il testimone della parola e della lingua poetica e politica di uno dei più acuti osservatori della realtà friulana ed italiana dell’ultima parte del vecchio millennio, la scoprono e ri-scoprono per loro e per noi, la fanno propria e la ri-consegnano vivificata al nostro vivere oggi i confini geografici, fisici, linguistici, emotivi, culturali.\nVedere questi sbarbati ragazzini discettare di confini e di linguaggi, dare un pensiero ai concetti talvolta difficili, espressi da Leo attraverso esempi e raffronti che loro, nel breve tempo della loro vita vissuta, non hanno nemmeno mai incontrato, fa bene al cuore e alla speranza, dà corpo e voce alla definizione pasoliniana di quella “meglio gioventù” che Angela Felice per un verso e il Rifo per un altro conoscono bene.\nEd è sempre questione di punti di vista. Costruirne uno proprio è già lavoro lungo e difficile, lo sappiamo, ma riuscire a contenerne di più, capire e spiegare cosa si prova al di qua e insieme al di là del confine, quello è affare del poeta. E’ per questo che ne abbiamo ancora bisogno.</p>\n<p align=\"right\"></p>\n&nbsp;','Akropolis off. Omaggio a Leo │ programma di sala','','inherit','closed','closed','','5395-revision','','','2017-09-15 12:30:04','2017-09-15 11:30:04','',5395,'http://www.teatroclubudine.it/5398-5395-revision/',0,'revision','',0),
	(5402,2,'2017-10-14 08:38:51','2017-10-14 07:38:51','','mostra','','inherit','closed','closed','','mostra','','','2017-10-14 08:38:51','2017-10-14 07:38:51','',5400,'http://www.teatroclubudine.it/wp-content/uploads/2017/10/mostra.jpg',0,'attachment','image/jpeg',0),
	(5403,2,'2017-10-14 08:39:35','2017-10-14 07:39:35','','mostra','','inherit','closed','closed','','mostra-2','','','2017-10-14 08:39:35','2017-10-14 07:39:35','',0,'http://www.teatroclubudine.it/wp-content/uploads/2017/10/mostra1.jpg',0,'attachment','image/jpeg',0),
	(5404,2,'2017-10-14 08:38:32','2017-10-14 07:38:32','<p align=\"center\"><strong>Convitto Nazionale “Paolo Diacono” di Cividale del Friuli\nTeatro Club Udine</strong></p>\n<p align=\"center\">in collaborazione con\n<strong>Comune di Cividale del Friuli, </strong>Ö<strong>sterreichische Nationalbibliotheck [Vienna]\n</strong><strong>Civici Musei e Gallerie di Storia e Arte di Udine│ Fototeca [Udine], C</strong><strong>RAF [Spilimbergo]</strong><strong>\n\n</strong></p>\n<p align=\"center\">annunciano  la mostra fotografica</p>\n<p align=\"center\"><strong>‘017-‘917. Giovani scatti per Caporetto\n\n</strong></p>\n<p align=\"center\"><strong><span style=\"text-decoration: underline;\">INAUGURAZIONE </span></strong></p>\n<p align=\"center\"><strong>domenica 22 ottobre 2017 │ore 11.30\n</strong>Chiesa di Santa Maria dei Battuti</p>\n<p align=\"center\">Cividale del Friuli</p>\n<p align=\"center\"></p>\n<p align=\"center\">interventi\n<strong>Angela Zappulla </strong>  assessore alla cultura Comune di Cividale\n<strong>Patrizia Pavatti</strong>  rettore Convitto Nazionale “Paolo Diacono”\n<strong>Angela Felice</strong> e <strong>Cesare Genuzio</strong>  curatori</p>\n<p align=\"center\">momenti musicali\n<strong>Ludovica Borsatti</strong> e <strong>Elisa Fassetta</strong></p>\n<p align=\"center\">partecipano i ragazzi fotografi\n<strong>Michele Barnaba, Letizia Bon, Sonia Bressan, Mattia Burello, Ottavia Cantarutti\nGioele Costantini,  Teresa De Palma, Benedetta Falato, </strong><strong> </strong><strong>Chiara Francescatto\nElisabetta Gregorutti, Nico Guerra, Didi Lian, Regina Mauro, Siria Morassi\nAnna Pallavisini, Sara Peressin, Paola Piccini,  Ludovica Poiana\nLinda Poluzzi, Gaia Simonetto</strong></p>\n<p align=\"center\"><strong>Info</strong>\nInformacittà  0432  710460 │ Teatro Club Udine 0432 507953\n\n<strong></strong></p>\n<p align=\"center\"></p>\n&nbsp;','‘017-‘917. Giovani scatti per Caporetto','','inherit','closed','closed','','5400-revision','','','2017-10-14 08:38:32','2017-10-14 07:38:32','',5400,'http://www.teatroclubudine.it/5404-5400-revision/',0,'revision','',0),
	(5409,2,'2017-10-14 08:42:57','2017-10-14 07:42:57','<p align=\"center\"><strong>Convitto Nazionale “Paolo Diacono” di Cividale del Friuli\nTeatro Club Udine</strong></p>\n<p align=\"center\">in collaborazione con\n<strong>Comune di Cividale del Friuli, </strong>Ö<strong>sterreichische Nationalbibliotheck [Vienna]\n</strong><strong>Civici Musei e Gallerie di Storia e Arte di Udine│ Fototeca [Udine], C</strong><strong>RAF [Spilimbergo]</strong><strong></strong></p>\n&nbsp;\n<p align=\"center\">annunciano  la mostra fotografica</p>\n\n<h1 align=\"center\"><strong>‘017-‘917. Giovani scatti per Caporetto</strong></h1>\n<a href=\"http://www.teatroclubudine.it/wp-content/uploads/2017/10/mostra.jpg\"><img class=\"aligncenter size-full wp-image-5402\" title=\"mostra\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2017/10/mostra.jpg\" alt=\"\" width=\"910\" height=\"615\" /></a>\n<p align=\"center\"><strong><span style=\"text-decoration: underline;\">INAUGURAZIONE </span></strong></p>\n<p align=\"center\"><strong>domenica 22 ottobre 2017 │ore 11.30\n</strong>Chiesa di Santa Maria dei Battuti</p>\n<p align=\"center\">Cividale del Friuli</p>\n<p align=\"center\">interventi\n<strong>Angela Zappulla </strong>  assessore alla cultura Comune di Cividale\n<strong>Patrizia Pavatti</strong>  rettore Convitto Nazionale “Paolo Diacono”\n<strong>Angela Felice</strong> e <strong>Cesare Genuzio</strong>  curatori</p>\n<p align=\"center\">momenti musicali\n<strong>Ludovica Borsatti</strong> e <strong>Elisa Fassetta</strong></p>\n<p align=\"center\">partecipano i ragazzi fotografi\n<strong>Michele Barnaba, Letizia Bon, Sonia Bressan, Mattia Burello, Ottavia Cantarutti\nGioele Costantini,  Teresa De Palma, Benedetta Falato, </strong><strong> </strong><strong>Chiara Francescatto\nElisabetta Gregorutti, Nico Guerra, Didi Lian, Regina Mauro, Siria Morassi\nAnna Pallavisini, Sara Peressin, Paola Piccini,  Ludovica Poiana\nLinda Poluzzi, Gaia Simonetto</strong></p>\n<p align=\"center\"><strong>Info</strong>\nInformacittà  0432  710460 │ Teatro Club Udine 0432 507953</p>\n&nbsp;\n\n&nbsp;','‘017-‘917. Giovani scatti per Caporetto','','inherit','closed','closed','','5400-autosave','','','2017-10-14 08:42:57','2017-10-14 07:42:57','',5400,'http://www.teatroclubudine.it/5409-5400-autosave/',0,'revision','',0),
	(5405,2,'2017-05-29 11:29:42','2017-05-29 10:29:42','','Home page','','inherit','closed','closed','','82-revision-491','','','2017-05-29 11:29:42','2017-05-29 10:29:42','',82,'http://www.teatroclubudine.it/5405-82-revision-491/',0,'revision','',0),
	(5406,2,'2017-10-14 08:41:04','2017-10-14 07:41:04','','Home page','','inherit','closed','closed','','82-revision-492','','','2017-10-14 08:41:04','2017-10-14 07:41:04','',82,'http://www.teatroclubudine.it/5406-82-revision-492/',0,'revision','',0),
	(5407,2,'2017-10-14 08:41:41','2017-10-14 07:41:41','','mostra','','inherit','closed','closed','','mostra-3','','','2017-10-14 08:41:41','2017-10-14 07:41:41','',5400,'http://www.teatroclubudine.it/wp-content/uploads/2017/10/mostra2.jpg',0,'attachment','image/jpeg',0),
	(5408,2,'2017-10-14 08:39:49','2017-10-14 07:39:49','<p align=\"center\"><strong>Convitto Nazionale “Paolo Diacono” di Cividale del Friuli\r\nTeatro Club Udine</strong></p>\r\n<p align=\"center\">in collaborazione con\r\n<strong>Comune di Cividale del Friuli, </strong>Ö<strong>sterreichische Nationalbibliotheck [Vienna]\r\n</strong><strong>Civici Musei e Gallerie di Storia e Arte di Udine│ Fototeca [Udine], C</strong><strong>RAF [Spilimbergo]</strong><strong>\r\n\r\n</strong></p>\r\n<p align=\"center\">annunciano  la mostra fotografica</p>\r\n\r\n<h1 align=\"center\"><strong>‘017-‘917. Giovani scatti per Caporetto\r\n\r\n\r\n<a href=\"http://www.teatroclubudine.it/wp-content/uploads/2017/10/mostra.jpg\"><img class=\"aligncenter size-full wp-image-5402\" title=\"mostra\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2017/10/mostra.jpg\" alt=\"\" width=\"910\" height=\"615\" /></a>\r\n</strong></h1>\r\n<p align=\"center\"><strong><span style=\"text-decoration: underline;\">INAUGURAZIONE </span></strong></p>\r\n<p align=\"center\"><strong>domenica 22 ottobre 2017 │ore 11.30\r\n</strong>Chiesa di Santa Maria dei Battuti</p>\r\n<p align=\"center\">Cividale del Friuli</p>\r\n<p align=\"center\"></p>\r\n<p align=\"center\">interventi\r\n<strong>Angela Zappulla </strong>  assessore alla cultura Comune di Cividale\r\n<strong>Patrizia Pavatti</strong>  rettore Convitto Nazionale “Paolo Diacono”\r\n<strong>Angela Felice</strong> e <strong>Cesare Genuzio</strong>  curatori</p>\r\n<p align=\"center\">momenti musicali\r\n<strong>Ludovica Borsatti</strong> e <strong>Elisa Fassetta</strong></p>\r\n<p align=\"center\">partecipano i ragazzi fotografi\r\n<strong>Michele Barnaba, Letizia Bon, Sonia Bressan, Mattia Burello, Ottavia Cantarutti\r\nGioele Costantini,  Teresa De Palma, Benedetta Falato, </strong><strong> </strong><strong>Chiara Francescatto\r\nElisabetta Gregorutti, Nico Guerra, Didi Lian, Regina Mauro, Siria Morassi\r\nAnna Pallavisini, Sara Peressin, Paola Piccini,  Ludovica Poiana\r\nLinda Poluzzi, Gaia Simonetto</strong></p>\r\n<p align=\"center\"><strong>Info</strong>\r\nInformacittà  0432  710460 │ Teatro Club Udine 0432 507953\r\n\r\n<strong></strong></p>\r\n<p align=\"center\"></p>\r\n&nbsp;','‘017-‘917. Giovani scatti per Caporetto','','inherit','closed','closed','','5400-revision-2','','','2017-10-14 08:39:49','2017-10-14 07:39:49','',5400,'http://www.teatroclubudine.it/5408-5400-revision-2/',0,'revision','',0),
	(5412,2,'2017-10-25 14:39:42','2017-10-25 13:39:42','Chiesa di Santa Maria dei Battuti\nCividale del Friuli\ndomenica 22 ottobre › domenica 3 dicembre 2017\n\nConvitto Nazionale “Paolo Diacono” di Cividale del Friuli\nTeatro Club Udine\n\nin collaborazione con\nComune di Cividale del Friuli\nÖsterreichische Nationalbibliotheck [Vienna]\nCivici Musei e Gallerie di Storia e Arte di Udine│ Fototeca [Udine]\nCRAF [Spilimbergo]\n\n&nbsp;\n\ncatalogo e allestimento\na cura di Angela Felice e Cesare Genuzio\n\ncon i ragazzi fotografi\nMichele Barnaba, Letizia Bon, Sonia Bressan, Mattia Burello, Ottavia Cantarutti, Gioele Costantini,  Teresa De Palma, Benedetta Falato, Chiara Francescatto, Elisabetta Gregorutti, Nico Guerra,\nDidi Lian, Regina Mauro, Siria Morassi, Anna Pallavisini, Sara Peressin, Paola Piccini,\nLudovica Poiana, Linda Poluzzi, Gaia Simonetto\n\ncon il contributo dei fotografi\nLeonardo Fabris, Davide Harpo Genuzio, Danilo Rommel\n\nUn ringraziamento a SOMSI di Cividale e a Silvia Bianco, Ludovica Borsatti, Angelo Calanni, Gianni Cianchi, Giovanni Cozzi, Elisa Fassetta, Giannino Fassetta, Luciano Gaudenzio, Walter Liva,  Elisabetta Gottardo, Vittorino Michelutti, Hans Petschar, Marco Rossitti, Alessandra Spangaro, Maria Cristina Tonchia\n\n&nbsp;\n\n<strong>orari</strong>\n\ndomenica 22 ottobre inaugurazione ore 11.30 │apertura fino alle ore 19\n\nvenerdì 27, sabato 28, domenica  29 ottobre,  mercoledì 1 novembre  ore 10 › 13 │ 15 › 19\n\nsabato e domenica ore 10 › 13 │ 15 › 19\n\n&nbsp;\n\n&nbsp;\n\ninfo\nInformacittà  0432  710460, informacitta@cividale.net │ www.cividalegrandeguerra.it\n\n&nbsp;\n\nLa mostra <strong> ‘017-‘917 Giovani scatti per Caporetto</strong><strong> </strong>è il frutto di un laboratorio di fotografia rivolto ai liceali del Convitto Nazione “Paolo Diacono” di Cividale sul tema della Grande Guerra, con particolare riferimento al’episodio storico della rotta di Caporetto. L’atelier, condotto dal maestro fotografo Cesare  Genuzio, con la supervisione progettuale di Angela Felice, ha coinvolto venti ragazzi, che hanno seguito lezioni preparatorie, hanno perlustrato archivi e fototeche, hanno setacciato i ricordi di famiglia, hanno realizzato infine una sequenza di splendide fotografie, per un confronto temporale  tra le immagini del 1917 e altre scattate oggi, a distanza di cento anni, negli stessi luoghi un tempo teatro di devastazione e dolore umano.\n<strong>Cuore della mostra</strong>, pensata per gli spazi della Chiesa  di Santa Maria dei Battuti, è perciò lo spazio centrale isolato nella navata: una sorta da scatola alle cui pareti sono esposti gli scatti perlopiù a colori dei giovani fotografi messi a confronto e in parallelo con le immagini d’epoca in  bianco/nero che hanno fornito la prima suggestione.\n\nIl resto dello spazio della Chiesa è stato utilizzato invece per l’esposizione del ricco materiale fotografico d’archivio che è servito da traccia per il lavoro.  Si tratta di un  <strong>prezioso repertorio documentale </strong>che proviene da autorevoli Centri preposti alla ricerca e alla catalogazione delle fonti visive di ambito storico, quali il Bildarchiv der  Österreichische Nationalbibliotheck di Vienna, la Fototeca dei Civici Musei e Gallerie di Storia e Arte di Udine e il CRAF di Spilimbergo. In particolare, lungo la parete destra della Chiesa  scorrono in stampe di ampio formato straordinarie fotografie, alcune inedite,  provenienti dell’<strong>Archivio viennese</strong> e utili a far rivivere le condizioni di vita della popolazione friulana al tempo del conflitto.\nSulla parete sinistra della navata, sono visibili <strong>cinque scatti realizzati dal fotografo </strong><strong>Danilo Rommel</strong>,  che ha ripercorso oggi la via seguita , tra il 24 e il 27 ottobre 1917, dal bisnonno Erwin, la celebre Volpe del Deserto, e al tempo della Grande Guerra  giovane primo tenente del battaglione Fucilieri da montagna del Württenberg.  A seguire la parete è completata da immagini, sempre provenienti da Vienna, che documentano in particolare due fenomeni conseguenti alla rotta di Caporetto tra il 1917 e il 1918: da un lato, <strong>la fuga della popolazione friulana</strong>; dall’altro, <strong>la</strong> <strong>convivenza </strong>sul territorio tra i residenti rimasti e i soldati occupanti austro-ungarici.\n\nNello spazio dell’abside, sezionato da pannelli rossi, gioiello per unicità e importanza è sulla sinistra  la sezione relativa ad <strong>Andr</strong><strong>é</strong><strong> Kert</strong><strong>é</strong><strong>sz</strong>, noto perlopiù come fotografo americano, uno dei grandi del \'900, ma in realtà nato in Ungheria e nel 1914 soldato di leva a Gorizia,  da suddito austroungarico. A quell’anno risalgono una serie di fotografie, prestate dal CRAF, che ritraggono alcuni momenti degli inizi di un conflitto che doveva ancora apparire breve e indolore.\nDocumento dell’origine della guerra sono anche  quattro fotografie realizzate dal famoso <strong>fotografo triestino Carlo Wulz</strong>  al corteo funebre che si snodò a Trieste il 1 luglio 1914 con le bare dell’arciduca Francesco Ferdinando e della consorte Sofia, uccisi nell\'attentato di Sarajevo e arrivati via mare nella città giuliana per essere trasferiti a Vienna.\nUna serie di alcuni scatti esposti sempre nella navata, sui pannelli rossi e alle pareti, esemplifica un gioco di interessanti contrasti negli anni in cui la guerra era ormai avanzata : da un lato (sulla parete esterna di destra) si documenta la <strong>vita “normale” che nel 1917 si teneva a Trieste</strong>, non lambita dal conflitto;  dall’altro, a sinistra, con due <strong>fotografie di Ernesto Battigelli</strong> e di altri fotografi ignoti, si mostra il furore delle battaglie che altrove erano ingaggiate.\n<strong>Uno spazio “intimo” a sé</strong>, sulla sinistra, espone infine poche fotografie inedite di soldati italiani uccisi dai gas, rimasti intatti in montagna durante l\'inverno del \'17 e fotografati con il disgelo della primavera del \'18. La posizione è identica a quella dei bambini siriani di Idlib, anche loro uccisi dai gas nell\'aprile 2017 e rimasti paralizzati nell\'archetipo della guerra che si ripete cento anni dopo.   Anche qui dunque un gioco di confronti che, in una esposizione pur restia a proporre immagini di corpi straziati dalla guerra,  sono lasciati alla meditazione dei visitatori.\n\n&nbsp;\n\n&nbsp;\n\n&nbsp;\n\n&nbsp;','‘017-‘917 Giovani scatti per Caporetto - Mostra fotografica','','inherit','closed','closed','','5410-revision','','','2017-10-25 14:39:42','2017-10-25 13:39:42','',5410,'http://www.teatroclubudine.it/5412-5410-revision/',0,'revision','',0),
	(5413,2,'2017-10-14 08:41:10','2017-10-14 07:41:10','','Home page','','inherit','closed','closed','','82-revision-493','','','2017-10-14 08:41:10','2017-10-14 07:41:10','',82,'http://www.teatroclubudine.it/5413-82-revision-493/',0,'revision','',0),
	(5414,2,'2017-10-25 14:41:48','2017-10-25 13:41:48','','Home page','','inherit','closed','closed','','82-revision-494','','','2017-10-25 14:41:48','2017-10-25 13:41:48','',82,'http://www.teatroclubudine.it/5414-82-revision-494/',0,'revision','',0),
	(5416,2,'2017-11-21 16:04:24','2017-11-21 15:04:24','<p align=\"center\"><strong>Teatro Club Udine</strong></p>\r\n<p align=\"center\">in collaborazione con\r\n<strong>Società Filologica Friulana</strong><strong>\r\n</strong></p>\r\n<p align=\"center\">annuncia\r\nper il progetto “Akrópolis Off”</p>\r\n<p align=\"center\">in ricordo di Pierluigi Cappello\r\nripresa dello spettacolo realizzato nel cortile dei Colonos nell’agosto 2001</p>\r\n<p align=\"center\"><strong>Cjant pai tiei deits</strong></p>\r\n<p align=\"center\">di Claudia Grimaz ed Enza Pagliara</p>\r\n<p align=\"center\">liriche di Pierluigi Cappello</p>\r\n<p align=\"center\"><strong>Claudia Grimaz</strong>   canto</p>\r\n<p align=\"center\"><strong>Enza Pagliara</strong>  canto</p>\r\n<p align=\"center\"><strong>Antongiulio Galeandro</strong>  fisarmonica</p>\r\n<p align=\"center\"><strong>Massimo Somaglino</strong>  voce</p>\r\n<p align=\"center\"><strong>domenica 26 novembre 2017 │ore 20.30\r\nPalazzo Mantica │Società Filologica Friulana\r\nvia Manin 18 │Udine</strong></p>\r\n<p align=\"center\"></p>\r\n<p align=\"right\"><em> </em></p>\r\n<p align=\"right\"><em>’amòr a l’è cuant che i miei deits</em></p>\r\n<p align=\"right\"><em>a tocjàti a deventin</em></p>\r\n<p align=\"right\"><em>la ponte dai tiei.\r\n</em>Pierluigi Cappello</p>\r\n«<em>Tutto comincia con uno sguardo ...</em>\r\n\r\n<em>Due individui si guardano, si puntano, si scelgono, si aspettano, si conoscono.</em>\r\n\r\n<em>Due,</em>\r\n\r\n<em>                diversi,</em>\r\n\r\n<em>                               alle opposte estremità.</em>\r\n\r\n<em>Due continenti di memoria, alieni l’uno all’altro,</em>\r\n\r\n<em>scelgono di conoscersi, di praticare se stessi.</em>\r\n\r\n<em>Dovranno rinunciare a qualcosa di sé per arrivare all’altro, lo sanno,</em>\r\n\r\n<em>fino ad una conoscenza di sensi.</em>\r\n\r\n<em>Fino a scoprire di essere uno.</em>\r\n\r\n<em>Tutt’uno con colui che li ha generati, immaginati, sognati, vissuti nelle sue poesie.</em>\r\n\r\n<em> </em>\r\n\r\n<em>Due continenti di memoria sono anche il Friuli e il Salento.</em>\r\n\r\n<em>Due terre tanto lontane, diverse, che hanno in comune forse solo la presenza di un confine aperto ad est, e una ruralità ancora tanto presente nella vita quotidiana delle persone.</em>\r\n\r\n<em>Due terre la cui diversità è per noi pretesto per raccontare il Donzel, la parte razionale dell’uomo, elaborazione lucida della sofferenza per una condizione umana universalmente difficile, e la Domine, che incarna il desiderio di darsi e di sedurre, di amare ed essere amati».</em>\r\n\r\n&nbsp;\r\n\r\nRecitava così, nell’estate del 2001, la presentazione di  “Cjant pai tiei deits”, realizzato da Claudia Grimaz ed Enza Pagliara assieme a Pierluigi Cappello, che nello spettacolo leggeva personalmente alcune liriche della raccolta <em>Amôrs\r\n</em>La presentazione continuava con le parole di Claudia:\r\n\r\n<em>«</em>Qualche tempo fa, a Gemona, in occasione di una lettura di <em>Amôrs</em>, Pierluigi ha ascoltato un mio esperimento di musicare una sua poesia e mi ha proposto di insistere nel lavoro di composizione su altre sue liriche. Allo stesso modo l’incontro con Enza Pagliara, nato dalla curiosità di avvicinare stili musicali e timbri vocali tanto diversi tra loro, ha portato all’elaborazione di un comune progetto di lavoro<em>».</em>\r\n\r\n<em> </em>Nasceva allora “Cjant pai tiei deits”, uno spettacolo nel quale la poesia si avvicinava e si mescolava al canto popolare fino a diventare essa stessa “voce cantata”, melodia che si affidava alla musica per trasmettere immagini sonore assieme a quelle visive ed emotive della poesia stessa. E per meglio esaltare una scrittura poetica densa di contrasti e di contrapposizioni, alla lingua friulana delle liriche ecco affiancarsi il canto popolare della tradizione salentina, per restituire quel calore e quella sensualità così presenti nella raccolta <em>Amôrs</em>.\r\n\r\nLa riproposizione di un lavoro fatto allora assieme a un Pierluigi Cappello ancora “locale”, antecedente alla sua consacrazione nazionale di poeta, sembra il modo migliore per ricordare la sua recente scomparsa, e stringerlo in un nuovo, semplice, condiviso abbraccio.\r\n\r\nIn scena con Claudia Grimaz e Enza Pagliara sono Antongiulio Galeandro, musicista salentino presente già nell’edizione del 2001, e Massimo Somaglino, che dà voce alle liriche allora lette dallo stesso Pierluigi Cappello.\r\n\r\nLo spettacolo, dopo il debutto nell’agosto 2001  per il“Progjet Colonos”- Avostanis” di Villacaccia di Lestizza, è oggi ripreso grazie al sostegno del Teatro Club Udine.\r\n\r\n&nbsp;\r\n\r\nInfo e prenotazioni  (<strong>numero massimo posti disponibili : ottanta):</strong>\r\nTeatro Club Udine, via Marco Volpe 13, Udine, t 0432 507953\r\ninfo@teatroclubudine.it, www.teatroclubudine.it','\"Cjant pai tiei deits\", in ricordo di Pierluigi Cappello','','publish','closed','closed','','cjant-pai-tiei-deits-in-ricordo-di-pierluigi-cappello','','','2017-11-21 16:04:24','2017-11-21 15:04:24','',0,'http://www.teatroclubudine.it/?p=5416',0,'post','',0),
	(5418,2,'2017-11-21 16:03:44','2017-11-21 15:03:44','','CAP2','','inherit','closed','closed','','cap2','','','2017-11-21 16:03:44','2017-11-21 15:03:44','',5416,'http://www.teatroclubudine.it/wp-content/uploads/2017/11/CAP2.jpg',0,'attachment','image/jpeg',0),
	(5419,2,'2017-11-21 16:02:15','2017-11-21 15:02:15','','\"Cjant pai tiei deits\", in ricordo di Pierluigi Cappello','','inherit','closed','closed','','5416-revision','','','2017-11-21 16:02:15','2017-11-21 15:02:15','',5416,'http://www.teatroclubudine.it/5419-5416-revision/',0,'revision','',0),
	(5420,2,'2017-10-25 14:41:53','2017-10-25 13:41:53','','Home page','','inherit','closed','closed','','82-revision-495','','','2017-10-25 14:41:53','2017-10-25 13:41:53','',82,'http://www.teatroclubudine.it/5420-82-revision-495/',0,'revision','',0),
	(5421,2,'2017-11-21 16:05:25','2017-11-21 15:05:25','','Home page','','inherit','closed','closed','','82-revision-496','','','2017-11-21 16:05:25','2017-11-21 15:05:25','',82,'http://www.teatroclubudine.it/5421-82-revision-496/',0,'revision','',0),
	(5422,2,'2017-11-21 16:09:47','2017-11-21 15:09:47','<p align=\"center\"><strong>Teatro Club Udine</strong></p>\r\n<p align=\"center\">in collaborazione con\r\n<strong>Società Filologica Friulana\r\nNota edizioni</strong><strong></strong></p>\r\n<p align=\"center\">annuncia</p>\r\n<p align=\"center\"><strong>“Akrópolis off” in via Manin 18</strong></p>\r\n<p align=\"center\"><strong>Al via a Udine con tre appuntamenti  una nuova proposta culturale,\r\ngrazie alla sinergia tra il Teatro Club Udine, Nota edizioni,\r\ni giovani del Palio Teatrale Studentesco e la Società Filologica Friulana</strong></p>\r\n&nbsp;\r\n\r\nUna nuova proposta culturale è nata a Udine, all’interno del <strong>Teatro Club</strong>, storica realtà teatrale cittadina, grazie alla collaborazione con <strong>Nota edizioni</strong> e la <strong>Società Filologica Friulana</strong>, che ha messo a disposizione i suoi spazi, in particolare nel seminterrato cui si accede da via Manin 18. <strong>“Akrópolis off”:</strong> questo il nome del neonato gruppo di lavoro, in cui “off” sta anche per “officina” , come precisano i sei ideatori e animatori dell’iniziativa, <strong>Gianni Cianchi, Valter Colle, Fabiana Dallavalle, Angela Felice, Massimo Somaglino e Vittorio Vella.</strong>\r\n«Sarà  una libera palestra di idee  per guardare lontano – dichiarano all’unisono – a cui stiamo lavorando già da mesi. Il nostro obiettivo è quello di costruire un luogo e un’occasione in cui la città di Udine possa ritrovarsi in modo continuativo per riflettere su se stessa, capire dove sta andando in campo culturale, animare momenti di incontro e di conoscenza, discutere la propria identità attuale, al bivio tra il passato e le sfide del futuro. E, a proposito di futuro, un occhio speciale sarà dedicato ai giovani, che così possano avere una casa di riferimento e lì poter esprimere quella creatività che sprigionano al Palio Teatrale Studentesco».\r\n\r\nProprio con i giovani sono già state varate due  iniziative  sperimentali  a porte chiuse, come progetti da numero zero.  Il  1 settembre, nella  serata “oilaPalio”, cinque gruppi giovanili usciti dal Palio Teatrale Studentesco (CCFT, Retroscena!, attOroni, Laboratorio Prepaliamoci, Campus Grigrì dei Matearium) hanno messo a confronto alcuni frammenti del loro lavoro, all’insegna dello scambio di esperienze e idee.\r\nAncora i giovani sono stati i protagonisti del secondo incontro, avvenuto  il 15 settembre, in cui otto ragazzi, selezionati tra i gruppi dell’ultimo Palio, hanno proposto gli esiti di un laboratorio tenuto dall’attore Manuel Buttus del Teatrino del Rifo sull’opera, soprattutto teatrale, del poeta carnico Leonardo Zanier.  Un appuntamento, quest’ultimo, pensato non solo come omaggio a una grande voce della letteratura friulana ma anche come inizio di un percorso di attenzione alla storia, alla cultura e alla poesia  locali.\r\n\r\nIn prosecuzione con questa linea di intenti, sono dunque <strong>tre i prossimi appuntamenti</strong>, che  faranno da apripista ad un programma organico da attuare nel 2018 e che saranno realizzati nel salone d’onore della Società Filologica. Tre occasioni distinte che trovano intanto il loro collante nell’attenzione alla musica e alla lingua del Friuli, oltre che alle loro risonanze  nella sensibilità dei poeti,  cui “Akrópolis off” intende riservare particolare  spazio.\r\nProprio a una indimenticabile voce lirica del Friuli, il grande <strong>Pierluigi Cappello</strong>,  è dedicato il primo appuntamento  in programma <strong>domenica 26 novembre alle ore 20.30</strong>. Di scena, con il sostegno produttivo del Teatro Club,  il recital <strong><em>Cjant pai tiei deits</em></strong>, remake dello spettacolo musicale realizzato nel 2001 nel cortile dei Colonos dalle cantanti  <strong>Claudia Grimaz</strong> e <strong>Enza Pagliara</strong>, friulana la prima, salentina la seconda, con la presenza di un Pierluigi ancora sconosciuto, legato alla ricerca delle sonorità della parola friulana e allora impegnato anche a leggere i suoi versi. Nella nuova versione, con Claudia Grimaz ed Enza Pagliara sono coinvolti  <strong>Antongiulio Galeandro</strong>, musicista salentino lui pure presente nell’edizione del 2001, e <strong>Massimo Somaglino</strong>, che darà voce alle liriche allora lette da Cappello. Restano sempre al centro  alcune liriche della raccolta <em>Amôrs</em>, cuore di un lavoro in cui  la poesia si avvicina e si mescola al canto popolare fino a diventare essa stessa “voce cantata”, melodia che si affida alla musica per trasmettere immagini sonore assieme a quelle visive ed emotive della poesia stessa.  Per meglio esaltare una scrittura poetica densa di contrasti e di dialoghi, come quello tra il “Donzel “e la “Domine” che attraversa la raccolta, alla lingua friulana delle liriche si intreccerà il canto popolare della tradizione salentina, capace di restituire un prezioso mix di calore e sensualità .\r\n\r\nLa ripresa di questo lavoro, che nel 2001 precedette la  consacrazione nazionale del poeta Cappello,  sembra il modo migliore per ricordare la sua recente scomparsa, e stringerlo in un nuovo, semplice e delicato  abbraccio.\r\n\r\n&nbsp;\r\n\r\nAncora la musica farà da protagonista nelle altre due puntate del progetto. Sempre nel salone d’onore di Palazzo Mantica, <strong>giovedì 7 dicembre, alle ore 18.30</strong>, a ingresso libero, sarà presentato il booklet “Ogni sera” (Nota ed.),  nuovo lavoro del cantautore  <strong>Lino Straulino</strong>, autore di culto della musica di casa nostra,  ricercatore di tradizioni musicali carniche, voce e polistrumentista di diversi gruppi folk, in cui risuonano non pochi venti  d’oltre Manica.   Alla presentazione sarà presente anche l’autore Straulino, cui non pare  impertinente conferire la qualifica di poeta sensibile, come si è rivelata anche nel precedente disco “Spin”, sempre edito da Nota.\r\n\r\nInfine, <strong>sabato 16 dicembre, ancora alle 18.30</strong>, in sede ancora da definire, sarà di scena a ingresso libero  il canto patriarchino, un canto antico, dall’origine misteriosa, tramandato oralmente di generazione in generazione, e che veniva intonato nelle cattedrali come nelle cappelle di montagna. Un fossile, probabilmente, della gloriosa storia del patriarcato di Aquileia, diventato nei secoli espressione tra le più schiette della devozione popolare. Oggi quasi estinto, attorno al patriarchino in Friuli si è costruita una rete di affetto e di sostegno, con una coscienza molto moderna del suo valore, storico e di fede. È così per don Giuseppe Cargnello, che già negli anni Settanta ha iniziato a raccogliere le testimonianze di una storia che si andava spegnendo, e soprattutto per i cantori carnici della pieve di Gorto, nella val Degano,   di cui don Giuseppe è parroco dal 1972. Con le loro voci questi cantori saranno i protagonisti della manifestazione, che farà affiorare le tracce sonore di un arcano e perduto mondo  popolare.\r\n\r\n&nbsp;\r\n\r\nAl bivio, dunque, tra la rievocazione del passato e l’attenzione alla contemporaneità, nel segno dell’arte e della poesia. Sono queste le carte in cui si giocherà la partita del progetto “Akrópolis off”, che annuncerà a breve anche il calendario e il programma pensato per il 2018. Intanto, per questo primo tris di incontri, è consigliata la prenotazione, dato il limitato numero di posti disponibili.\r\nInfo, Teatro Club Udine, via Marco Volpe 13, Udine, t  0432 507953, www.teatroclubudine.it.\r\n\r\n&nbsp;','“Akrópolis off\", tre appuntamenti per una nuova proposta culturale','','publish','closed','closed','','akropolis-off-tre-appuntamenti-per-una-nuova-proposta-culturale','','','2017-11-21 16:10:01','2017-11-21 15:10:01','',0,'http://www.teatroclubudine.it/?p=5422',0,'post','',0),
	(5448,2,'2017-12-07 11:52:58','2017-12-07 10:52:58','<p align=\"center\">Akropolisoff - Dulinvie17\nGiovedì 7.12.17 h.18:30\nSocietà Filologica Friulana, via Manin 18, Udine</p>\n<p align=\"center\"><strong>\n</strong><strong>“Ogni sera”\n</strong><strong>Straulino al cjante Zanier\n\n\n</strong></p>\n<p align=\"center\">Zanier, recentemente scomparso, è un intellettuale, sindacalista e poeta che ha saputo raccontare in maniera illuminante il Friuli e gli eventi che ne hanno caratterizzato la sua storia recente, offrendo spesso punti di vista inusuali e spiazzanti; in questo senso rappresenta una figura-filtro esemplare per rileggere “diversamente” il Friuli e le sue vicende.</p>\n<p align=\"center\">Lino Straulino opera una scelta del tutto personale fra i testi poetici di Leonardo Zanier, restituendoci una nuova, personale, prospettiva interpretativa.<em>\n\nIngresso gratuito</em></p>','Straulino al cjante Zanier, giovedì 7 dicembre a Udine','','inherit','closed','closed','','5445-revision','','','2017-12-07 11:52:58','2017-12-07 10:52:58','',5445,'http://www.teatroclubudine.it/5448-5445-revision/',0,'revision','',0),
	(5424,2,'2017-11-21 16:09:29','2017-11-21 15:09:29','','udine-1115578_1920','','inherit','closed','closed','','udine-1115578_1920','','','2017-11-21 16:09:29','2017-11-21 15:09:29','',5422,'http://www.teatroclubudine.it/wp-content/uploads/2017/11/udine-1115578_1920.jpg',0,'attachment','image/jpeg',0),
	(5425,2,'2017-11-21 16:07:39','2017-11-21 15:07:39','<p align=\"center\"><strong>Teatro Club Udine</strong></p>\n<p align=\"center\">in collaborazione con\n<strong>Società Filologica Friulana\nNota edizioni</strong><strong></strong></p>\n<p align=\"center\">annuncia</p>\n<p align=\"center\"><strong>“Akrópolis off” in via Manin 18</strong></p>\n<p align=\"center\"><strong>Al via a Udine con tre appuntamenti  una nuova proposta culturale,\ngrazie alla sinergia tra il Teatro Club Udine, Nota edizioni,\ni giovani del Palio Teatrale Studentesco e la Società Filologica Friulana</strong></p>\n&nbsp;\n\nUna nuova proposta culturale è nata a Udine, all’interno del <strong>Teatro Club</strong>, storica realtà teatrale cittadina, grazie alla collaborazione con <strong>Nota edizioni</strong> e la <strong>Società Filologica Friulana</strong>, che ha messo a disposizione i suoi spazi, in particolare nel seminterrato cui si accede da via Manin 18. <strong>“Akrópolis off”:</strong> questo il nome del neonato gruppo di lavoro, in cui “off” sta anche per “officina” , come precisano i sei ideatori e animatori dell’iniziativa, <strong>Gianni Cianchi, Valter Colle, Fabiana Dallavalle, Angela Felice, Massimo Somaglino e Vittorio Vella.</strong>\n«Sarà  una libera palestra di idee  per guardare lontano – dichiarano all’unisono – a cui stiamo lavorando già da mesi. Il nostro obiettivo è quello di costruire un luogo e un’occasione in cui la città di Udine possa ritrovarsi in modo continuativo per riflettere su se stessa, capire dove sta andando in campo culturale, animare momenti di incontro e di conoscenza, discutere la propria identità attuale, al bivio tra il passato e le sfide del futuro. E, a proposito di futuro, un occhio speciale sarà dedicato ai giovani, che così possano avere una casa di riferimento e lì poter esprimere quella creatività che sprigionano al Palio Teatrale Studentesco».\n\nProprio con i giovani sono già state varate due  iniziative  sperimentali  a porte chiuse, come progetti da numero zero.  Il  1 settembre, nella  serata “oilaPalio”, cinque gruppi giovanili usciti dal Palio Teatrale Studentesco (CCFT, Retroscena!, attOroni, Laboratorio Prepaliamoci, Campus Grigrì dei Matearium) hanno messo a confronto alcuni frammenti del loro lavoro, all’insegna dello scambio di esperienze e idee.\nAncora i giovani sono stati i protagonisti del secondo incontro, avvenuto  il 15 settembre, in cui otto ragazzi, selezionati tra i gruppi dell’ultimo Palio, hanno proposto gli esiti di un laboratorio tenuto dall’attore Manuel Buttus del Teatrino del Rifo sull’opera, soprattutto teatrale, del poeta carnico Leonardo Zanier.  Un appuntamento, quest’ultimo, pensato non solo come omaggio a una grande voce della letteratura friulana ma anche come inizio di un percorso di attenzione alla storia, alla cultura e alla poesia  locali.\n\nIn prosecuzione con questa linea di intenti, sono dunque <strong>tre i prossimi appuntamenti</strong>, che  faranno da apripista ad un programma organico da attuare nel 2018 e che saranno realizzati nel salone d’onore della Società Filologica. Tre occasioni distinte che trovano intanto il loro collante nell’attenzione alla musica e alla lingua del Friuli, oltre che alle loro risonanze  nella sensibilità dei poeti,  cui “Akrópolis off” intende riservare particolare  spazio.\nProprio a una indimenticabile voce lirica del Friuli, il grande <strong>Pierluigi Cappello</strong>,  è dedicato il primo appuntamento  in programma <strong>domenica 26 novembre alle ore 20.30</strong>. Di scena, con il sostegno produttivo del Teatro Club,  il recital <strong><em>Cjant pai tiei deits</em></strong>, remake dello spettacolo musicale realizzato nel 2001 nel cortile dei Colonos dalle cantanti  <strong>Claudia Grimaz</strong> e <strong>Enza Pagliara</strong>, friulana la prima, salentina la seconda, con la presenza di un Pierluigi ancora sconosciuto, legato alla ricerca delle sonorità della parola friulana e allora impegnato anche a leggere i suoi versi. Nella nuova versione, con Claudia Grimaz ed Enza Pagliara sono coinvolti  <strong>Antongiulio Galeandro</strong>, musicista salentino lui pure presente nell’edizione del 2001, e <strong>Massimo Somaglino</strong>, che darà voce alle liriche allora lette da Cappello. Restano sempre al centro  alcune liriche della raccolta <em>Amôrs</em>, cuore di un lavoro in cui  la poesia si avvicina e si mescola al canto popolare fino a diventare essa stessa “voce cantata”, melodia che si affida alla musica per trasmettere immagini sonore assieme a quelle visive ed emotive della poesia stessa.  Per meglio esaltare una scrittura poetica densa di contrasti e di dialoghi, come quello tra il “Donzel “e la “Domine” che attraversa la raccolta, alla lingua friulana delle liriche si intreccerà il canto popolare della tradizione salentina, capace di restituire un prezioso mix di calore e sensualità .\n\nLa ripresa di questo lavoro, che nel 2001 precedette la  consacrazione nazionale del poeta Cappello,  sembra il modo migliore per ricordare la sua recente scomparsa, e stringerlo in un nuovo, semplice e delicato  abbraccio.\n\n&nbsp;\n\nAncora la musica farà da protagonista nelle altre due puntate del progetto. Sempre nel salone d’onore di Palazzo Mantica, <strong>giovedì 7 dicembre, alle ore 18.30</strong>, a ingresso libero, sarà presentato il booklet “Ogni sera” (Nota ed.),  nuovo lavoro del cantautore  <strong>Lino Straulino</strong>, autore di culto della musica di casa nostra,  ricercatore di tradizioni musicali carniche, voce e polistrumentista di diversi gruppi folk, in cui risuonano non pochi venti  d’oltre Manica.   Alla presentazione sarà presente anche l’autore Straulino, cui non pare  impertinente conferire la qualifica di poeta sensibile, come si è rivelata anche nel precedente disco “Spin”, sempre edito da Nota.\n\nInfine, <strong>sabato 16 dicembre, ancora alle 18.30</strong>, in sede ancora da definire, sarà di scena a ingresso libero  il canto patriarchino, un canto antico, dall’origine misteriosa, tramandato oralmente di generazione in generazione, e che veniva intonato nelle cattedrali come nelle cappelle di montagna. Un fossile, probabilmente, della gloriosa storia del patriarcato di Aquileia, diventato nei secoli espressione tra le più schiette della devozione popolare. Oggi quasi estinto, attorno al patriarchino in Friuli si è costruita una rete di affetto e di sostegno, con una coscienza molto moderna del suo valore, storico e di fede. È così per don Giuseppe Cargnello, che già negli anni Settanta ha iniziato a raccogliere le testimonianze di una storia che si andava spegnendo, e soprattutto per i cantori carnici della pieve di Gorto, nella val Degano,   di cui don Giuseppe è parroco dal 1972. Con le loro voci questi cantori saranno i protagonisti della manifestazione, che farà affiorare le tracce sonore di un arcano e perduto mondo  popolare.\n\n&nbsp;\n\nAl bivio, dunque, tra la rievocazione del passato e l’attenzione alla contemporaneità, nel segno dell’arte e della poesia. Sono queste le carte in cui si giocherà la partita del progetto “Akrópolis off”, che annuncerà a breve anche il calendario e il programma pensato per il 2018. Intanto, per questo primo tris di incontri, è consigliata la prenotazione, dato il limitato numero di posti disponibili.\nInfo, Teatro Club Udine, via Marco Volpe 13, Udine, t  0432 507953, www.teatroclubudine.it.\n\n&nbsp;','“Akrópolis off\",  tre appuntamenti per una nuova proposta culturale','','inherit','closed','closed','','5422-revision','','','2017-11-21 16:07:39','2017-11-21 15:07:39','',5422,'http://www.teatroclubudine.it/5425-5422-revision/',0,'revision','',0),
	(5426,2,'2017-11-21 16:09:47','2017-11-21 15:09:47','<p align=\"center\"><strong>Teatro Club Udine</strong></p>\r\n<p align=\"center\">in collaborazione con\r\n<strong>Società Filologica Friulana\r\nNota edizioni</strong><strong></strong></p>\r\n<p align=\"center\">annuncia</p>\r\n<p align=\"center\"><strong>“Akrópolis off” in via Manin 18</strong></p>\r\n<p align=\"center\"><strong>Al via a Udine con tre appuntamenti  una nuova proposta culturale,\r\ngrazie alla sinergia tra il Teatro Club Udine, Nota edizioni,\r\ni giovani del Palio Teatrale Studentesco e la Società Filologica Friulana</strong></p>\r\n&nbsp;\r\n\r\nUna nuova proposta culturale è nata a Udine, all’interno del <strong>Teatro Club</strong>, storica realtà teatrale cittadina, grazie alla collaborazione con <strong>Nota edizioni</strong> e la <strong>Società Filologica Friulana</strong>, che ha messo a disposizione i suoi spazi, in particolare nel seminterrato cui si accede da via Manin 18. <strong>“Akrópolis off”:</strong> questo il nome del neonato gruppo di lavoro, in cui “off” sta anche per “officina” , come precisano i sei ideatori e animatori dell’iniziativa, <strong>Gianni Cianchi, Valter Colle, Fabiana Dallavalle, Angela Felice, Massimo Somaglino e Vittorio Vella.</strong>\r\n«Sarà  una libera palestra di idee  per guardare lontano – dichiarano all’unisono – a cui stiamo lavorando già da mesi. Il nostro obiettivo è quello di costruire un luogo e un’occasione in cui la città di Udine possa ritrovarsi in modo continuativo per riflettere su se stessa, capire dove sta andando in campo culturale, animare momenti di incontro e di conoscenza, discutere la propria identità attuale, al bivio tra il passato e le sfide del futuro. E, a proposito di futuro, un occhio speciale sarà dedicato ai giovani, che così possano avere una casa di riferimento e lì poter esprimere quella creatività che sprigionano al Palio Teatrale Studentesco».\r\n\r\nProprio con i giovani sono già state varate due  iniziative  sperimentali  a porte chiuse, come progetti da numero zero.  Il  1 settembre, nella  serata “oilaPalio”, cinque gruppi giovanili usciti dal Palio Teatrale Studentesco (CCFT, Retroscena!, attOroni, Laboratorio Prepaliamoci, Campus Grigrì dei Matearium) hanno messo a confronto alcuni frammenti del loro lavoro, all’insegna dello scambio di esperienze e idee.\r\nAncora i giovani sono stati i protagonisti del secondo incontro, avvenuto  il 15 settembre, in cui otto ragazzi, selezionati tra i gruppi dell’ultimo Palio, hanno proposto gli esiti di un laboratorio tenuto dall’attore Manuel Buttus del Teatrino del Rifo sull’opera, soprattutto teatrale, del poeta carnico Leonardo Zanier.  Un appuntamento, quest’ultimo, pensato non solo come omaggio a una grande voce della letteratura friulana ma anche come inizio di un percorso di attenzione alla storia, alla cultura e alla poesia  locali.\r\n\r\nIn prosecuzione con questa linea di intenti, sono dunque <strong>tre i prossimi appuntamenti</strong>, che  faranno da apripista ad un programma organico da attuare nel 2018 e che saranno realizzati nel salone d’onore della Società Filologica. Tre occasioni distinte che trovano intanto il loro collante nell’attenzione alla musica e alla lingua del Friuli, oltre che alle loro risonanze  nella sensibilità dei poeti,  cui “Akrópolis off” intende riservare particolare  spazio.\r\nProprio a una indimenticabile voce lirica del Friuli, il grande <strong>Pierluigi Cappello</strong>,  è dedicato il primo appuntamento  in programma <strong>domenica 26 novembre alle ore 20.30</strong>. Di scena, con il sostegno produttivo del Teatro Club,  il recital <strong><em>Cjant pai tiei deits</em></strong>, remake dello spettacolo musicale realizzato nel 2001 nel cortile dei Colonos dalle cantanti  <strong>Claudia Grimaz</strong> e <strong>Enza Pagliara</strong>, friulana la prima, salentina la seconda, con la presenza di un Pierluigi ancora sconosciuto, legato alla ricerca delle sonorità della parola friulana e allora impegnato anche a leggere i suoi versi. Nella nuova versione, con Claudia Grimaz ed Enza Pagliara sono coinvolti  <strong>Antongiulio Galeandro</strong>, musicista salentino lui pure presente nell’edizione del 2001, e <strong>Massimo Somaglino</strong>, che darà voce alle liriche allora lette da Cappello. Restano sempre al centro  alcune liriche della raccolta <em>Amôrs</em>, cuore di un lavoro in cui  la poesia si avvicina e si mescola al canto popolare fino a diventare essa stessa “voce cantata”, melodia che si affida alla musica per trasmettere immagini sonore assieme a quelle visive ed emotive della poesia stessa.  Per meglio esaltare una scrittura poetica densa di contrasti e di dialoghi, come quello tra il “Donzel “e la “Domine” che attraversa la raccolta, alla lingua friulana delle liriche si intreccerà il canto popolare della tradizione salentina, capace di restituire un prezioso mix di calore e sensualità .\r\n\r\nLa ripresa di questo lavoro, che nel 2001 precedette la  consacrazione nazionale del poeta Cappello,  sembra il modo migliore per ricordare la sua recente scomparsa, e stringerlo in un nuovo, semplice e delicato  abbraccio.\r\n\r\n&nbsp;\r\n\r\nAncora la musica farà da protagonista nelle altre due puntate del progetto. Sempre nel salone d’onore di Palazzo Mantica, <strong>giovedì 7 dicembre, alle ore 18.30</strong>, a ingresso libero, sarà presentato il booklet “Ogni sera” (Nota ed.),  nuovo lavoro del cantautore  <strong>Lino Straulino</strong>, autore di culto della musica di casa nostra,  ricercatore di tradizioni musicali carniche, voce e polistrumentista di diversi gruppi folk, in cui risuonano non pochi venti  d’oltre Manica.   Alla presentazione sarà presente anche l’autore Straulino, cui non pare  impertinente conferire la qualifica di poeta sensibile, come si è rivelata anche nel precedente disco “Spin”, sempre edito da Nota.\r\n\r\nInfine, <strong>sabato 16 dicembre, ancora alle 18.30</strong>, in sede ancora da definire, sarà di scena a ingresso libero  il canto patriarchino, un canto antico, dall’origine misteriosa, tramandato oralmente di generazione in generazione, e che veniva intonato nelle cattedrali come nelle cappelle di montagna. Un fossile, probabilmente, della gloriosa storia del patriarcato di Aquileia, diventato nei secoli espressione tra le più schiette della devozione popolare. Oggi quasi estinto, attorno al patriarchino in Friuli si è costruita una rete di affetto e di sostegno, con una coscienza molto moderna del suo valore, storico e di fede. È così per don Giuseppe Cargnello, che già negli anni Settanta ha iniziato a raccogliere le testimonianze di una storia che si andava spegnendo, e soprattutto per i cantori carnici della pieve di Gorto, nella val Degano,   di cui don Giuseppe è parroco dal 1972. Con le loro voci questi cantori saranno i protagonisti della manifestazione, che farà affiorare le tracce sonore di un arcano e perduto mondo  popolare.\r\n\r\n&nbsp;\r\n\r\nAl bivio, dunque, tra la rievocazione del passato e l’attenzione alla contemporaneità, nel segno dell’arte e della poesia. Sono queste le carte in cui si giocherà la partita del progetto “Akrópolis off”, che annuncerà a breve anche il calendario e il programma pensato per il 2018. Intanto, per questo primo tris di incontri, è consigliata la prenotazione, dato il limitato numero di posti disponibili.\r\nInfo, Teatro Club Udine, via Marco Volpe 13, Udine, t  0432 507953, www.teatroclubudine.it.\r\n\r\n&nbsp;','“Akrópolis off\", tre appuntamenti per una nuova proposta culturale','','inherit','closed','closed','','5422-revision-2','','','2017-11-21 16:09:47','2017-11-21 15:09:47','',5422,'http://www.teatroclubudine.it/5426-5422-revision-2/',0,'revision','',0),
	(5427,2,'2017-11-21 16:09:55','2017-11-21 15:09:55','<p align=\"center\"><strong>Teatro Club Udine</strong></p>\r\n<p align=\"center\">in collaborazione con\r\n<strong>Società Filologica Friulana\r\nNota edizioni</strong><strong></strong></p>\r\n<p align=\"center\">annuncia</p>\r\n<p align=\"center\"><strong>“Akrópolis off” in via Manin 18</strong></p>\r\n<p align=\"center\"><strong>Al via a Udine con tre appuntamenti  una nuova proposta culturale,\r\ngrazie alla sinergia tra il Teatro Club Udine, Nota edizioni,\r\ni giovani del Palio Teatrale Studentesco e la Società Filologica Friulana</strong></p>\r\n&nbsp;\r\n\r\nUna nuova proposta culturale è nata a Udine, all’interno del <strong>Teatro Club</strong>, storica realtà teatrale cittadina, grazie alla collaborazione con <strong>Nota edizioni</strong> e la <strong>Società Filologica Friulana</strong>, che ha messo a disposizione i suoi spazi, in particolare nel seminterrato cui si accede da via Manin 18. <strong>“Akrópolis off”:</strong> questo il nome del neonato gruppo di lavoro, in cui “off” sta anche per “officina” , come precisano i sei ideatori e animatori dell’iniziativa, <strong>Gianni Cianchi, Valter Colle, Fabiana Dallavalle, Angela Felice, Massimo Somaglino e Vittorio Vella.</strong>\r\n«Sarà  una libera palestra di idee  per guardare lontano – dichiarano all’unisono – a cui stiamo lavorando già da mesi. Il nostro obiettivo è quello di costruire un luogo e un’occasione in cui la città di Udine possa ritrovarsi in modo continuativo per riflettere su se stessa, capire dove sta andando in campo culturale, animare momenti di incontro e di conoscenza, discutere la propria identità attuale, al bivio tra il passato e le sfide del futuro. E, a proposito di futuro, un occhio speciale sarà dedicato ai giovani, che così possano avere una casa di riferimento e lì poter esprimere quella creatività che sprigionano al Palio Teatrale Studentesco».\r\n\r\nProprio con i giovani sono già state varate due  iniziative  sperimentali  a porte chiuse, come progetti da numero zero.  Il  1 settembre, nella  serata “oilaPalio”, cinque gruppi giovanili usciti dal Palio Teatrale Studentesco (CCFT, Retroscena!, attOroni, Laboratorio Prepaliamoci, Campus Grigrì dei Matearium) hanno messo a confronto alcuni frammenti del loro lavoro, all’insegna dello scambio di esperienze e idee.\r\nAncora i giovani sono stati i protagonisti del secondo incontro, avvenuto  il 15 settembre, in cui otto ragazzi, selezionati tra i gruppi dell’ultimo Palio, hanno proposto gli esiti di un laboratorio tenuto dall’attore Manuel Buttus del Teatrino del Rifo sull’opera, soprattutto teatrale, del poeta carnico Leonardo Zanier.  Un appuntamento, quest’ultimo, pensato non solo come omaggio a una grande voce della letteratura friulana ma anche come inizio di un percorso di attenzione alla storia, alla cultura e alla poesia  locali.\r\n\r\nIn prosecuzione con questa linea di intenti, sono dunque <strong>tre i prossimi appuntamenti</strong>, che  faranno da apripista ad un programma organico da attuare nel 2018 e che saranno realizzati nel salone d’onore della Società Filologica. Tre occasioni distinte che trovano intanto il loro collante nell’attenzione alla musica e alla lingua del Friuli, oltre che alle loro risonanze  nella sensibilità dei poeti,  cui “Akrópolis off” intende riservare particolare  spazio.\r\nProprio a una indimenticabile voce lirica del Friuli, il grande <strong>Pierluigi Cappello</strong>,  è dedicato il primo appuntamento  in programma <strong>domenica 26 novembre alle ore 20.30</strong>. Di scena, con il sostegno produttivo del Teatro Club,  il recital <strong><em>Cjant pai tiei deits</em></strong>, remake dello spettacolo musicale realizzato nel 2001 nel cortile dei Colonos dalle cantanti  <strong>Claudia Grimaz</strong> e <strong>Enza Pagliara</strong>, friulana la prima, salentina la seconda, con la presenza di un Pierluigi ancora sconosciuto, legato alla ricerca delle sonorità della parola friulana e allora impegnato anche a leggere i suoi versi. Nella nuova versione, con Claudia Grimaz ed Enza Pagliara sono coinvolti  <strong>Antongiulio Galeandro</strong>, musicista salentino lui pure presente nell’edizione del 2001, e <strong>Massimo Somaglino</strong>, che darà voce alle liriche allora lette da Cappello. Restano sempre al centro  alcune liriche della raccolta <em>Amôrs</em>, cuore di un lavoro in cui  la poesia si avvicina e si mescola al canto popolare fino a diventare essa stessa “voce cantata”, melodia che si affida alla musica per trasmettere immagini sonore assieme a quelle visive ed emotive della poesia stessa.  Per meglio esaltare una scrittura poetica densa di contrasti e di dialoghi, come quello tra il “Donzel “e la “Domine” che attraversa la raccolta, alla lingua friulana delle liriche si intreccerà il canto popolare della tradizione salentina, capace di restituire un prezioso mix di calore e sensualità .\r\n\r\nLa ripresa di questo lavoro, che nel 2001 precedette la  consacrazione nazionale del poeta Cappello,  sembra il modo migliore per ricordare la sua recente scomparsa, e stringerlo in un nuovo, semplice e delicato  abbraccio.\r\n\r\n&nbsp;\r\n\r\nAncora la musica farà da protagonista nelle altre due puntate del progetto. Sempre nel salone d’onore di Palazzo Mantica, <strong>giovedì 7 dicembre, alle ore 18.30</strong>, a ingresso libero, sarà presentato il booklet “Ogni sera” (Nota ed.),  nuovo lavoro del cantautore  <strong>Lino Straulino</strong>, autore di culto della musica di casa nostra,  ricercatore di tradizioni musicali carniche, voce e polistrumentista di diversi gruppi folk, in cui risuonano non pochi venti  d’oltre Manica.   Alla presentazione sarà presente anche l’autore Straulino, cui non pare  impertinente conferire la qualifica di poeta sensibile, come si è rivelata anche nel precedente disco “Spin”, sempre edito da Nota.\r\n\r\nInfine, <strong>sabato 16 dicembre, ancora alle 18.30</strong>, in sede ancora da definire, sarà di scena a ingresso libero  il canto patriarchino, un canto antico, dall’origine misteriosa, tramandato oralmente di generazione in generazione, e che veniva intonato nelle cattedrali come nelle cappelle di montagna. Un fossile, probabilmente, della gloriosa storia del patriarcato di Aquileia, diventato nei secoli espressione tra le più schiette della devozione popolare. Oggi quasi estinto, attorno al patriarchino in Friuli si è costruita una rete di affetto e di sostegno, con una coscienza molto moderna del suo valore, storico e di fede. È così per don Giuseppe Cargnello, che già negli anni Settanta ha iniziato a raccogliere le testimonianze di una storia che si andava spegnendo, e soprattutto per i cantori carnici della pieve di Gorto, nella val Degano,   di cui don Giuseppe è parroco dal 1972. Con le loro voci questi cantori saranno i protagonisti della manifestazione, che farà affiorare le tracce sonore di un arcano e perduto mondo  popolare.\r\n\r\n&nbsp;\r\n\r\nAl bivio, dunque, tra la rievocazione del passato e l’attenzione alla contemporaneità, nel segno dell’arte e della poesia. Sono queste le carte in cui si giocherà la partita del progetto “Akrópolis off”, che annuncerà a breve anche il calendario e il programma pensato per il 2018. Intanto, per questo primo tris di incontri, è consigliata la prenotazione, dato il limitato numero di posti disponibili.\r\nInfo, Teatro Club Udine, via Marco Volpe 13, Udine, t  0432 507953, www.teatroclubudine.it.\r\n\r\n&nbsp;','“Akrópolis off\", tre appuntamenti per una nuova proposta culturale','','inherit','closed','closed','','5422-revision-3','','','2017-11-21 16:09:55','2017-11-21 15:09:55','',5422,'http://www.teatroclubudine.it/5427-5422-revision-3/',0,'revision','',0),
	(5428,2,'2017-11-21 16:05:30','2017-11-21 15:05:30','','Home page','','inherit','closed','closed','','82-revision-497','','','2017-11-21 16:05:30','2017-11-21 15:05:30','',82,'http://www.teatroclubudine.it/5428-82-revision-497/',0,'revision','',0),
	(5429,2,'2017-11-21 16:10:39','2017-11-21 15:10:39','','Home page','','inherit','closed','closed','','82-revision-498','','','2017-11-21 16:10:39','2017-11-21 15:10:39','',82,'http://www.teatroclubudine.it/5429-82-revision-498/',0,'revision','',0),
	(5570,1,'2013-07-05 00:45:00','2013-07-04 23:45:00','<p>what makes a good franchisee\r\n</p>\r\n<p>Thomas speedy shiners are pulling in trout. One customer trolling in 15 feet of water caught a 10 pound and 6 pound trout, but had to throw them back because they TMre out of season until April 17. The establishment\'s owners put an office manager on the stand last month to testify that he had failed to separate out the money made through table service reservations in the initial funding report. The business actually made 18 percent of its profits from reservations during that time, Walter Shuberg said, which dropped the share of the profits from liquor sales to 49 percent. \r\n</p>\r\n<p>31. $20 $25 for vehicles with as many as 10 passengers. Nobody understands it more than the one guy we talking about. It was about a team. 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She drove off the road and the crash seriously injured Davies and killed Roberta.  cheap nike air max shoes\r\n</p>\r\n<p>cheap air max Both of those hitches are now also easier to get, as Chevy now offers both gooseneck and fifth wheel hitches straight from the factory, which means that the hitch is warrantied and covered by the dealer. 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AdvancedHi ( to bid or buy) Daily Deals Gift Cards Help Contact Sell My eBayExpand My eBay Summary Recently Viewed Bids/Offers Watch List Purchase History Selling Saved Searches Saved Sellers MessagesNike Air Jordan win like 96 XI \'Retro Gym Red\' 10.5 Men\'s (In Box)An all time favorite among players and sneaker heads, Men\'s Air Jordan 11 \'Retro\' Shoe is composed of ballistic mesh, full grain and patent leathers. A full length carbon fiber shank enhances responsiveness, while the toe to heel Air Sole unit cushions your step. Benefits Leather and mesh upper is fitted with an iconic patent leather rand. So how can you get yourself into this position? The first thing that you need to do is to set aside some time for this exercise. That\'s the only way that you will ever really get around to achieving anything. 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	(5445,2,'2017-12-07 11:53:51','2017-12-07 10:53:51','<p align=\"center\">Akropolisoff - Dulinvie17\r\nGiovedì 7.12.17 h.18:30\r\nSocietà Filologica Friulana, via Manin 18, Udine</p>\r\n<p align=\"center\"><strong>\r\n</strong><strong>“Ogni sera”\r\n</strong><strong>Straulino al cjante Zanier</strong></p>\r\n&nbsp;\r\n<p align=\"center\">Zanier, recentemente scomparso, è un intellettuale, sindacalista e poeta che ha saputo raccontare in maniera illuminante il Friuli e gli eventi che ne hanno caratterizzato la sua storia recente, offrendo spesso punti di vista inusuali e spiazzanti; in questo senso rappresenta una figura-filtro esemplare per rileggere “diversamente” il Friuli e le sue vicende.</p>\r\n<p align=\"center\">Lino Straulino opera una scelta del tutto personale fra i testi poetici di Leonardo Zanier, restituendoci una nuova, personale, prospettiva interpretativa.<em></em></p>\r\nIngresso gratuito','Straulino al cjante Zanier, giovedì 7 dicembre a Udine','','publish','closed','closed','','straulino-al-cjante-zanier-giovedi-7-dicembre-a-udine','','','2017-12-07 12:04:31','2017-12-07 11:04:31','',0,'http://www.teatroclubudine.it/?p=5445',0,'post','',0),
	(5463,2,'2017-12-14 13:05:29','2017-12-14 12:05:29','<p align=\"center\"><strong>Teatro Club Udine </strong>e<strong> Il Laboratorio</strong></p>\n<p align=\"center\">in collaborazione con<strong>\n</strong>Nota edizioni, Parrocchia di S. Maria Annunziata, Museo del Duomo - Cattedrale di Udine<strong>\n</strong></p>\n<p align=\"center\">annunciano\nper il progetto condiviso Akrópolis Off e Dulinvie 17</p>\n<p align=\"center\"><strong>“Cantôrs di Plêf”\n</strong><strong>Il canto liturgico di tradizione orale nella Pieve di Santa Maria di Gorto (Ovaro)</strong></p>\n<p align=\"center\"><strong>sabato 16 dicembre 2017 │ore 18.30\n</strong><strong>Chiesa di San Cristoforo │Udine</strong></p>\n&nbsp;\n\n&nbsp;\n\nUn affondo negli strati profondi della storia remota del Friuli e nelle sue antiche tradizioni liturgiche e musicali. È questo il valore dell’iniziativa “<strong>Cantôrs di Plêf</strong>. <strong>Il canto liturgico di tradizione</strong><strong> </strong><strong>orale nella Pieve di Santa Maria di Gorto</strong>”, in programma <strong>sabato 16 dicembre 2017, alle ore 18.30</strong>, nella <strong>Chiesa di San Cristoforo</strong> di <strong>Udine</strong>, su progetto condiviso tra <strong>Teatro Club Udine/Akrópolis Off</strong> e l’Associazione <strong>Il Laboratorio</strong>, nonché in collaborazione con la Parrocchia di S. Maria Annunziata e il Museo del Duomo - Cattedrale di Udine.\n\n<a href=\"http://www.teatroclubudine.it/wp-content/uploads/2017/12/Gorto.jpg\"><img class=\"aligncenter size-full wp-image-5464\" title=\"Gorto\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2017/12/Gorto.jpg\" alt=\"\" width=\"800\" height=\"600\" /></a>\n\nCuore della manifestazione è il canto patriarchino, un canto antico, dall’origine misteriosa, tramandato oralmente di generazione in generazione, e che veniva intonato nelle cattedrali come nelle cappelle di montagna. Un fossile, probabilmente, della gloriosa storia del patriarcato di Aquileia e un canto diventato nei secoli espressione tra le più schiette della devozione popolare, comune alla vasta area alto-adriatica che nel Medioevo costituiva il territorio della diocesi metropolitica aquileiese con parte delle diocesi suffraganee. Attorno al patriarchino, oggi quasi estinto, si è costruita in Friuli una rete di affetto e di sostegno, con una coscienza molto moderna del suo valore, storico e di fede. È così per don Giuseppe Cargnello, che già negli anni Settanta ha iniziato a raccogliere le testimonianze di una storia che si andava spegnendo, e soprattutto per i cantori carnici della pieve di Gorto (Ovaro), nella val Degano,   di cui don Giuseppe è parroco dal 1972.\n\nA ridare voce alle  tracce sonore di questo arcano e perduto mondo  popolare saranno appunto gli  impareggiabili cantori di Gorto,  “Cantôrs di Plêf”, gruppo vocale deputato ad accompagnare col canto le liturgie parrocchiali più solenni, la cui storia è documentata per la prima volta agli inizi del Seicento. L’incontro, che prevede l’esecuzione di un ampio campione del repertorio tradizionale della Pieve di Gorto, sarà presentato e commentato da <strong>Roberto Frisano</strong>, curatore di un volume di recente uscita per Nota edizioni- libro con 2 CD - che verrà presentato per la prima volta in questa occasione.\n\nQuesto originale percorso musicale, che scava nelle sonorità del passato, è destinato inoltre a proseguire con due ulteriori tappe in programma il <strong>28 dicembre</strong> e il <strong>4 gennaio 2018, </strong>appuntamenti <strong> </strong> che saranno rispettivamente dedicati alla musica del Patriarcato di Aquileia e, di nuovo, al patriarchino di tradizione orale.\n\n&nbsp;\n\nInfo\ninfo@nota.it,  t  0432 582001\nTeatro Club Udine, via Marco Volpe 13, Udine, t  0432 507953, info@teatroclubudine.it, www.teatroclubudine.it\n\n&nbsp;\n\n&nbsp;\n\n&nbsp;','“Cantôrs di Plêf”, sabato 16 dicembre 2017','','inherit','closed','closed','','5456-autosave','','','2017-12-14 13:05:29','2017-12-14 12:05:29','',5456,'http://www.teatroclubudine.it/5463-5456-autosave/',0,'revision','',0),
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Visitors can pick up one of Todd Reed\'s bracelets made from raw diamonds, which are priced in the high four figures, or one of Meg Little\'s hand woven rugs with unique patterns and vibrant colors.But given the economy, which remains challenging, and the mood of consumers, which remains cautious, craft show organizers are making an effort this year to showcase handmade items costing less than $100. They want to send the messages that visitors can treat themselves to a small indulgence without raiding the food budget.Bernadette Boyle, the council\'s director of marketing and communications, estimates that about one vendor in five will be selling wares that cost $100 or less.\"A lot of people know of this show as featuring high end items, and they don\'t think there\'s anything here they could possibly afford,\" she says.  cheap nike air max shoes\r\n</p>\r\n<p>cheap air max shoes The dog seemed to eat almost anything. 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We must secure loose weapons grade nuclear material around the world and shut down or convert nuclear reactors using highly enriched uranium as soon as possible. \r\n</p>\r\n<p>cheap nike air max shoes Many couples will end up in divorce and will spend years searching for that \"perfect\" partner that will make them feel happy and fulfilled, only to find out later that the empty feeling returns, sometimes even stronger than originally. Left with no idea of where to turn next, many fall into a deep depression or sense of despair.  cheap <a href=\"https://www.cheapairmaxa.com/\" rel=\"friend met co-worker neighbor\">https://www.cheapairmaxa.com</a> cheap nike air max shoes nike air max shoes\r\n</p>\r\n<p>cheap nike air max 97 Why is it a secret? I guess it feels less legitimate than theater, even though it\'ll probably be seen by many, many more people. Also, it\'s new for me and people I.. He refused outright, and said a rookie reporter would never be sent on such an assignment. 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In response to the devastating wildfires, Tipping Point is now focused on helping displaced North Bay residents who are experiencing urgent housing, clothing, food and other needs.. \r\n</p>\r\n<p>cheap air max Getting a mortgage during the housing bubble was easier than easy, but getting it modified now to avoid foreclosure is often fiendishly difficult. Across the country, housing counselors are trying to help borrowers navigate a process that seems to change on a daily basis to collect the documents lenders want to see and to follow up, and follow up, and follow up again with the servicer handling the loan until someone makes a decision..  cheap air max\r\n</p>\r\n<p>The country in general is notorious for film censorship (cough The Interview drama cough). Under current leader Kim Jong Un, citizens caught watching films or TV shows unapproved by the government could be punished with hard labor, prison or even death.. \r\n</p>\r\n<p>cheap nike air max Fourteen of the 19 companies in the Baltimore region that paid their CEOs at least $1 million last year reported increases in executive compensation in 2010, according to a Baltimore Sun analysis. The increases largely reflected improved performances by the companies.  cheap nike air max\r\n</p>\r\n<p>cheap nike air max 95 There\'s little national data about the problem. Organizations against celebratory gunfire use anecdotal evidence gathered each year from news reports in their campaigns. The tragic police involved shooting at the Select Lounge on January 9, 2011 represents a historical and challenging point in the history of the Baltimore Police Department. The circumstances of this event have challenged the Department to critically examine its internal structure and find the necessary solutions to prevent a recurrence of this incident.  cheap nike air max 95\r\n</p>\r\n<p>cheap air max 95 But once I had mastered the malt, I was on the lookout for new culinary challenges. Such as frying hamburgers. These days, golf ball activity places and then institutions enjoys progressively landed at their Norwegian where to buy cheap jordans in new york, expresses a jordan 11 gamma ray that will help workforce beginning life care, and in specific services still during staff members unabridged ample measure athletic satisfying, that are kept to get buy authentic jordans online cheap, it is a different sort of creation associated business enterprise cultivation production. Task many new workers take advantage of the spend being journaliste not too long ago discovered from jordan 9 bel air for sale team, up to rejoice our own one international reach and international experience time, commemorate national coffee day big kids jordan shoes the game of basketball nfl, successful employees latina cultural work, the manufacturer during the performed some sports conference, which are the supplier the fifthly individuals games touch organised given that 3 years ago cheap air max 95.\r\n</p>','\"This is a significant win for Ciena','','publish','open','open','','this-is-a-significant-win-for-ciena','','','2018-01-08 02:08:35','2018-01-08 01:08:35','',0,'http://www.teatroclubudine.it/?p=5572',0,'post','',0),
	(5573,2,'2018-01-08 02:08:32','2018-01-08 01:08:32','','Bozza automatica','','inherit','closed','closed','','5572-revision','','','2018-01-08 02:08:32','2018-01-08 01:08:32','',5572,'http://www.teatroclubudine.it/5573-5572-revision/',0,'revision','',0),
	(5455,2,'2017-12-07 11:53:51','2017-12-07 10:53:51','<p align=\"center\">Akropolisoff - Dulinvie17\r\nGiovedì 7.12.17 h.18:30\r\nSocietà Filologica Friulana, via Manin 18, Udine</p>\r\n<p align=\"center\"><strong>\r\n</strong><strong>“Ogni sera”\r\n</strong><strong>Straulino al cjante Zanier\r\n\r\n\r\n</strong></p>\r\n<p align=\"center\">Zanier, recentemente scomparso, è un intellettuale, sindacalista e poeta che ha saputo raccontare in maniera illuminante il Friuli e gli eventi che ne hanno caratterizzato la sua storia recente, offrendo spesso punti di vista inusuali e spiazzanti; in questo senso rappresenta una figura-filtro esemplare per rileggere “diversamente” il Friuli e le sue vicende.</p>\r\n<p align=\"center\">Lino Straulino opera una scelta del tutto personale fra i testi poetici di Leonardo Zanier, restituendoci una nuova, personale, prospettiva interpretativa.<em>\r\n\r\nIngresso gratuito</em></p>','Straulino al cjante Zanier, giovedì 7 dicembre a Udine','','inherit','closed','closed','','5445-revision-2','','','2017-12-07 11:53:51','2017-12-07 10:53:51','',5445,'http://www.teatroclubudine.it/5455-5445-revision-2/',0,'revision','',0),
	(5456,2,'2017-12-13 17:57:52','2017-12-13 16:57:52','<p align=\"center\"><strong>Teatro Club Udine </strong>e<strong> Il Laboratorio</strong></p>\r\n<p align=\"center\">in collaborazione con<strong>\r\n</strong>Nota edizioni, Parrocchia di S. Maria Annunziata, Museo del Duomo - Cattedrale di Udine<strong>\r\n</strong></p>\r\n<p align=\"center\">annunciano\r\nper il progetto condiviso Akrópolis Off e Dulinvie 17</p>\r\n<p align=\"center\"><strong>“Cantôrs di Plêf”\r\n</strong><strong>Il canto liturgico di tradizione orale nella Pieve di Santa Maria di Gorto (Ovaro)</strong></p>\r\n<p align=\"center\"><strong>sabato 16 dicembre 2017 │ore 18.30\r\n</strong><strong>Chiesa di San Cristoforo │Udine</strong></p>\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\nUn affondo negli strati profondi della storia remota del Friuli e nelle sue antiche tradizioni liturgiche e musicali. È questo il valore dell’iniziativa “<strong>Cantôrs di Plêf</strong>. <strong>Il canto liturgico di tradizione</strong><strong> </strong><strong>orale nella Pieve di Santa Maria di Gorto</strong>”, in programma <strong>sabato 16 dicembre 2017, alle ore 18.30</strong>, nella <strong>Chiesa di San Cristoforo</strong> di <strong>Udine</strong>, su progetto condiviso tra <strong>Teatro Club Udine/Akrópolis Off</strong> e l’Associazione <strong>Il Laboratorio</strong>, nonché in collaborazione con la Parrocchia di S. Maria Annunziata e il Museo del Duomo - Cattedrale di Udine.\r\n\r\n<a href=\"http://www.teatroclubudine.it/wp-content/uploads/2017/12/Gorto.jpg\"><img class=\"aligncenter size-full wp-image-5464\" title=\"Gorto\" src=\"http://www.teatroclubudine.it/wp-content/uploads/2017/12/Gorto.jpg\" alt=\"\" width=\"800\" height=\"600\" /></a>\r\n\r\nCuore della manifestazione è il canto patriarchino, un canto antico, dall’origine misteriosa, tramandato oralmente di generazione in generazione, e che veniva intonato nelle cattedrali come nelle cappelle di montagna. Un fossile, probabilmente, della gloriosa storia del patriarcato di Aquileia e un canto diventato nei secoli espressione tra le più schiette della devozione popolare, comune alla vasta area alto-adriatica che nel Medioevo costituiva il territorio della diocesi metropolitica aquileiese con parte delle diocesi suffraganee. Attorno al patriarchino, oggi quasi estinto, si è costruita in Friuli una rete di affetto e di sostegno, con una coscienza molto moderna del suo valore, storico e di fede. È così per don Giuseppe Cargnello, che già negli anni Settanta ha iniziato a raccogliere le testimonianze di una storia che si andava spegnendo, e soprattutto per i cantori carnici della pieve di Gorto (Ovaro), nella val Degano,   di cui don Giuseppe è parroco dal 1972.\r\n\r\nA ridare voce alle  tracce sonore di questo arcano e perduto mondo  popolare saranno appunto gli  impareggiabili cantori di Gorto,  “Cantôrs di Plêf”, gruppo vocale deputato ad accompagnare col canto le liturgie parrocchiali più solenni, la cui storia è documentata per la prima volta agli inizi del Seicento. L’incontro, che prevede l’esecuzione di un ampio campione del repertorio tradizionale della Pieve di Gorto, sarà presentato e commentato da <strong>Roberto Frisano</strong>, curatore di un volume di recente uscita per Nota edizioni- libro con 2 CD - che verrà presentato per la prima volta in questa occasione.\r\n\r\nQuesto originale percorso musicale, che scava nelle sonorità del passato, è destinato inoltre a proseguire con due ulteriori tappe in programma il <strong>28 dicembre</strong> e il <strong>4 gennaio 2018, </strong>appuntamenti <strong> </strong> che saranno rispettivamente dedicati alla musica del Patriarcato di Aquileia e, di nuovo, al patriarchino di tradizione orale.\r\n\r\n&nbsp;\r\n\r\nInfo\r\ninfo@nota.it,  t  0432 582001\r\nTeatro Club Udine, via Marco Volpe 13, Udine, t  0432 507953, info@teatroclubudine.it, www.teatroclubudine.it\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','“Cantôrs di Plêf”, sabato 16 dicembre 2017','','publish','closed','closed','','cantors-di-plef-sabato-16-dicembre-2017','','','2017-12-14 13:05:31','2017-12-14 12:05:31','',0,'http://www.teatroclubudine.it/?p=5456',0,'post','',0),
	(5458,2,'2017-12-13 17:57:33','2017-12-13 16:57:33','','lake-2648221_1920','','inherit','closed','closed','','lake-2648221_1920','','','2017-12-13 17:57:33','2017-12-13 16:57:33','',5456,'http://www.teatroclubudine.it/wp-content/uploads/2017/12/lake-2648221_1920.jpg',0,'attachment','image/jpeg',0),
	(5459,2,'2017-12-13 17:48:57','2017-12-13 16:48:57','<p align=\"center\"><strong>Teatro Club Udine </strong>e<strong> Il Laboratorio</strong></p>\n<p align=\"center\">in collaborazione con<strong>\nNota edizioni, </strong><strong>Parrocchia di S. Maria Annunziata, Museo del Duomo - Cattedrale di Udine</strong><strong>\n</strong></p>\n<p align=\"center\">annunciano\nper il progetto condiviso Akrópolis Off e Dulinvie 17</p>\n<p align=\"center\"></p>\n<p align=\"center\"><strong>“Cantôrs di Plêf”</strong></p>\n<p align=\"center\"><strong>Il canto liturgico di tradizione orale nella Pieve di Santa Maria di Gorto (Ovaro)</strong></p>\n<p align=\"center\"><strong>sabato 16 dicembre 2017 │ore 18.30</strong></p>\n<p align=\"center\"><strong>Chiesa di San Cristoforo │Udine</strong></p>\n&nbsp;\n\n<strong><em> </em></strong>\n\n<strong><em>comunicato stampa di mercoledì 13 dicembre 2017\ncon cortese preghiera di pubblicazione/diffusione</em></strong>\n\n&nbsp;\n\nUn affondo negli strati profondi della storia remota del Friuli e nelle sue antiche tradizioni liturgiche e musicali. È questo il valore dell’iniziativa “<strong>Cantôrs di Plêf</strong>. <strong>Il canto liturgico di tradizione</strong><strong> </strong><strong>orale nella Pieve di Santa Maria di Gorto</strong>”, in programma <strong>sabato 16 dicembre 2017, alle ore 18.30</strong>, nella <strong>Chiesa di San Cristoforo</strong> di <strong>Udine</strong>, su progetto condiviso tra <strong>Teatro Club Udine/Akrópolis Off</strong> e l’Associazione <strong>Il Laboratorio</strong>, nonché in collaborazione con la Parrocchia di S. Maria Annunziata e il Museo del Duomo - Cattedrale di Udine.\n\nCuore della manifestazione è il canto patriarchino, un canto antico, dall’origine misteriosa, tramandato oralmente di generazione in generazione, e che veniva intonato nelle cattedrali come nelle cappelle di montagna. Un fossile, probabilmente, della gloriosa storia del patriarcato di Aquileia e un canto diventato nei secoli espressione tra le più schiette della devozione popolare, comune alla vasta area alto-adriatica che nel Medioevo costituiva il territorio della diocesi metropolitica aquileiese con parte delle diocesi suffraganee. Attorno al patriarchino, oggi quasi estinto, si è costruita in Friuli una rete di affetto e di sostegno, con una coscienza molto moderna del suo valore, storico e di fede. È così per don Giuseppe Cargnello, che già negli anni Settanta ha iniziato a raccogliere le testimonianze di una storia che si andava spegnendo, e soprattutto per i cantori carnici della pieve di Gorto (Ovaro), nella val Degano,   di cui don Giuseppe è parroco dal 1972.\n\nA ridare voce alle  tracce sonore di questo arcano e perduto mondo  popolare saranno appunto gli  impareggiabili cantori di Gorto,  “Cantôrs di Plêf”, gruppo vocale deputato ad accompagnare col canto le liturgie parrocchiali più solenni, la cui storia è documentata per la prima volta agli inizi del Seicento. L’incontro, che prevede l’esecuzione di un ampio campione del repertorio tradizionale della Pieve di Gorto, sarà presentato e commentato da <strong>Roberto Frisano</strong>, curatore di un volume di recente uscita per Nota edizioni- libro con 2 CD - che verrà presentato per la prima volta in questa occasione.\n\nQuesto originale percorso musicale, che scava nelle sonorità del passato, è destinato inoltre a proseguire con due ulteriori tappe in programma il <strong>28 dicembre</strong> e il <strong>4 gennaio 2018, </strong>appuntamenti <strong> </strong> che saranno rispettivamente dedicati alla musica del Patriarcato di Aquileia e, di nuovo, al patriarchino di tradizione orale.\n\n&nbsp;\n\nInfo\n<a href=\"mailto:info@nota.it\">info@nota.it</a>,   t  0432 582001\nTeatro Club Udine, via Marco Volpe 13, Udine, t  0432 507953, info@teatroclubudine.it, www.teatroclubudine.it\n\n&nbsp;\n\n&nbsp;\n\n&nbsp;','“Cantôrs di Plêf”, sabato 16 dicembre 2017','','inherit','closed','closed','','5456-revision','','','2017-12-13 17:48:57','2017-12-13 16:48:57','',5456,'http://www.teatroclubudine.it/5459-5456-revision/',0,'revision','',0),
	(5460,2,'2017-12-13 17:57:52','2017-12-13 16:57:52','<p align=\"center\"><strong>Teatro Club Udine </strong>e<strong> Il Laboratorio</strong></p>\r\n<p align=\"center\">in collaborazione con<strong>\r\nNota edizioni, </strong><strong>Parrocchia di S. Maria Annunziata, Museo del Duomo - Cattedrale di Udine</strong><strong>\r\n</strong></p>\r\n<p align=\"center\">annunciano\r\nper il progetto condiviso Akrópolis Off e Dulinvie 17</p>\r\n<p align=\"center\"></p>\r\n<p align=\"center\"><strong>“Cantôrs di Plêf”</strong></p>\r\n<p align=\"center\"><strong>Il canto liturgico di tradizione orale nella Pieve di Santa Maria di Gorto (Ovaro)</strong></p>\r\n<p align=\"center\"><strong>sabato 16 dicembre 2017 │ore 18.30</strong></p>\r\n<p align=\"center\"><strong>Chiesa di San Cristoforo │Udine</strong></p>\r\n&nbsp;\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong><em>comunicato stampa di mercoledì 13 dicembre 2017\r\ncon cortese preghiera di pubblicazione/diffusione</em></strong>\r\n\r\n&nbsp;\r\n\r\nUn affondo negli strati profondi della storia remota del Friuli e nelle sue antiche tradizioni liturgiche e musicali. È questo il valore dell’iniziativa “<strong>Cantôrs di Plêf</strong>. <strong>Il canto liturgico di tradizione</strong><strong> </strong><strong>orale nella Pieve di Santa Maria di Gorto</strong>”, in programma <strong>sabato 16 dicembre 2017, alle ore 18.30</strong>, nella <strong>Chiesa di San Cristoforo</strong> di <strong>Udine</strong>, su progetto condiviso tra <strong>Teatro Club Udine/Akrópolis Off</strong> e l’Associazione <strong>Il Laboratorio</strong>, nonché in collaborazione con la Parrocchia di S. Maria Annunziata e il Museo del Duomo - Cattedrale di Udine.\r\n\r\nCuore della manifestazione è il canto patriarchino, un canto antico, dall’origine misteriosa, tramandato oralmente di generazione in generazione, e che veniva intonato nelle cattedrali come nelle cappelle di montagna. Un fossile, probabilmente, della gloriosa storia del patriarcato di Aquileia e un canto diventato nei secoli espressione tra le più schiette della devozione popolare, comune alla vasta area alto-adriatica che nel Medioevo costituiva il territorio della diocesi metropolitica aquileiese con parte delle diocesi suffraganee. Attorno al patriarchino, oggi quasi estinto, si è costruita in Friuli una rete di affetto e di sostegno, con una coscienza molto moderna del suo valore, storico e di fede. È così per don Giuseppe Cargnello, che già negli anni Settanta ha iniziato a raccogliere le testimonianze di una storia che si andava spegnendo, e soprattutto per i cantori carnici della pieve di Gorto (Ovaro), nella val Degano,   di cui don Giuseppe è parroco dal 1972.\r\n\r\nA ridare voce alle  tracce sonore di questo arcano e perduto mondo  popolare saranno appunto gli  impareggiabili cantori di Gorto,  “Cantôrs di Plêf”, gruppo vocale deputato ad accompagnare col canto le liturgie parrocchiali più solenni, la cui storia è documentata per la prima volta agli inizi del Seicento. L’incontro, che prevede l’esecuzione di un ampio campione del repertorio tradizionale della Pieve di Gorto, sarà presentato e commentato da <strong>Roberto Frisano</strong>, curatore di un volume di recente uscita per Nota edizioni- libro con 2 CD - che verrà presentato per la prima volta in questa occasione.\r\n\r\nQuesto originale percorso musicale, che scava nelle sonorità del passato, è destinato inoltre a proseguire con due ulteriori tappe in programma il <strong>28 dicembre</strong> e il <strong>4 gennaio 2018, </strong>appuntamenti <strong> </strong> che saranno rispettivamente dedicati alla musica del Patriarcato di Aquileia e, di nuovo, al patriarchino di tradizione orale.\r\n\r\n&nbsp;\r\n\r\nInfo\r\n<a href=\"mailto:info@nota.it\">info@nota.it</a>,   t  0432 582001\r\nTeatro Club Udine, via Marco Volpe 13, Udine, t  0432 507953, info@teatroclubudine.it, www.teatroclubudine.it\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','“Cantôrs di Plêf”, sabato 16 dicembre 2017','','inherit','closed','closed','','5456-revision-2','','','2017-12-13 17:57:52','2017-12-13 16:57:52','',5456,'http://www.teatroclubudine.it/5460-5456-revision-2/',0,'revision','',0),
	(5464,2,'2017-12-14 13:05:01','2017-12-14 12:05:01','','Gorto','','inherit','closed','closed','','gorto','','','2017-12-14 13:05:01','2017-12-14 12:05:01','',5456,'http://www.teatroclubudine.it/wp-content/uploads/2017/12/Gorto.jpg',0,'attachment','image/jpeg',0),
	(5465,2,'2017-12-13 21:36:06','2017-12-13 20:36:06','<p align=\"center\"><strong>Teatro Club Udine </strong>e<strong> Il Laboratorio</strong></p>\r\n<p align=\"center\">in collaborazione con<strong>\r\nNota edizioni, </strong><strong>Parrocchia di S. Maria Annunziata, Museo del Duomo - Cattedrale di Udine</strong><strong>\r\n</strong></p>\r\n<p align=\"center\">annunciano\r\nper il progetto condiviso Akrópolis Off e Dulinvie 17</p>\r\n<p align=\"center\"><strong>“Cantôrs di Plêf”</strong></p>\r\n<p align=\"center\"><strong>Il canto liturgico di tradizione orale nella Pieve di Santa Maria di Gorto (Ovaro)</strong></p>\r\n<p align=\"center\"><strong>sabato 16 dicembre 2017 │ore 18.30</strong></p>\r\n<p align=\"center\"><strong>Chiesa di San Cristoforo │Udine</strong></p>\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\nUn affondo negli strati profondi della storia remota del Friuli e nelle sue antiche tradizioni liturgiche e musicali. È questo il valore dell’iniziativa “<strong>Cantôrs di Plêf</strong>. <strong>Il canto liturgico di tradizione</strong><strong> </strong><strong>orale nella Pieve di Santa Maria di Gorto</strong>”, in programma <strong>sabato 16 dicembre 2017, alle ore 18.30</strong>, nella <strong>Chiesa di San Cristoforo</strong> di <strong>Udine</strong>, su progetto condiviso tra <strong>Teatro Club Udine/Akrópolis Off</strong> e l’Associazione <strong>Il Laboratorio</strong>, nonché in collaborazione con la Parrocchia di S. Maria Annunziata e il Museo del Duomo - Cattedrale di Udine.\r\n\r\nCuore della manifestazione è il canto patriarchino, un canto antico, dall’origine misteriosa, tramandato oralmente di generazione in generazione, e che veniva intonato nelle cattedrali come nelle cappelle di montagna. Un fossile, probabilmente, della gloriosa storia del patriarcato di Aquileia e un canto diventato nei secoli espressione tra le più schiette della devozione popolare, comune alla vasta area alto-adriatica che nel Medioevo costituiva il territorio della diocesi metropolitica aquileiese con parte delle diocesi suffraganee. Attorno al patriarchino, oggi quasi estinto, si è costruita in Friuli una rete di affetto e di sostegno, con una coscienza molto moderna del suo valore, storico e di fede. È così per don Giuseppe Cargnello, che già negli anni Settanta ha iniziato a raccogliere le testimonianze di una storia che si andava spegnendo, e soprattutto per i cantori carnici della pieve di Gorto (Ovaro), nella val Degano,   di cui don Giuseppe è parroco dal 1972.\r\n\r\nA ridare voce alle  tracce sonore di questo arcano e perduto mondo  popolare saranno appunto gli  impareggiabili cantori di Gorto,  “Cantôrs di Plêf”, gruppo vocale deputato ad accompagnare col canto le liturgie parrocchiali più solenni, la cui storia è documentata per la prima volta agli inizi del Seicento. L’incontro, che prevede l’esecuzione di un ampio campione del repertorio tradizionale della Pieve di Gorto, sarà presentato e commentato da <strong>Roberto Frisano</strong>, curatore di un volume di recente uscita per Nota edizioni- libro con 2 CD - che verrà presentato per la prima volta in questa occasione.\r\n\r\nQuesto originale percorso musicale, che scava nelle sonorità del passato, è destinato inoltre a proseguire con due ulteriori tappe in programma il <strong>28 dicembre</strong> e il <strong>4 gennaio 2018, </strong>appuntamenti <strong> </strong> che saranno rispettivamente dedicati alla musica del Patriarcato di Aquileia e, di nuovo, al patriarchino di tradizione orale.\r\n\r\n&nbsp;\r\n\r\nInfo\r\n<a href=\"mailto:info@nota.it\">info@nota.it</a>,   t  0432 582001\r\nTeatro Club Udine, via Marco Volpe 13, Udine, t  0432 507953, info@teatroclubudine.it, www.teatroclubudine.it\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','“Cantôrs di Plêf”, sabato 16 dicembre 2017','','inherit','closed','closed','','5456-revision-3','','','2017-12-13 21:36:06','2017-12-13 20:36:06','',5456,'http://www.teatroclubudine.it/5465-5456-revision-3/',0,'revision','',0),
	(5466,1,'2013-07-14 08:54:00','2013-07-14 07:54:00','<p>A young fellow in bookkeeping that invests all day at his desk might like taking out critical illness insurance to accident insurance considering that there is little danger of him being in a job related accident. An older man that runs a forklift could really want to take out both considering that he is at threat of critical illness at that phase of his life and he is also at threat of having a mishap. Continue reading on MetLife Case Study and Survey Report.\r\n</p>\r\n<p>Falabella Replica Bags However, the title has been changed to Cop Out. Two Lines, No Waiting: The B plot, about Paul\'s fears that his wife is cheating on him with the neighbor. Uncle Tomfoolery: Paul skirts this a bit. He is quite buffoonish, but he does end up being oddly competent at police work.  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	(5476,1,'2013-07-10 06:07:00','2013-07-10 05:07:00','<p>Momma\'s Boy: Tim Allerton is very close with Mrs Allerton, who is a very nice woman. Murder Suicide: Jacqueline shoots Simon and then herself at the end. No Guy Wants to Be Chased: Simon Doyle claims this as the reason that he broke off his relationship with his fiancee Jacqueline and married Jackie\'s best friend Linnet. \r\n</p>\r\n<p>Falabella Replica Bags Bad Santa: Mr Sacks. He comes at Christmas to take things. He might take your headache away. He might take your regards. He might take your reputation. He might take your auntie. If you\'re very unwise, he might take you. 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	(5478,1,'2013-07-26 05:50:00','2013-07-26 04:50:00','<p>Dr. Jonas Miller, the protagonists\' tornado chasing rival in Twister. His sins? Taking corporate funding, creating a competitor to the protagonists\' experimental prototype, being a Smug Snake, and riding around in a caravan of black SUVs. Jonas even has plenty of valid points that he and Bill are Not So Different. Both Bill and Jonas left their old crew for better paying jobs (Jonas for his corporate sponsors, Bill as a TV weatherman.) Bill also abandoned his idea for the \"Dorothy\" system, and Jonas built a working prototype without him.\r\n</p>\r\n<p>wholesale replica handbags Used in Himitsu no Akko chan <a href=\"http://djtinat.com/devoted-grandparents-stand-in-their-garden-every-morning/\">http://djtinat.com/devoted-grandparents-stand-in-their-garden-every-morning/</a>, in the aptly named \"_____\" episode. To make herself more empathetic to the new deaf kid in her class, Akko chan asks her magic mirror to make her deaf and mute, forgetting that her magic mirror could only obey spoken commands. Not only did she not learn to make up for her self inflicted handicaps, but lost every shred of self reliance and independence, becoming unable to even try to communicate her plight and risking certain death by running blindly into a ravine. She gets her Aesop when the deaf boy himself, with an impressive (at least to her) show of his abilities, manages to track and save her. The Reset Button comes with a lecture about his Handicapped Badass status. wholesale replica handbags\r\n</p>\r\n<p>Replica Designer Handbags Briggs also is attacked by the immensely powerful eclipse monsters and survives long enough to be found by the heroes and die reassuring his son. He only disqualifies on the basis of not having any known grandkids (though with a son that good looking. one never knows). Badass Longcoat: Isaac now wears one.  Replica Designer Handbags\r\n</p>\r\n<p>Replica Goyard Bags The Electronics engineering colleges in Bangalore are the top BE schools in providing world class education facility. A BE/ B Tech degree in engineering is the turning point in ones career line that opens up diverse job opportunities. The BE colleges in Bangalore are the most promising quality education providers and are the proven grounds of excellence which one should consider while pursuing a career in engineering. Apart from providing quality education, these colleges in Bangalore also cater for excellent faculty, exceptional infrastructure and effective career guide through internships and project works. The BE/B Tech students get a real time exposure that provides a hand on experience on industry work. The engineering colleges offer hundred percent placement guarantees to the candidates after successful completion of the course. The candidates from the top BE colleges in Bangalore are hired by the top recruiters through on and off campuses every year. Replica Goyard Bags\r\n</p>\r\n<p>Replica bags It\'s definitely one of the weirdest human designed ships on this list, even before being possessed by extradimensional evil. It\'s also one of the closest examples on this list to an Standard Human Spaceship, despite being simultaneously this trope. Epic Tracking Shot: The vertigo and motion sickness inducing pull out from Weir opening his shutters, revealing him to be on a sprawling space station in orbit above Earth.  Replica bags\r\n</p>\r\n<p>Replica Stella McCartney bags In Trinity Blood, Catholicism is pretty much the only religion, period. Although given that it\'s set 1000 years After the End and Europe (which is largely Catholic in Real Life) was the only bit of the world that wasn\'t nuked into oblivion, this might be somewhat justified. It is also probably worth noting that the church in Trinity Blood is a political and military organization as much as a religious one. Replica Stella McCartney bags\r\n</p>\r\n<p>Hermes Birkin replica Back when that 1993 opinion came out, Philadelphia officials denied the county had any problem with prosecutor misconduct. Fast forward 20 years. Last month, after another series convictions were thrown out due to prosecutorial misconduct, the Innocence Project publicly called for Philadelphia County to once again go back and look at cases dating back 30 years. And once again, Philadelphia County District Attorney Seth Williams insisted that there\'s nothing to worry about. (Williams himself recently pressed charges against a man for, essentially, proving that some Philadelphia police are ignorant of their own state\'s gun laws.) Hermes Birkin replica.\r\n</p>','To make herself more empathetic to the new deaf kid in her','','publish','open','open','','to-make-herself-more-empathetic-to-the-new-deaf-kid-in-her','','','2017-12-14 14:06:57','2017-12-14 13:06:57','',0,'http://www.teatroclubudine.it/?p=5478',0,'post','',0),
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	(5480,1,'2013-08-21 00:18:00','2013-08-20 23:18:00','<p>A supertrope of Desperation Attack. A subtrope of Anti Frustration Features and Mercy Mode. Compare Rubberband AI, which is when this is applied to the computer players but not to human players; and Dynamic Difficulty and Critical Status Buff, applied to a single player mode (though not necessarily for the latter). Turns Red is a Comeback Mechanic applied to a boss. If a game has a particularly strong comeback mechanic, this may invoke players to Do Well, but Not Perfect. A Golden Snitch is a Comeback Mechanic run amok, where it\'s so strong that performance outside of this one mechanic is pointless. Contrast Unstable Equilibrium and Kill Streak, which is when a game gives advantages to the winning players.\r\n</p>\r\n<p>Replica Designer Handbags Consequentially, more than a few people assumed that the show was charging headlong into Totally Radical and We\'re Still Relevant, Dammit! territory. 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	(5492,1,'2013-07-19 08:33:00','2013-07-19 07:33:00','<p>Even if they did this with the intention of using their beast drives, said beast drives don\'t even inflict much more damage than a regular combo string. Basically, they\'re killing themselves just to become a beast more often, even though they\'re diminishing their life for doing this. In the case of Dragon Ryoho, whose health bar is almost depleted when faced as the final boss, he will happily use beast drives, which cost him parts of the beast gauge. \r\n</p>\r\n<p>Hermes Replica Handbags To some other people The Ace y Marika admits on screen to have always been inspired by Ririka and avidly admiring her, all the while not excessively aware of Ririka\'s past career as a famed space pirate. Cassandra Truth: When the second raid on the Princess Apricot doesn\'t go as smoothly as expected, the Captain suggests that maybe the crew has taken ill and been replaced by trainees.  Hermes Replica Handbags\r\n</p>\r\n<p>Falabella Replica Bags In an episode from the first season of Strike Witches (which is set in an alternate 1944 in which aliens invaded and conquered most of continental Europe in 1939), Minna comments how if the aliens hadn\'t invaded, their superiors (Europe\'s political and military leaders) would likely be fighting among themselves. An episode from the second season (set in 1945) has the aircraft carrier Amagi supporting the Strike Witches in battle (in real life, the Amagi was a partially completed battle cruiser canceled under the conditions of the Washington Naval Treaty and was intended to be converted into a carrier, but was badly damaged in an earthquake and scrapped.)note This is all true, but there was another Amagi (Unryu class) built during World War II. It didn\'t have much of a war record, because the IJN was just about out of planes when it entered service. Falabella Replica Bags\r\n</p>\r\n<p>Replica Designer Handbags Buffy, Xander, Willow, and Giles meet at Buffy\'s to relax with videos after their victory over Adam. Meanwhile, Riley is going to a debriefing and expects to be granted an honorable discharge, due to many people testifying that Riley is why they\'re alive (as well as the Government\'s desire to keep Riley silent about The Initiative), and he goes to meet with his superiors.  Replica Designer Handbags\r\n</p>\r\n<p>Valentin replica Any and all summoned animals in Naruto have this, from Kakashi\'s mostly normal talking dogs to Jiraiya\'s extemely powerful and ancient toads. Partner animals, like Akamaru, Tonton, and Kuromaru, are a bit less so <a href=\"http://takefivemusicacademy.com/2017/12/15/lightning-and-darkness-are-used-in-some-of-the-strongest/\">http://takefivemusicacademy.com/2017/12/15/lightning-and-darkness-are-used-in-some-of-the-strongest/</a>, but still impressive. Kakashi\'s pug Pakkun is noted as being exceptional even for ninja animals, being able to speak Kakashi\'s name when he was four months old. Outside of the toads and Akamaru, he gets the most screentime too. Valentin replica\r\n</p>\r\n<p>Replica Stella McCartney bags \"Man of the Year\" from The Eyes of Alice Cooper. The narrator spends the entire song talking about how great he is, then in the bridge suddenly reveals that despite this, he\'s incredibly lonely and depressed and then proceeds to kill himself. For the final verse he reverts to talking about how great the funeral was and how he bets God can\'t wait to meet him.  Replica Stella McCartney bags\r\n</p>\r\n<p>Replica Valentino bags We already know that everything Brooks writes serves power perfectly (hence his undeserved perch in the pages of the nation\'s \"paper of record\"), but for some reason he feels compelled to beat up on poor people who are clearly inaudible to him. Brooks writing about poverty is like a celibate writing about sex: it\'s something he knows nothing about. Replica Valentino bags\r\n</p>\r\n<p>wholesale replica handbags Woody does this at the start of \"My Way Or The Highway\" when Brickleberry ends up having the Woody Johnson Is A Sexist Asshole Memorial Highway run through it. Black Comedy: A lot. The season 2 finale revolves around Denzel trying to kill Connie\'s son, the anti Christ. As he throws it into a volcano he\'s dancing a little jig for victory wholesale replica handbags.\r\n</p>','Kakashi\'s pug Pakkun is noted as being exceptional even for','','publish','open','open','','kakashis-pug-pakkun-is-noted-as-being-exceptional-even-for','','','2017-12-16 19:23:37','2017-12-16 18:23:37','',0,'http://www.teatroclubudine.it/?p=5492',0,'post','',0),
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	(5494,1,'2013-09-22 06:02:00','2013-09-22 05:02:00','<p>Cerebus Syndrome: The comic has more serious storylines in the third year, and Surreptitious Machinations was the first with a truly dark tone GPF burns down and goes out of business, Fooker gets framed for murder, Nick takes a job away from Ki, and in the alternate future, Trudy takes over the world and the rest of the cast gets killed. \r\n</p>\r\n<p>Falabella Replica Bags Anyone Can Die: Hughes, Nina, Alexander, Scar, and Ed. Arch Enemy: Envy to Ed, Pride to Roy, Kimblee to Scar. Armor Piercing Question: Barry to Al. \"How do you know your memories are real?\" Armor Piercing Slap: Ross to Ed. Art Evolution: The tone darkened over time, and quality of the animation increases.  Falabella Replica Bags\r\n</p>\r\n<p>Replica Stella McCartney bags A \"Lighter Side of.\" strip in MAD Magazine had a group of fathers ogling a centrefold in a magazine and making comments about her \"cute seat\" and \"how it\'s what\'s up front that counts\". One of their sons pesters them to see what they are looking out. When they finally show him, it is a foldout ad for a ride on lawn mower. Replica Stella McCartney bags\r\n</p>\r\n<p>Valentin replica Shout Out: When Fencer and Foofur go to a club in New Orleans, they see a lavender cat looking a lot like Scat Cat from The Aristocats, playing the kazoo. Sick Episode: In \"Nothing to Sneeze at\", After the canines (except Foofur) noticed Fencer smells like fish, They washed Him, but with cold water, Fencer gets a heavy cold.  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Why the devil did you come between us? I was hurt under your arm.\" \"I thought all for the best.\" \"A Plague o\' both your houses.\" Replica bags\r\n</p>\r\n<p>Replica Designer Handbags Rundas seems to come to his senses only to to be impaled. Ghor is screaming and helpless as Dark Samus absorbs him in spite of your efforts. Finally, as Gandrayda succumbs, she shape shifts into the previous two, then into Samus, a reminder that you couldn\'t save your allies, and since you\'re corrupted like them, you may yet share their fate.  Replica Designer Handbags\r\n</p>\r\n<p>Replica Valentino bags I know that many, perhaps most, Americans would read these quotations and think, \"of course, they\'re repeating obvious truisms.\" Both quotations are, however, dangerous myths. My colleagues at UMKC who specialize in macroeconomics have been discrediting these myths for many years, and Krugman has come to the same viewpoint. Randy Wray has just published a book on the subject. Every time someone reads it a Pete Peterson acolyte loses his wings. (L. Randall Wray. Modern Money Theory: A Primer on Macroeconomics for Sovereign Monetary Systems (2013).) Replica Valentino bags.\r\n</p>','Art Evolution: The tone darkened over time','','publish','open','open','','art-evolution-the-tone-darkened-over-time','','','2017-12-16 19:23:47','2017-12-16 18:23:47','',0,'http://www.teatroclubudine.it/?p=5494',0,'post','',0),
	(5495,2,'2017-12-16 19:23:45','2017-12-16 18:23:45','','Bozza automatica','','inherit','closed','closed','','5494-revision','','','2017-12-16 19:23:45','2017-12-16 18:23:45','',5494,'http://www.teatroclubudine.it/5495-5494-revision/',0,'revision','',0),
	(5496,1,'2013-07-16 08:01:00','2013-07-16 07:01:00','<p>Many of them are are at least mildy amusing. The weakest is probably the fifth, where the regular cast gets Demoted to Extra while a bunch of heroes from 80\'s mystery and crime TV shows take over the action to find out who stole the magazine\'s logo. The \'Greatest Film Ever Made\' involved a crossover between Rocky, Jaws, C 3PO and R2 D2 of Star Wars, the Godfather, and a few other movies that were popular during the late 70\'s/early 80\'s. \r\n</p>\r\n<p>Replica Valentino bags All There in the Manual: During Twilight and Fluttershy\'s discussion of the Fall Formal Princess, Fluttershy says that the previous girl to go up against Sunset was utterly humiliated, but she never says who it was. Word of Saint Paul, it was Rarity, though a few lines imply that it was her.  Replica Valentino bags\r\n</p>\r\n<p>Replica Goyard Bags If you don\'t know where to share, be sure to check out allrecipes. 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Instant Sedation: In a flashback the opening mission is shown to have an agent poking the target on the back of the hand with a tiny needle hidden in a ring.  Hermes Birkin replica\r\n</p>\r\n<p>Falabella Replica Bags Dhoulmagus disobeyed his master in his search for personal power, and ultimately killed him. Which wouldn\'t have happened if Dhoulmagus were more patient a student and Rylus less careless a master. Valentina entreats the party to help restore her beloved father, Farebury\'s local drunk Kalderasha, to his true calling. Jessica pursues vengeance for Alistair even to the point of defying her mother\'s attempts to honor shallow tradition.  Falabella Replica Bags\r\n</p>\r\n<p>Hermes Replica Handbags No. Even if we did not find this particle and found the Higgs, the current model would still be insufficient, as it does not account for gravity. 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Therefore it is no surprise that such unpredicted composite \"particles\" show up every now and then (this is not the first one, it is a fairly common occurence) Hermes Replica Handbags.\r\n</p>','In the later levels of both games','','publish','open','open','','in-the-later-levels-of-both-games','','','2017-12-16 19:23:57','2017-12-16 18:23:57','',0,'http://www.teatroclubudine.it/?p=5496',0,'post','',0),
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	(5498,1,'2013-09-04 11:57:00','2013-09-04 10:57:00','<p>In my three years as the first professional conservationist on any of these federal fisheries councils, I realized that the councils were enabled to do all the right things but not required to do any of them. (And note   the law was created in 1976, and only this year are all fisheries required to have management plans!)\r\n</p>\r\n<p>Falabella Replica Bags In the Nightwing series, for a prolonged time, Dick saw the manager of the apartment building only behind the sink she was working on and the like, and knew only she had an Irish accent. When he hears the voice behind him, he assumes it\'s the green eyed, red haired one, when it\'s really the Chinese one. She explains that she was adopted in Hong Kong and taken home by her parents. Falabella Replica Bags\r\n</p>\r\n<p>wholesale replica handbags Habit 8: Having a lie in. Many of us would sleep a lot during weekend (after a long week of hard work). Now, before you start to feel guilty about too much sleep during weekends, here is the good news. According to study, sleeping can give you memory boost, reduced stress, and even long life. wholesale replica handbags\r\n</p>\r\n<p>Replica bags The best way to incorporate flaxseed into your diet is to grind it. If you do not have a grinder, there is no need to worry. I myself do not use a grinder. You can easily buy it already ground (milled). I buy a 15 ounce vacuum sealed bag of USDA organic ground/milled flaxseed from the store (Whole Foods, Trader Joes, Wegman\'s, Health Food stores,). This bag will last about a week and it costs anywhere from $5 $12 dollars depending on where you buy it. You can also get it online. Replica bags\r\n</p>\r\n<p>Replica Designer Handbags Another series of the franchise plays this trope in a more straight fashion. Tetsuya Tsurugi, Duke Fleed and their allies wear sturdy Latex Space Suits to protect their bodies from harm during the battles. They often get injured nonetheless, especially Tetsuya, who is too rash and reckless. On the other hand <a href=\"http://sakhstud.ru/look-at-me-itch-she-said/\">http://sakhstud.ru/look-at-me-itch-she-said/</a>, New Mazinger averts this trope. Kabuto wears Powered Armor that protects him efficiently during the whole story. Replica Designer Handbags\r\n</p>\r\n<p>Hermes Replica Handbags Andrew HWhat you have percieved from the interview is symptomatic of every area of Government legislation We will put in the over arching framework of what is to be done, and the minutiae can be worked out at a later date when we\'ve actually worked out the deficiencies with the system we\'ve put in, and how we want to fine tune it. It happened with FSMA 2000 (how many FSMA regulations are there which were never formally approved in Parliament?) and it happens frequently in the tax system. It is legislation by Government Dictat. It works, but is it fair? Is it sound? Most of all, is it safe? What happens in a nightmare scenario of a megalomaniac dictator Prime Minister, who rules by his own will? Do we want to be that exposed as a nation to his whim, or do we want rules and regulation and most of all powerful safeguards (eg. Hermes Replica Handbags\r\n</p>\r\n<p>Hermes Birkin replica A celebrity is influential, has the money and the power to mend things his own way. And things become brighter, if he hails from a politically connected family. Surprisingly, the ones who don\'t waste time outraging against politicians go mysteriously silent when a convicted member from their industry plays politics with the immeasurable grief of the victims of a terribly disturbing incident. Hermes Birkin replica\r\n</p>\r\n<p>Replica Goyard Bags War, war never changes, and during the battle, two of the members of the team will be fatally wounded, one of them probably a lethal but small wound (maybe a bullet near the heart, a dissease that was goint to kill him soon anyway, maybe Hes\'s a Robot/Cyborg and can easily unplug their limbs, or maybe just on an area that doesn\'t affect the desired effect of the trope) and probably one of them will have a bigger wound,maybe he even a lost limb or two in the battle,hoever, this guys have some way (magic, mcguffin, or just a Genious doctor handy) to transfer some part of them to the friend and save his life Replica Goyard Bags.\r\n</p>','She explains that she was adopted in Hong Kong and taken home','','publish','open','open','','she-explains-that-she-was-adopted-in-hong-kong-and-taken-home','','','2017-12-16 19:24:08','2017-12-16 18:24:08','',0,'http://www.teatroclubudine.it/?p=5498',0,'post','',0),
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